出版社: W. W. Norton & Company
出版年: 2008-11-3
页数: 304
定价: USD 24.95
装帧: Hardcover
ISBN: 9780393067224
内容简介 · · · · · ·
按有用程度 按页码先后 最新笔记
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第84页
As Mera explains earnestly,"With young artists, you find the greatest purity. When you buy from the first or second show, you're inside the confidence-building, the identity-building of an artist. It's not just about buying a piece. It's about buying into someone's life and where they are going with it. It's a mutual commitment, which is pretty intense." (更多)
(收起)As Mera explains earnestly,"With young artists, you find the greatest purity. When you buy from the first or second show, you're inside the confidence-building, the identity-building of an artist. It's not just about buying a piece. It's about buying into someone's life and where they are going with it. It's a mutual commitment, which is pretty intense."
2011-05-10 04:51:31 1人收藏 回应
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第24页
What kind of art does well at auction? 1 people have a litmus test with color. Brown paintings don't sell as well as blue or red paintings. A glum pinting is not going to go as well as a painting that makes people feel happy. 2 certain subject matters are more commercial than others: a male nude doesn't usually go over as well as a buxom female. 3 painting tends to fare better than other ... (更多)
(收起)What kind of art does well at auction? 1 people have a litmus test with color. Brown paintings don't sell as well as blue or red paintings. A glum pinting is not going to go as well as a painting that makes people feel happy. 2 certain subject matters are more commercial than others: a male nude doesn't usually go over as well as a buxom female. 3 painting tends to fare better than other media. collectors get confused and concerned about things that plug in. They shy away from art that looks complicated to install. 4 size makes a difference. anything larger than the standard dimension of a Park Avenue elevator generally cuts out a certain sector of the market. these are just basic commercial benchmarks that have nothing to do with artistic merit.
2011-05-03 04:54:54 1人收藏 回应
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第88页
When gallerists are confident about demand for an artist's work, they wouldn't dream of surrendering it to the first comer or the highest bidder. They compile a list of interested parties so they can place the work in the most prestigious home. It's an essential part of managing the perception of their artists. Unlike other industries, where buyers are anonymous and interchangeable, here artists'... (更多)
(收起)When gallerists are confident about demand for an artist's work, they wouldn't dream of surrendering it to the first comer or the highest bidder. They compile a list of interested parties so they can place the work in the most prestigious home. It's an essential part of managing the perception of their artists. Unlike other industries, where buyers are anonymous and interchangeable, here artists' reputations are enhanced or contaminated by people who own their work.
2011-05-10 05:38:56 回应
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第24页
What kind of art does well at auction? 1 people have a litmus test with color. Brown paintings don't sell as well as blue or red paintings. A glum pinting is not going to go as well as a painting that makes people feel happy. 2 certain subject matters are more commercial than others: a male nude doesn't usually go over as well as a buxom female. 3 painting tends to fare better than other ... (更多)
(收起)What kind of art does well at auction? 1 people have a litmus test with color. Brown paintings don't sell as well as blue or red paintings. A glum pinting is not going to go as well as a painting that makes people feel happy. 2 certain subject matters are more commercial than others: a male nude doesn't usually go over as well as a buxom female. 3 painting tends to fare better than other media. collectors get confused and concerned about things that plug in. They shy away from art that looks complicated to install. 4 size makes a difference. anything larger than the standard dimension of a Park Avenue elevator generally cuts out a certain sector of the market. these are just basic commercial benchmarks that have nothing to do with artistic merit.
2011-05-03 04:54:54 1人收藏 回应
-
第84页
As Mera explains earnestly,"With young artists, you find the greatest purity. When you buy from the first or second show, you're inside the confidence-building, the identity-building of an artist. It's not just about buying a piece. It's about buying into someone's life and where they are going with it. It's a mutual commitment, which is pretty intense." (更多)
(收起)As Mera explains earnestly,"With young artists, you find the greatest purity. When you buy from the first or second show, you're inside the confidence-building, the identity-building of an artist. It's not just about buying a piece. It's about buying into someone's life and where they are going with it. It's a mutual commitment, which is pretty intense."
2011-05-10 04:51:31 1人收藏 回应
-
第88页
When gallerists are confident about demand for an artist's work, they wouldn't dream of surrendering it to the first comer or the highest bidder. They compile a list of interested parties so they can place the work in the most prestigious home. It's an essential part of managing the perception of their artists. Unlike other industries, where buyers are anonymous and interchangeable, here artists'... (更多)
(收起)When gallerists are confident about demand for an artist's work, they wouldn't dream of surrendering it to the first comer or the highest bidder. They compile a list of interested parties so they can place the work in the most prestigious home. It's an essential part of managing the perception of their artists. Unlike other industries, where buyers are anonymous and interchangeable, here artists' reputations are enhanced or contaminated by people who own their work.
2011-05-10 05:38:56 回应
-
第88页
When gallerists are confident about demand for an artist's work, they wouldn't dream of surrendering it to the first comer or the highest bidder. They compile a list of interested parties so they can place the work in the most prestigious home. It's an essential part of managing the perception of their artists. Unlike other industries, where buyers are anonymous and interchangeable, here artists'... (更多)
(收起)When gallerists are confident about demand for an artist's work, they wouldn't dream of surrendering it to the first comer or the highest bidder. They compile a list of interested parties so they can place the work in the most prestigious home. It's an essential part of managing the perception of their artists. Unlike other industries, where buyers are anonymous and interchangeable, here artists' reputations are enhanced or contaminated by people who own their work.
2011-05-10 05:38:56 回应
-
第84页
As Mera explains earnestly,"With young artists, you find the greatest purity. When you buy from the first or second show, you're inside the confidence-building, the identity-building of an artist. It's not just about buying a piece. It's about buying into someone's life and where they are going with it. It's a mutual commitment, which is pretty intense." (更多)
(收起)As Mera explains earnestly,"With young artists, you find the greatest purity. When you buy from the first or second show, you're inside the confidence-building, the identity-building of an artist. It's not just about buying a piece. It's about buying into someone's life and where they are going with it. It's a mutual commitment, which is pretty intense."
2011-05-10 04:51:31 1人收藏 回应
-
第24页
What kind of art does well at auction? 1 people have a litmus test with color. Brown paintings don't sell as well as blue or red paintings. A glum pinting is not going to go as well as a painting that makes people feel happy. 2 certain subject matters are more commercial than others: a male nude doesn't usually go over as well as a buxom female. 3 painting tends to fare better than other ... (更多)
(收起)What kind of art does well at auction? 1 people have a litmus test with color. Brown paintings don't sell as well as blue or red paintings. A glum pinting is not going to go as well as a painting that makes people feel happy. 2 certain subject matters are more commercial than others: a male nude doesn't usually go over as well as a buxom female. 3 painting tends to fare better than other media. collectors get confused and concerned about things that plug in. They shy away from art that looks complicated to install. 4 size makes a difference. anything larger than the standard dimension of a Park Avenue elevator generally cuts out a certain sector of the market. these are just basic commercial benchmarks that have nothing to do with artistic merit.
2011-05-03 04:54:54 1人收藏 回应
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Seven Days Gossip in the Art World
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- 三角猫(happy go lucky~) Art World是个小世界。 在这个世界里,那么一撮人相互认识着,并且共享一些不为外人所知的秘密。 面对这样一种结构,一切想要挤入核心力争上游的艺术家、入门级买家、媒体记者,以及仍处于初级阶段的机构从业者,都会迫切地想要通过获取情报,使自己在起跑线上占据有力位置。Sarah这本书以冲上前线的姿态,带来了......2011-05-09 4/4有用
It takes more than a week to see
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- 绿湿乔 In Seven days in the Art world, Sarah Thornton opens a crack for an art outsider to peep at the mechanism of the otherwise inaccessible and com......2011-06-26
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