Editors’ note
Preface – by Wannaporn Rienjang and Peter Stewart
Part 1 Artistic Geographies
Gandhāran art(s): Methodologies and preliminary results of a stylistic analysis – by Jessie Pons
Geographical differences and similarities in Gandhāran sculptures – by Satoshi Naiki
Part 2 Provenances and Localities
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Editors’ note
Preface – by Wannaporn Rienjang and Peter Stewart
Part 1 Artistic Geographies
Gandhāran art(s): Methodologies and preliminary results of a stylistic analysis – by Jessie Pons
Geographical differences and similarities in Gandhāran sculptures – by Satoshi Naiki
Part 2 Provenances and Localities
Sources of acquisition for the Gandhāran Buddhist sculptures in the former S.R.O. collection of the Department of Archaeology and Museums, Government of Pakistan, in the light of ar¬chival documents – by Zarawar Khan
Fresh discoveries at the Buddhist Monastic Complex Bādalpur, Taxila valley – by Muhammad Ashraf Khan
Fresh research on the Buddhist monastic complex of Takht-i-Bāhī – by M.H. Khan Khattak
The scope of the Buddhist 'workshops' and artistic 'centres’ in the Swat Valley, ancient Uḍḍiyāna, in Pakistan – by Abdul Ghafoor Lone
Regional workshops and small stūpas in the Swat Valley: an analysis of the evidence from Gumbat, Saidu Sharif, and Pānṛ – by Pia Brancaccio and Luca Maria Olivieri
Differences and similarities in Gandhāran art production: the case of the modelling school of Haḍḍa (Afghanistan) – by Alexandra Vanleene
Part 3 Geography and Text
A survey of place-names in Gāndhārī inscriptions and a new oil lamp from Malakand – by Stefan Baums
Making places for Buddhism in Gandhāra: stories of previous births in image and text – by Jason Neelis
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还没人写过短评呢
还没人写过短评呢