作者: W. Somerset Maugham
出版社: Vintage Classics
出版年: 2008-5-1
页数: 224
定价: GBP 7.99
装帧: Paperback
ISBN: 9780099284765
出版社: Vintage Classics
出版年: 2008-5-1
页数: 224
定价: GBP 7.99
装帧: Paperback
ISBN: 9780099284765
内容简介 · · · · · ·
Charles Strickland, a conventional stockbroker, abandons his wife and children for Paris and Tahiti, to live his life as a painter. Whilst his betrayal of family, duty and honour gives him the freedom to achieve greatness, his decision leads to an obsession which carries severe implications. Inspired by the life of Paul Gauguin, The Moon and Sixpence is at once a satiric cari... (展开全部)
Charles Strickland, a conventional stockbroker, abandons his wife and children for Paris and Tahiti, to live his life as a painter. Whilst his betrayal of family, duty and honour gives him the freedom to achieve greatness, his decision leads to an obsession which carries severe implications. Inspired by the life of Paul Gauguin, The Moon and Sixpence is at once a satiric caricature of Edwardian conventions and a vivid portrayal of the mentality of a genius.
作者简介 · · · · · ·
威廉·萨默赛特·毛姆(William Somerset Maugham)于1874年1月25日出生在巴黎。父亲是律师,当时在英国驻法使馆供职。小毛姆不满十岁,父母就先后去世,他被送回英国由伯父抚养。毛姆进坎特伯雷皇家公学之后,由于身材矮小,且严重口吃,经常受到大孩子的欺凌和折磨,有时还遭到冬烘学究的无端羞辱。孤寂凄清的童年生活,在他稚嫩的心灵上投下了痛苦的阴影,养成他孤僻、敏感、内向的性格。幼年的经历对他的世界观和文学创作产生了深刻的影响。
1892年初,他去德国海德堡大学学习了一年。在那儿,他接触到德国哲学史家昆诺·费希尔的哲学思想和以易卜生为代表的新戏剧潮流。同年返回英国,在伦敦一家会计师事务所当了六个星期的练习生,随后即进伦敦圣托马斯医学院学医。为期五年的习医生涯,不仅使他有机会了解到底层人民的生活状况,而且使他学会用解剖刀一样冷峻、犀利的目光... (展开全部) 威廉·萨默赛特·毛姆(William Somerset Maugham)于1874年1月25日出生在巴黎。父亲是律师,当时在英国驻法使馆供职。小毛姆不满十岁,父母就先后去世,他被送回英国由伯父抚养。毛姆进坎特伯雷皇家公学之后,由于身材矮小,且严重口吃,经常受到大孩子的欺凌和折磨,有时还遭到冬烘学究的无端羞辱。孤寂凄清的童年生活,在他稚嫩的心灵上投下了痛苦的阴影,养成他孤僻、敏感、内向的性格。幼年的经历对他的世界观和文学创作产生了深刻的影响。
1892年初,他去德国海德堡大学学习了一年。在那儿,他接触到德国哲学史家昆诺·费希尔的哲学思想和以易卜生为代表的新戏剧潮流。同年返回英国,在伦敦一家会计师事务所当了六个星期的练习生,随后即进伦敦圣托马斯医学院学医。为期五年的习医生涯,不仅使他有机会了解到底层人民的生活状况,而且使他学会用解剖刀一样冷峻、犀利的目光来剖视人生和社会。他的第一部小说《兰贝斯的丽莎》,正是根据他从医实习期间的所见所闻写成的。
从1897年起,毛姆弃医专事文学创作。在接下来的几年里,他写了若干部小说,但是,用毛姆自己的话来说,其中没有一部能够“使泰晤士河起火“。他转向戏剧创作,获得成功,成了红极一时的剧作家,伦敦舞台竟同时上演他的四个剧本。他的第十个剧本《弗雷德里克夫人》连续上演达一年之久。这种空前的盛况,据说只有著名剧作家肖伯纳才能与之比肩。但是辛酸的往事,梦魇似地郁积在他心头,不让他有片刻的安宁,越来越强烈地要求他去表现,去创作。他决定暂时中断戏剧创作,用两年时间潜心写作酝酿已久的小说《人生的枷锁》。
第一次大战期间,毛姆先在比利时火线救护伤员,后入英国情报部门工作,到过瑞士、俄国和远东等地。这段经历为他后来写作间谍小说《埃申登》提供了素材。战后他重游远东和南太平洋诸岛;1920年到过中国,写了一卷《中国见闻录》。1928年毛姆定居在地中海之滨的里维埃拉,直至1940年纳粹入侵时,才仓促离去。
两次大战的间隙期间,是毛姆创作精力最旺盛的时期。二十年代及三十年代初期,他写了一系列揭露上流社会尔虞我诈、勾心斗角、道德堕落、讽刺,如《周而复始》、《比我们高贵的人们》和《坚贞的妻子》等。这三个剧本被公认为毛姆剧作中的佳品。1933年完稿的《谢佩》是他的最后一个剧本。毛姆的戏剧作品,情节紧凑而曲折,冲突激烈而合乎情理;所写人物,着墨不多而形象鲜明突出;对话生动自然,幽默俏皮,使人感到清新有力。但总的来说,内容和人物刻画的深度,及不上他的长、短篇小说,虽然他的小说作品也算不上深刻。这一时期的重要小说有:反映现代西方文明束缚、扼杀艺术家个性及创作的《月亮和六便士》;刻画当时文坛上可笑可鄙的现象的《寻欢作乐》;以及以大英帝国东方殖民地为背景、充满异国情调的短篇集《叶之震颤》等。短篇小说在毛姆的创作活动中占有重要位置。他的短篇小说风格接近莫泊桑,结构严谨,起承转落自然,语言简洁,叙述娓娓动听。作家竭力避免在作品中发表议论,而是通过巧妙的艺术处理,让人物在情节展开过程中显示其内在的性格。
第二次大战期间,毛姆到了美国,在南卡罗莱纳、纽约和文亚德岛等地呆了六年。1944年发表长篇小说《刀锋》。在这部作品里,作家试图通过一个青年人探求人生哲理的故事,揭示精神与实利主义之间的矛盾冲突。小说出版后,反响强烈,特别受到当时置身于战火的英、美现役军人的欢迎。
1946年,毛姆回到法国里维埃拉。1948年写最后一部小说《卡塔丽娜》。此后,仅限于写作回忆录和文艺评论,同时对自己的旧作进行整理。毛姆晚年享有很高的声誉,英国牛津大学和法国图鲁兹大学分别授予他颇为显赫的“荣誉团骑士“称号。同年1月25日,英国著名的嘉里克文学俱乐部特地设宴庆贺他的八十寿辰;在英国文学史上受到这种礼遇的,只有狄更斯、萨克雷、特罗洛普三位作家。1961年,他的母校,德国海德堡大学,授予他名誉校董称号。
1965年12月15日,毛姆在法国里维埃拉去世,享年91岁。骨灰安葬在坎特伯雷皇家公学内。死后,美国著名的耶鲁大学建立了档案馆以资纪念。
1892年初,他去德国海德堡大学学习了一年。在那儿,他接触到德国哲学史家昆诺·费希尔的哲学思想和以易卜生为代表的新戏剧潮流。同年返回英国,在伦敦一家会计师事务所当了六个星期的练习生,随后即进伦敦圣托马斯医学院学医。为期五年的习医生涯,不仅使他有机会了解到底层人民的生活状况,而且使他学会用解剖刀一样冷峻、犀利的目光... (展开全部) 威廉·萨默赛特·毛姆(William Somerset Maugham)于1874年1月25日出生在巴黎。父亲是律师,当时在英国驻法使馆供职。小毛姆不满十岁,父母就先后去世,他被送回英国由伯父抚养。毛姆进坎特伯雷皇家公学之后,由于身材矮小,且严重口吃,经常受到大孩子的欺凌和折磨,有时还遭到冬烘学究的无端羞辱。孤寂凄清的童年生活,在他稚嫩的心灵上投下了痛苦的阴影,养成他孤僻、敏感、内向的性格。幼年的经历对他的世界观和文学创作产生了深刻的影响。
1892年初,他去德国海德堡大学学习了一年。在那儿,他接触到德国哲学史家昆诺·费希尔的哲学思想和以易卜生为代表的新戏剧潮流。同年返回英国,在伦敦一家会计师事务所当了六个星期的练习生,随后即进伦敦圣托马斯医学院学医。为期五年的习医生涯,不仅使他有机会了解到底层人民的生活状况,而且使他学会用解剖刀一样冷峻、犀利的目光来剖视人生和社会。他的第一部小说《兰贝斯的丽莎》,正是根据他从医实习期间的所见所闻写成的。
从1897年起,毛姆弃医专事文学创作。在接下来的几年里,他写了若干部小说,但是,用毛姆自己的话来说,其中没有一部能够“使泰晤士河起火“。他转向戏剧创作,获得成功,成了红极一时的剧作家,伦敦舞台竟同时上演他的四个剧本。他的第十个剧本《弗雷德里克夫人》连续上演达一年之久。这种空前的盛况,据说只有著名剧作家肖伯纳才能与之比肩。但是辛酸的往事,梦魇似地郁积在他心头,不让他有片刻的安宁,越来越强烈地要求他去表现,去创作。他决定暂时中断戏剧创作,用两年时间潜心写作酝酿已久的小说《人生的枷锁》。
第一次大战期间,毛姆先在比利时火线救护伤员,后入英国情报部门工作,到过瑞士、俄国和远东等地。这段经历为他后来写作间谍小说《埃申登》提供了素材。战后他重游远东和南太平洋诸岛;1920年到过中国,写了一卷《中国见闻录》。1928年毛姆定居在地中海之滨的里维埃拉,直至1940年纳粹入侵时,才仓促离去。
两次大战的间隙期间,是毛姆创作精力最旺盛的时期。二十年代及三十年代初期,他写了一系列揭露上流社会尔虞我诈、勾心斗角、道德堕落、讽刺,如《周而复始》、《比我们高贵的人们》和《坚贞的妻子》等。这三个剧本被公认为毛姆剧作中的佳品。1933年完稿的《谢佩》是他的最后一个剧本。毛姆的戏剧作品,情节紧凑而曲折,冲突激烈而合乎情理;所写人物,着墨不多而形象鲜明突出;对话生动自然,幽默俏皮,使人感到清新有力。但总的来说,内容和人物刻画的深度,及不上他的长、短篇小说,虽然他的小说作品也算不上深刻。这一时期的重要小说有:反映现代西方文明束缚、扼杀艺术家个性及创作的《月亮和六便士》;刻画当时文坛上可笑可鄙的现象的《寻欢作乐》;以及以大英帝国东方殖民地为背景、充满异国情调的短篇集《叶之震颤》等。短篇小说在毛姆的创作活动中占有重要位置。他的短篇小说风格接近莫泊桑,结构严谨,起承转落自然,语言简洁,叙述娓娓动听。作家竭力避免在作品中发表议论,而是通过巧妙的艺术处理,让人物在情节展开过程中显示其内在的性格。
第二次大战期间,毛姆到了美国,在南卡罗莱纳、纽约和文亚德岛等地呆了六年。1944年发表长篇小说《刀锋》。在这部作品里,作家试图通过一个青年人探求人生哲理的故事,揭示精神与实利主义之间的矛盾冲突。小说出版后,反响强烈,特别受到当时置身于战火的英、美现役军人的欢迎。
1946年,毛姆回到法国里维埃拉。1948年写最后一部小说《卡塔丽娜》。此后,仅限于写作回忆录和文艺评论,同时对自己的旧作进行整理。毛姆晚年享有很高的声誉,英国牛津大学和法国图鲁兹大学分别授予他颇为显赫的“荣誉团骑士“称号。同年1月25日,英国著名的嘉里克文学俱乐部特地设宴庆贺他的八十寿辰;在英国文学史上受到这种礼遇的,只有狄更斯、萨克雷、特罗洛普三位作家。1961年,他的母校,德国海德堡大学,授予他名誉校董称号。
1965年12月15日,毛姆在法国里维埃拉去世,享年91岁。骨灰安葬在坎特伯雷皇家公学内。死后,美国著名的耶鲁大学建立了档案馆以资纪念。
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it needed a good deal of character to throw up a career after half an hour's meditation, because you saw in another way of living a more intense significance. And it required still more character never to regret the sudden step 一个人因为看到另外一种生活方式更有重大的意义,只经过半小时的考虑就甘愿抛弃一生的事业前途,这才需要很强的个性呢。贸然走出这一步,以后永不后悔,那需要的个性就更多了。 I ... (更多)it needed a good deal of character to throw up a career after half an hour's meditation, because you saw in another way of living a more intense significance. And it required still more character never to regret the sudden step 一个人因为看到另外一种生活方式更有重大的意义,只经过半小时的考虑就甘愿抛弃一生的事业前途,这才需要很强的个性呢。贸然走出这一步,以后永不后悔,那需要的个性就更多了。I wondered if Abraham really had made a hash of life. Is to do what you most want, to live under the conditions that please you, in peace with yourself, to make a hash of life; and is it success to be an eminent surgeon with ten thousand a year and a beautiful wife? I suppose it depends on what meaning you attach to life, the claim which you acknowledge to society, and the claim of the individual. But again I held my tongue, for who am I to argue with a knight?我很怀疑,阿伯拉罕是否真的糟蹋了自己。做自己最想做的事,生活在自己喜爱的环境里,淡泊宁静、与世无争,这难道是糟蹋自己吗?与此相反,做一个著名的外科医生,年薪一万镑,娶一位美丽的妻子,就是成功吗?我想,这一切都取决于一个人如何看待生活的意义,取决于他认为对社会应尽什么义务,对自己有什么要求。但是我还是没有说什么;我有什么资格同一位爵士争辩呢?The Chink was not backward to defend himself, and a very lively quarrel ensued. They spoke in the native language, of which I had learnt but half a dozen words, and it sounded as though the world would shortly come to an end; but presently peace was restored and Tiare gave the cook a cigarette. They both smoked comfortably.那个中国人也毫不示弱,于是你一言我一语,展开一场极为激烈的舌战。他们对骂时用的是当地土话,我只听得懂五、六个词,给我的印象是,好象世界末日都快要到了。但是没过多久,和平就又恢复了,而且蒂阿瑞居然还递给厨师傅一根纸烟。两个人都舒舒服服地喷起云雾来。 I cannot describe to you the intense silence of the night. On my island in the Paumotus there is never at night the complete stillness that there was here. There is the rustle of the myriad animals on the beach, all the little shelled things that crawl about ceaselessly, and there is the noisy scurrying of the land-crabs. Now and then in the lagoon you hear the leaping of a fish, and sometimes a hurried noisy splashing as a brown shark sends all the other fish scampering for their lives. And above all, ceaseless like time, is the dull roar of the breakers on the reef. But here there was not a sound, and the air was scented with the white flowers of the night. It was a night so beautiful that your soul seemed hardly able to bear the prison of the body. You felt that it was ready to be wafted away on the immaterial air, and death bore all the aspect of a beloved friend 。我无法向你描写夜是多么寂静。在我们包莫图斯的岛上,夜晚从来没有这里这么悄无声息。海滨上有一千种小动物发出窸窸窣窣的声响。各式各样的带甲壳的小东西永远也不停息地到处爬动,另外还有生活在陆地上的螃蟹嚓嚓地横爬过去。有的时候你可以听到咸水湖里鱼儿跳跃的声音,另外的时候,一只棕色鲨鱼把别的鱼儿惊得乱窜,弄得湖里发出一片噼啪的泼溅声。但是压倒这一切嘈杂声响的还是海水拍打礁石的隆隆声,它象时间一样永远也不终止。但是这里却一点儿声音也没有,空气里充满了夜间开放的白花的香气。这里的夜这么美,你的灵魂好象都无法忍受肉体的桎梏了。你感觉到你的灵魂随时都可能飘升到缥缈的空际,死神的面貌就象你亲爱的朋友那样熟悉。” In England and France he was the square peg in the round hole, but here the holes were any sort of shape, and no sort of peg was quite amiss. I do not think he was any gentler here, less selfish or less brutal, but the circumstances were more favourable. 在英国或法国,思特里克兰德可以说是个不合时宜的人,“圆孔里插了个方塞子”,而在这里却有各种形式的孔,什么样子的塞子都能各得其所。我并不认为他到这里以后脾气比过去变好了,不那么自私了,或者更富于人情味儿了;而是这里的环境对他比以前适合了。"Do you know how men can be so obsessed by love that they are deaf and blind to everything else in the world? They are as little their own masters as the slaves chained to the benches of a galley. The passion that held Strickland in bondage was no less tyrannical than love."你知道不知道,一个人要是坠入情网,就可能对世界上一切事物都听而不闻、视而不见了?那时候他就会象古代锁在木船里摇桨的奴隶一样,身心都不是自己所有了。把思特里克兰德俘获住的热情正同爱情一样,一点自由也不给他。”"And the passion that held Strickland was a passion to create beauty. It gave him no peace. It urged him hither and thither. He was eternally a pilgrim, haunted by a divine nostalgia, and the demon within him was ruthless. There are men whose desire for truth is so great that to attain it they will shatter the very foundation of their world. Of such was Strickland, only beauty with him took the place of truth. I could only feel for him a profound compassion."使思特里克兰德着了迷的是一种创作欲,他热切地想创造出美来。这种激情叫他一刻也不能宁静。逼着他东奔西走。他好象是一个终生跋涉的朝香者,永远思慕着一块圣地。盘踞在他心头的魔鬼对他毫无怜悯之情。世上有些人渴望寻获真理,他们的要求非常强烈,为了达到这个目的,就是叫他们把生活的基础完全打翻,也在所不惜。思特里克兰德就是这样一个人;只不过他追求的是美,而不是真理。对于象他这样的人,我从心眼里感到怜悯。Our life is simple and innocent. We are untouched by ambition, and what pride we have is due only to our contemplation of the work of our hands. Malice cannot touch us, nor envy attack. they talk of the blessedness of labor, and it is a meaningless phrase, but to me it has the most intense significance. I am a happy man."我们的生活很单纯、很简朴。我们并不野心勃勃,如果说我们也有骄傲的话,那是因为在想到通过双手获得的劳动成果时的骄傲。我们对别人既不嫉妒,更不怀恨。有人认为劳动的幸福是句空话,对我说来可不是这样。我深深感到这句话的重要意义。我是个很幸福的人。”I do not know how I have deserved to have a wife who was the perfect friend and helpmate, the perfect mistress and the perfect mother."我的妻子不只是我贴心的朋友,还是我的好助手;不只是贤妻,还是良母,我真是配不上她。” (收起)2011-06-08 12:53:05 回应
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第52页
我认为有些人诞生在某一个地方可以说未得其所。机缘把他们随便抛掷到一个环境中,而他们却一直思念着一处他们自己也不知道坐落在何处的家乡。在出生的地方他们好象是过客;从孩提时代就非常熟悉的浓荫郁郁的小巷,同小伙伴游戏其中的人烟稠密的街衢,对他们说来都不过是旅途中的一个宿站。这种人在自己亲友中可能终生落落寡台,在他们唯一熟悉的环境里也始终孑身独处。也许正是在本乡本土的这种陌生感才逼着他们远游异乡,寻找一处... (更多)我认为有些人诞生在某一个地方可以说未得其所。机缘把他们随便抛掷到一个环境中,而他们却一直思念着一处他们自己也不知道坐落在何处的家乡。在出生的地方他们好象是过客;从孩提时代就非常熟悉的浓荫郁郁的小巷,同小伙伴游戏其中的人烟稠密的街衢,对他们说来都不过是旅途中的一个宿站。这种人在自己亲友中可能终生落落寡台,在他们唯一熟悉的环境里也始终孑身独处。也许正是在本乡本土的这种陌生感才逼着他们远游异乡,寻找一处永恒定居的寓所。说不定在他们内心深处仍然隐伏着多少世代前祖先的习性和癖好,叫这些彷徨者再回到他们祖先在远古就已离开的土地。有时候一个人偶然到了一个地方,会神秘地感觉到这正是自己栖身之所,是他一直在寻找的家园。于是他就在这些从未寓目的景物里,从不相识的人群中定居下来,倒好象这里的一切都是他从小就熟稔的一样。他在这里终于找到了宁静。 I have an idea that some men are born out of their due place. Accident has cast them amid certain surroundings, but they have always a nostalgia for a home they know not. They are strangers in their birthplace, and the leafy lanes they have known from childhood or the populous streets in which they have played, remain but a place of passage. They may spend their whole lives aliens among their kindred and remain aloof among the only scenes they have ever known. Perhaps it is this sense of strangeness that sends men far and wide in the search for something permanent, to which they may attach themselves. Perhaps some deeprooted atavism urges the wanderer back to lands which his ancestors left in the dim beginnings of history. Sometimes a man hits upon a place to which he mysteriously feels that he belongs. Here is the home he sought, and he will settle amid scenes that he has never seen before, among men he has never known, as though they were familiar to him from his birth. Here at last he finds rest. (收起)2011-06-06 16:21:11 回应
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第42页
Each one of us is alone in the world. He is shut in a tower of brass, and can communicate with his fellows only by signs, and the signs have no common value, so that their sense is vague and uncertain. We seek pitifully to convey to others the treasures of our heart, but they have not the power to accept them, and so we go lonely, side by side but not together, unable to know our fellows and unkno... (更多)Each one of us is alone in the world. He is shut in a tower of brass, and can communicate with his fellows only by signs, and the signs have no common value, so that their sense is vague and uncertain. We seek pitifully to convey to others the treasures of our heart, but they have not the power to accept them, and so we go lonely, side by side but not together, unable to know our fellows and unknown by them. We are like people living in a country whose language they know so little that, with all manner of beautiful and profound things to say, they are condemned to the banalities of the conversation manual. Their brain is seething with ideas, and they can only tell you that the umbrella of the gardener's aunt is in the house.我们每个人生在世界上都是孤独的。每个人都被囚禁在一座铁塔里,只能靠一些符号同别人传达自己的思想;而这些符号并没有共同的价值,因此它们的意义是模糊的、不确定的。我们非常可怜地想把自己心中的财富传送给别人,但是他们却没有接受这些财富的能力。因此我们只能孤独地行走,尽管身体互相依傍却并不在一起,既不了解别的人也不能为别人所了解。我们好象住在异国的人。对于这个国家的语言懂得非常少,虽然我们有各种美妙的、深奥的事情要说,却只能局限于会话手册上那几句陈腐、平庸的话。我们的脑子里充满了各种思想,而我们能说的只不过是象“园丁的姑母有一把伞在屋子里”这类话。 (收起)2011-06-02 10:14:37 1回应
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第20页
1、He slept very quietly, without a movement, so that he might have been dead, and he was like some wild creature of the woods, resting after a long chase; and she wondered what fancies passed through his dreams. Did he dream of the nymph flying through the woods of Greece with the satyr in hot pursuit? She fled, swift of foot and desperate, but he gained on her step by step, till she felt his hot... (更多)1、He slept very quietly, without a movement, so that he might have been dead, and he was like some wild creature of the woods, resting after a long chase; and she wondered what fancies passed through his dreams. Did he dream of the nymph flying through the woods of Greece with the satyr in hot pursuit? She fled, swift of foot and desperate, but he gained on her step by step, till she felt his hot breath on her neck; and still she fled silently, and silently he pursued, and when at last he seized her was it terror that thrilled her heart or was it ecstasy?他非常宁静地睡在那里,一动也不动,几乎和死人一样,他象是森林里的一头野兽,在一阵猛烈追猎后躺在那里休息;她在好奇地猜测,他正在经历什么奇异的梦境呢?他是不是梦到了一个林泽的女神正在希腊的森林里飞奔,森林之神塞特尔在后面紧追不舍?她拼命地逃跑,双腿如飞,但是塞特尔还是一步一步地离她越来越近,连他吹在她脖子上的热辣辣的呼吸她都感觉出来了。但是她仍然一声不出地向前飞跑,他也一声不出地紧紧追赶;最后,当她被他抓到手里的时候,使她浑身颤抖的是恐惧呢,还是狂喜呢?2、did not believe him capable of love. That is an emotion in which tenderness is an essential part, but Strickland had no tenderness either for himself or for others; there is in love a sense of weakness, a desire to protect, an eagerness to do good and to give pleasure -- if not unselfishness, at all events a selfishness which marvellously conceals itself; it has in it a certain diffidence. These were not traits which I could imagine in Strickland. Love is absorbing; it takes the lover out of himself; the most clear-sighted, though he may know, cannot realise that his love will cease; it gives body to what he knows is illusion, and, knowing it is nothing else, he loves it better than reality. It makes a man a little more than himself, and at the same time a little less. He ceases to be himself. He is no longer an individual, but a thing, an instrument to some purpose foreign to his ego. Love is never quite devoid of sentimentality, and Strickland was the least inclined to that infirmity of any man I have known. I could not believe that he would ever suffer that possession of himself which love is; he could never endure a foreign yoke. I believed him capable of uprooting from his heart, though it might be with agony, so that he was left battered and ensanguined, anything that came between himself and that uncomprehended craving that urged him constantly to he knew not what. If I have succeeded at all in giving the complicated impression that Strickland made on me, it will not seem outrageous to say that I felt he was at once too great and too small for love.在爱这种感情中主要成分是温柔,但思特里克兰德却不论对自己或对别人都不懂得温柔。爱情中需要有一种软弱无力的感觉,要有体贴爱护的要求,有帮助别人、取悦别人的热情——如果不是无私,起码是巧妙地遮掩起来的自私;爱情包含着某种程度的腼腆怯懦。而这些性格特点都不是我在思特里克兰德身上所能找到的。爱情要占据一个人莫大的精力,它要一个人离开自己的生活专门去做一个爱人。即使头脑最清晰的人,从道理上他可能知道,在实际中却不会承认爱情有一天会走到尽头。爱情赋予他明知是虚幻的事物以实质形体,他明知道这一切不过是镜花水月,爱它却远远超过喜爱真实。它使一个人比原来的自我更丰富了一些,同时又使他比原来的自我更狭小了一些。他不再是一个人,他成了追求某一个他不了解的目的的一件事物、一个工具。爱情从来免不了多愁善感,而思特里克兰德却是我认识的人中最不易犯这种病症的人。我不相信他在任何时候会害那种爱情的通病——如醉如痴、神魂颠倒;他从来不能忍受外界加给他的任何桎梏。如果有任何事物妨碍了他那无人能理解的热望(这种热望无时或止地刺激着他,叫他奔向一个他自己也不清楚的目标),我相信他会毫不犹疑把它从心头上连根拔去,即使忍受莫大痛苦,弄得遍体鳞伤、鲜血淋漓也在所不惜。如果我写下的我对思特里克兰德的这些复杂印象还算得正确的话,我想下面的断语读者也不会认为悖理:我觉得思特里克兰德这个人既伟大、又渺小,是不会同别人发生爱情的。 (收起)2011-05-26 10:06:12 回应
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第32页
32章 毛姆听说男主人公拐跑了有夫之妇后的内心想法。显然他不愿意摆出一副故作姿态的道德审判架势。这段话翻译的妙极,不然以我的水平是没法理透彻解原文的。 I did not see Strickland for several weeks. I was disgusted with him, and if I had had an opportunity should have been glad to tell him so, but I saw no object in seeking him out for the purpose. I am a little shy of any assumption of moral indig... (更多)32章毛姆听说男主人公拐跑了有夫之妇后的内心想法。显然他不愿意摆出一副故作姿态的道德审判架势。这段话翻译的妙极,不然以我的水平是没法理透彻解原文的。I did not see Strickland for several weeks. I was disgusted with him, and if I had had an opportunity should have been glad to tell him so, but I saw no object in seeking him out for the purpose. I am a little shy of any assumption of moral indignation; there is always in it an element of self-satisfaction which makes it awkward to anyone who has a sense of humour. It requires a very lively passion to steel me to my own ridicule. There was a sardonic sincerity in Strickland which made me sensitive to anything that might suggest a pose.我有好几个星期没有见到思特里克兰德。我非常厌恶他,如果有机会的话,我会当着面把我对他的看法告诉他,但是我也犯不上为了这件事特地到处去找他。我不太愿意摆出一副义愤填膺的架势来,这里面总有某种自鸣得意的成分,会叫一个有幽默感的人觉得你在装腔作势。除非我真的动起火来,我是不肯让别人拿自己当笑话看的。思特里克兰德惯会讽刺挖苦、不讲情面,在他面前我就更要小心戒备,绝不能让他觉得我是在故作姿态。 (收起)2011-05-30 11:31:56 回应
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第42页
Each one of us is alone in the world. He is shut in a tower of brass, and can communicate with his fellows only by signs, and the signs have no common value, so that their sense is vague and uncertain. We seek pitifully to convey to others the treasures of our heart, but they have not the power to accept them, and so we go lonely, side by side but not together, unable to know our fellows and unkno... (更多)Each one of us is alone in the world. He is shut in a tower of brass, and can communicate with his fellows only by signs, and the signs have no common value, so that their sense is vague and uncertain. We seek pitifully to convey to others the treasures of our heart, but they have not the power to accept them, and so we go lonely, side by side but not together, unable to know our fellows and unknown by them. We are like people living in a country whose language they know so little that, with all manner of beautiful and profound things to say, they are condemned to the banalities of the conversation manual. Their brain is seething with ideas, and they can only tell you that the umbrella of the gardener's aunt is in the house.我们每个人生在世界上都是孤独的。每个人都被囚禁在一座铁塔里,只能靠一些符号同别人传达自己的思想;而这些符号并没有共同的价值,因此它们的意义是模糊的、不确定的。我们非常可怜地想把自己心中的财富传送给别人,但是他们却没有接受这些财富的能力。因此我们只能孤独地行走,尽管身体互相依傍却并不在一起,既不了解别的人也不能为别人所了解。我们好象住在异国的人。对于这个国家的语言懂得非常少,虽然我们有各种美妙的、深奥的事情要说,却只能局限于会话手册上那几句陈腐、平庸的话。我们的脑子里充满了各种思想,而我们能说的只不过是象“园丁的姑母有一把伞在屋子里”这类话。 (收起)2011-06-02 10:14:37 1回应
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第111111页
it needed a good deal of character to throw up a career after half an hour's meditation, because you saw in another way of living a more intense significance. And it required still more character never to regret the sudden step 一个人因为看到另外一种生活方式更有重大的意义,只经过半小时的考虑就甘愿抛弃一生的事业前途,这才需要很强的个性呢。贸然走出这一步,以后永不后悔,那需要的个性就更多了。 I ... (更多)it needed a good deal of character to throw up a career after half an hour's meditation, because you saw in another way of living a more intense significance. And it required still more character never to regret the sudden step 一个人因为看到另外一种生活方式更有重大的意义,只经过半小时的考虑就甘愿抛弃一生的事业前途,这才需要很强的个性呢。贸然走出这一步,以后永不后悔,那需要的个性就更多了。I wondered if Abraham really had made a hash of life. Is to do what you most want, to live under the conditions that please you, in peace with yourself, to make a hash of life; and is it success to be an eminent surgeon with ten thousand a year and a beautiful wife? I suppose it depends on what meaning you attach to life, the claim which you acknowledge to society, and the claim of the individual. But again I held my tongue, for who am I to argue with a knight?我很怀疑,阿伯拉罕是否真的糟蹋了自己。做自己最想做的事,生活在自己喜爱的环境里,淡泊宁静、与世无争,这难道是糟蹋自己吗?与此相反,做一个著名的外科医生,年薪一万镑,娶一位美丽的妻子,就是成功吗?我想,这一切都取决于一个人如何看待生活的意义,取决于他认为对社会应尽什么义务,对自己有什么要求。但是我还是没有说什么;我有什么资格同一位爵士争辩呢?The Chink was not backward to defend himself, and a very lively quarrel ensued. They spoke in the native language, of which I had learnt but half a dozen words, and it sounded as though the world would shortly come to an end; but presently peace was restored and Tiare gave the cook a cigarette. They both smoked comfortably.那个中国人也毫不示弱,于是你一言我一语,展开一场极为激烈的舌战。他们对骂时用的是当地土话,我只听得懂五、六个词,给我的印象是,好象世界末日都快要到了。但是没过多久,和平就又恢复了,而且蒂阿瑞居然还递给厨师傅一根纸烟。两个人都舒舒服服地喷起云雾来。 I cannot describe to you the intense silence of the night. On my island in the Paumotus there is never at night the complete stillness that there was here. There is the rustle of the myriad animals on the beach, all the little shelled things that crawl about ceaselessly, and there is the noisy scurrying of the land-crabs. Now and then in the lagoon you hear the leaping of a fish, and sometimes a hurried noisy splashing as a brown shark sends all the other fish scampering for their lives. And above all, ceaseless like time, is the dull roar of the breakers on the reef. But here there was not a sound, and the air was scented with the white flowers of the night. It was a night so beautiful that your soul seemed hardly able to bear the prison of the body. You felt that it was ready to be wafted away on the immaterial air, and death bore all the aspect of a beloved friend 。我无法向你描写夜是多么寂静。在我们包莫图斯的岛上,夜晚从来没有这里这么悄无声息。海滨上有一千种小动物发出窸窸窣窣的声响。各式各样的带甲壳的小东西永远也不停息地到处爬动,另外还有生活在陆地上的螃蟹嚓嚓地横爬过去。有的时候你可以听到咸水湖里鱼儿跳跃的声音,另外的时候,一只棕色鲨鱼把别的鱼儿惊得乱窜,弄得湖里发出一片噼啪的泼溅声。但是压倒这一切嘈杂声响的还是海水拍打礁石的隆隆声,它象时间一样永远也不终止。但是这里却一点儿声音也没有,空气里充满了夜间开放的白花的香气。这里的夜这么美,你的灵魂好象都无法忍受肉体的桎梏了。你感觉到你的灵魂随时都可能飘升到缥缈的空际,死神的面貌就象你亲爱的朋友那样熟悉。” In England and France he was the square peg in the round hole, but here the holes were any sort of shape, and no sort of peg was quite amiss. I do not think he was any gentler here, less selfish or less brutal, but the circumstances were more favourable. 在英国或法国,思特里克兰德可以说是个不合时宜的人,“圆孔里插了个方塞子”,而在这里却有各种形式的孔,什么样子的塞子都能各得其所。我并不认为他到这里以后脾气比过去变好了,不那么自私了,或者更富于人情味儿了;而是这里的环境对他比以前适合了。"Do you know how men can be so obsessed by love that they are deaf and blind to everything else in the world? They are as little their own masters as the slaves chained to the benches of a galley. The passion that held Strickland in bondage was no less tyrannical than love."你知道不知道,一个人要是坠入情网,就可能对世界上一切事物都听而不闻、视而不见了?那时候他就会象古代锁在木船里摇桨的奴隶一样,身心都不是自己所有了。把思特里克兰德俘获住的热情正同爱情一样,一点自由也不给他。”"And the passion that held Strickland was a passion to create beauty. It gave him no peace. It urged him hither and thither. He was eternally a pilgrim, haunted by a divine nostalgia, and the demon within him was ruthless. There are men whose desire for truth is so great that to attain it they will shatter the very foundation of their world. Of such was Strickland, only beauty with him took the place of truth. I could only feel for him a profound compassion."使思特里克兰德着了迷的是一种创作欲,他热切地想创造出美来。这种激情叫他一刻也不能宁静。逼着他东奔西走。他好象是一个终生跋涉的朝香者,永远思慕着一块圣地。盘踞在他心头的魔鬼对他毫无怜悯之情。世上有些人渴望寻获真理,他们的要求非常强烈,为了达到这个目的,就是叫他们把生活的基础完全打翻,也在所不惜。思特里克兰德就是这样一个人;只不过他追求的是美,而不是真理。对于象他这样的人,我从心眼里感到怜悯。Our life is simple and innocent. We are untouched by ambition, and what pride we have is due only to our contemplation of the work of our hands. Malice cannot touch us, nor envy attack. they talk of the blessedness of labor, and it is a meaningless phrase, but to me it has the most intense significance. I am a happy man."我们的生活很单纯、很简朴。我们并不野心勃勃,如果说我们也有骄傲的话,那是因为在想到通过双手获得的劳动成果时的骄傲。我们对别人既不嫉妒,更不怀恨。有人认为劳动的幸福是句空话,对我说来可不是这样。我深深感到这句话的重要意义。我是个很幸福的人。”I do not know how I have deserved to have a wife who was the perfect friend and helpmate, the perfect mistress and the perfect mother."我的妻子不只是我贴心的朋友,还是我的好助手;不只是贤妻,还是良母,我真是配不上她。” (收起)2011-06-08 12:53:05 回应
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第52页
我认为有些人诞生在某一个地方可以说未得其所。机缘把他们随便抛掷到一个环境中,而他们却一直思念着一处他们自己也不知道坐落在何处的家乡。在出生的地方他们好象是过客;从孩提时代就非常熟悉的浓荫郁郁的小巷,同小伙伴游戏其中的人烟稠密的街衢,对他们说来都不过是旅途中的一个宿站。这种人在自己亲友中可能终生落落寡台,在他们唯一熟悉的环境里也始终孑身独处。也许正是在本乡本土的这种陌生感才逼着他们远游异乡,寻找一处... (更多)我认为有些人诞生在某一个地方可以说未得其所。机缘把他们随便抛掷到一个环境中,而他们却一直思念着一处他们自己也不知道坐落在何处的家乡。在出生的地方他们好象是过客;从孩提时代就非常熟悉的浓荫郁郁的小巷,同小伙伴游戏其中的人烟稠密的街衢,对他们说来都不过是旅途中的一个宿站。这种人在自己亲友中可能终生落落寡台,在他们唯一熟悉的环境里也始终孑身独处。也许正是在本乡本土的这种陌生感才逼着他们远游异乡,寻找一处永恒定居的寓所。说不定在他们内心深处仍然隐伏着多少世代前祖先的习性和癖好,叫这些彷徨者再回到他们祖先在远古就已离开的土地。有时候一个人偶然到了一个地方,会神秘地感觉到这正是自己栖身之所,是他一直在寻找的家园。于是他就在这些从未寓目的景物里,从不相识的人群中定居下来,倒好象这里的一切都是他从小就熟稔的一样。他在这里终于找到了宁静。 I have an idea that some men are born out of their due place. Accident has cast them amid certain surroundings, but they have always a nostalgia for a home they know not. They are strangers in their birthplace, and the leafy lanes they have known from childhood or the populous streets in which they have played, remain but a place of passage. They may spend their whole lives aliens among their kindred and remain aloof among the only scenes they have ever known. Perhaps it is this sense of strangeness that sends men far and wide in the search for something permanent, to which they may attach themselves. Perhaps some deeprooted atavism urges the wanderer back to lands which his ancestors left in the dim beginnings of history. Sometimes a man hits upon a place to which he mysteriously feels that he belongs. Here is the home he sought, and he will settle amid scenes that he has never seen before, among men he has never known, as though they were familiar to him from his birth. Here at last he finds rest. (收起)2011-06-06 16:21:11 回应
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第42页
Each one of us is alone in the world. He is shut in a tower of brass, and can communicate with his fellows only by signs, and the signs have no common value, so that their sense is vague and uncertain. We seek pitifully to convey to others the treasures of our heart, but they have not the power to accept them, and so we go lonely, side by side but not together, unable to know our fellows and unkno... (更多)Each one of us is alone in the world. He is shut in a tower of brass, and can communicate with his fellows only by signs, and the signs have no common value, so that their sense is vague and uncertain. We seek pitifully to convey to others the treasures of our heart, but they have not the power to accept them, and so we go lonely, side by side but not together, unable to know our fellows and unknown by them. We are like people living in a country whose language they know so little that, with all manner of beautiful and profound things to say, they are condemned to the banalities of the conversation manual. Their brain is seething with ideas, and they can only tell you that the umbrella of the gardener's aunt is in the house.我们每个人生在世界上都是孤独的。每个人都被囚禁在一座铁塔里,只能靠一些符号同别人传达自己的思想;而这些符号并没有共同的价值,因此它们的意义是模糊的、不确定的。我们非常可怜地想把自己心中的财富传送给别人,但是他们却没有接受这些财富的能力。因此我们只能孤独地行走,尽管身体互相依傍却并不在一起,既不了解别的人也不能为别人所了解。我们好象住在异国的人。对于这个国家的语言懂得非常少,虽然我们有各种美妙的、深奥的事情要说,却只能局限于会话手册上那几句陈腐、平庸的话。我们的脑子里充满了各种思想,而我们能说的只不过是象“园丁的姑母有一把伞在屋子里”这类话。 (收起)2011-06-02 10:14:37 1回应
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亲爱的,我是鲸鱼,可惜你只能给我一台饮水机
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- 纳兰妙殊(“妙殊”不是“妙珠”) 《月亮和六便士》十几岁的时候看过一遍,压根看不懂,极大地打击了我对世界名著的兴趣。长大一点又把它拿来看,感觉像被雷劈了,扑通一声双膝跪倒在这金光闪闪的小书面前,痛哭流涕:毛爷爷,您真是我的好主席!您怎么不早点来解放我啊!!!! 这书估计大家都看过,不赘述。在我眼里,它不仅是一个天才与自己斗争的故事,而是一个天才与三种...... (302回应)2008-12-19 1265/1372有用来自 上海译文出版社2006版
我都成那么牛逼的人了,可我还是想要个妞儿……
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- 乐安蓝 几个月前,我问一朋友生日时想收到什么礼物。他答曰:大美妞儿~我笑回:“书中自有千钟粟,书中自有黄金屋,书中自有颜如玉……”他不同意最后那句,旁征博引地回我:“……你说念个尼采念个权力意志……再整萨特啊……德里达啊……叔本华啊……洛克啊……祁克果……再鼓捣鼓捣朦胧诗……看看先锋小说……弄了半天明白不少事儿……可是没有妞儿...... (142回应)2008-12-22 371/391有用来自 上海译文出版社2006版
另一个高度
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- drunkpiano 你肯定有这样一个朋友吧:在银行工作,长得一般,业务凑合,有老婆孩子,勤勤恳恳养家糊口,不爱说话,但如果开口说话,说的话也多半无趣无味——总之形象非常白开水,在任何一个社交场合都是角落里不大起眼的人。事实上你肯定有不止一个这样的朋友,事实上你自己没准就是这样的人。 你能想象这个朋友突然有一天离家出走了吗?然后等你再...... (154回应)2009-09-22 426/447有用来自 上海译文出版社2006版
艺术家只是个孩子
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- 叶子阿姨(他说,快,快,趁青春还没冷下来) 每个人心中都住着一个孩子,他总在和现实中的你唱反调,你却一直不肯抛弃他,甚至你觉得他,才是真实的你,而那个大家眼中的你,根本不是你。 他常常被你忽略,就像你会因为工作的忙碌,而疏忽家人一样。你对他的爱,也像是对家人一样,不会因为时间和距离而消逝,而是越来越深刻。你想守护他一辈子,没有他,你的灵魂就不完整,你就不再...... (75回应)2008-05-24 200/208有用来自 上海译文出版社2006版
安心如水
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- 菠菜(与有情人做快乐事,莫问是缘是劫) 对我来说,世界上最难的事情是什么?不,不是穿了新衣服吹了新发型不去照镜子……当然这个也挺难的,我基本做不到。但严肃地说,更难的事情是,怎么才能,知道自己应该如何生活。 小时候我的生活规则很简单,大人说不能和坏孩子交朋友我就抗拒了那么一下下。那时候天蓝风轻,那时候我目光如水,我知道,坏孩子就是成绩不如我的孩子,坏孩...... (76回应)2007-09-11 246/261有用来自 上海译文出版社2006版
平庸和平凡
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- fateface(伏帝魔) 有次跟邓正来吃饭,席间他批判现在人的“平庸”,我初以为这是精英对平民的歧视,他解释道:“我说的是平庸,平庸和平凡是两回事。平凡的人可以很伟大,而平庸的人即使成功也还是平庸。” 我看《月亮和六便士》的时候,就想起他这段话。 思特里克兰德,在四十多岁的时候,忽然决定放弃原来的中产阶级生活,拋家弃子,去当画家,他过了很...... (38回应)2011-04-06 170/183有用来自 上海译文出版社2006版
免费在线记账理财软件
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- 免费在线 您不理财,财不理您,欢迎使用免费在线记账理财软件,网址:www.gok100.com,联系QQ:1454590399 您不理财,财不理您,欢迎使用免费在线记账理财软件,网址:www.gok100.com,联系QQ:1454590399 您不理财,财不理您,欢迎使用免费在线记账理财软件,网址:www.gok100.c......2012-02-13 来自 上海译文出版社2006版
免费在线记账理财软件
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当我青春的时候 我在想些什么
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- 大溪溪(我想要肌肉) 一 理想在生活中一个阶段一个阶段的过渡,幼儿园的时候是老师、宇航员、大老板;小学的时候是服装设计师、侦探;初中时候是记者。每次想到自己的理想,总会会自然地想到无私的一面,不管是因为自己的兴趣还是利益,总是觉得是为了这个世界,才去做这个职业的。但到以后真的工作了,实现或者没有实现自己的理想,却......2012-02-12 来自 上海译文出版社2006版
那对灵魂的呼唤~
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- panzola(梦想与我同在) 我们的生活渐渐地腐蚀掉了原初时候自己的灵魂,周围的世俗侵染了自由的高贵,尘世的体面某种意义上不过是消耗自身灵魂的龌龊,问一问自己要那六个便士还是高悬夜空的明月。 书中有几个可以对比的爱情生活故事:斯特里克兰德和他在伦敦的妻子及其家庭;施特略夫与他那个画中人一般的妻子;布吕诺船长和他的妻子;斯特里克兰德和爱......2012-02-08 来自 上海译文出版社2011版
艺术是件受罪的事儿
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- 玉簟秋(不气馁 有召唤 爱自由) 我们很难想象一个人毕生都过着纯精神的生活,他对于物质生活的安心舒适没有任何要求。他甚至可以依靠内心的幻景生存下去,旁人的评论在他眼中无足轻重,他生活在一个与社会责任、家庭伦理相背离的世界,他唯一在乎的就是心中那一团火一般炽烈燃烧的“幻景”,而只有画笔才可以帮助他把这股热情宣泄出来。毛姆的《月亮和六便士》就...... (2回应)2012-02-06 2/2有用来自 上海译文出版社2009版
枯木逢春犹再发
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