China Pop (豆瓣)

副标题: How Soap Operas, Tabloids and Bestsellers Are Transforming a Culture
作者: Jianying Zha
出版社: The New Press
出版年: 1996-4-1
页数: 224
定价: USD 15.95
装帧: Paperback
ISBN: 9781565842502

8.4

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内容简介 · · · · · ·

　　China Pop is a highly original and lively look at the ways that contemporary China is changing. Jianying Zha, hailed by The Nation as "incisive, witty and eloquent all at once," examines a wide range of developments largely unknown to Western readers: the careful planning of television soap operas to placate popular unrest after Tiananmen, the growth of the sex tabloid and porn... (展开全部) 　　China Pop is a highly original and lively look at the ways that contemporary China is changing. Jianying Zha, hailed by The Nation as "incisive, witty and eloquent all at once," examines a wide range of developments largely unknown to Western readers: the careful planning of television soap operas to placate popular unrest after Tiananmen, the growth of the sex tabloid and pornography industries, and the politics of censorship and commercial success of the film directors Chen Kaige (Farewell My Concubine) and Zhang Yimou (Ju Dou and Raise the Red Lantern).
　　Review
　　One of the twenty-five best books of 1995. -- Voice Literary Supplement
　　Perceptive. . . What China Pop so brilliantly chronicles is the commercialization of China's cultural world and the anxiety that change is causing in China's intellectuals. -- Christian Science Monitor
　　[A] photograph, a freeze-frame, of a country in rapid motion. . . [Zha is] a young writer with many arresting ideas and, from the evidence of China Pop, a bright literary future as well. -- The New York Times
　　From Publishers Weekly
　　Zha, who was born and raised in Beijing, examines the ways in which the proliferation of pop culture and mass media is changing traditional Chinese society.
　　From The New Yorker
　　This eye-opening book is a breezy and stimulating look at the explosive cultural changes that have followed recent economic reforms in China.
　　From Library Journal
　　As one who fundamentally believes that culture, not economics, will "save" China, Zha (a Chinese journalist who now lives in Chicago and works for the Center for Transcultural Studies) writes about how popular culture has developed in Beijing, China's cultural capital. She discusses the major individuals involved in the production of the nation's most popular soap opera, Yearning; the development of contemporary Chinese architecture; the production of such award-winning movies as Farewell My Concubine and Raise the Red Lantern; the transformation of the Ministry of Culture's China Culture Gazette; pervasive corruption in the journalistic world; the wholesale promotion of the novel The Abandoned Capital; and, from Hong Kong, the proliferation of the avante-garde via the CIM investment company. Much of what Zha discusses is supported in other recent accounts (e.g., Frank Viviano's Dispatches from the Pacific Century, LJ 4/1/93; Nicholas D. Kristof and Sheryl WuDunn's China Wakes, LJ 7/94; and Orville Schell's Mandate of Heaven, LJ 8/94). However, since her stated intention is to portray China in a "minute fashion," the result is that the book reads more like an extended gossip column than a serious analytical work. An optional purchase.　　

作者简介 · · · · · ·

　　Jianying Zha is a writer, media critic, and China representative of the India China Institute at The New School. She is the author of two books in English, China Pop and Tide Players, and five books in Chinese: three collections of fiction and two nonfiction books, including The Eighties, an award-winning cultural retrospective of the 1980s in China. She has published widely in... (展开全部)