Manfredo Tafuri is the Director of the Department of History of Architecture at the Istituto Universitario di Architettura in Venice.
原文摘录
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(a) a first, which witnesses the formation of urban ideology as an overcoming of late romantic mythology
(b) a second, which sees the task of the artistic avant-garde develop as the creation of ideological projects and the individualization of "unsatisfied needs," which are then consigned for concrete resolution to architecture;
(c) a third, in which architectural ideology becomes ideology of the plan
Utopia is therefore nothing other than "structural vision of the totality that is and is becoming," The transcendence of the pure "datum", a system of orientation intent upon "breaking the relationships of the existing order" in order to recover them at a higher and different level.
The problem was to plan the disappearance of the subject, to cancel the anguish caused by the pathetic (or ridi... (查看原文)
De Stijl and the Bauhaus introduced the ideology of the plan into a design method that was always closely related to the city as a productive structure. Dada, by means of the absurd, demonstrated - without naming it - the necessity of a plan.
Furthermore, all the avant-garde movements adopted political parties as models of action. Dada and surrealism can surely be seen as particular expressions of anarchic spirit. And indeed De Stijl, the Bauhaus, and the Soviet avant-garde movements did not hesitate to set themselves up explicitly as global alternatives to political practices; alternatives that assumed all the characteristics of ethical choices. (查看原文)
玩樂場
The MIT Press1979版
还没人写过短评呢
还没人写过短评呢