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Alfred began, on occasion, to scream in public: on the L train, in Times Square; at Whole Foods; at the Whitney. He can recall, with remarkable clarity (for someone who was screaming), the tableaux of chaotic reaction that followed, although these descriptions are curiously inert for the listener, like hearing someone recount a dream. The exception is Duane Reade on Union Square, because of what happened after: Escorted brusquely from the store by two security guards, Alfred encountered a girl whose look of rapt curiosity had stood out among the panicked shoppers inside. Now she leaned against a wall, apparently waiting for him.
Alfred released a short, ambiguous spurt of sound somewhere between a moan and a bark. Even Kristen, attuned by now to his screaming and well past the point of finding it charming, wasn’t entirely sure he'd been the source. Only when she saw his face-the single face devoid of curiosity-did her blue eyes contract into a  threat. But Alfred was already savoring the two opposing forces at work in his fellow passengers: a collective wish to shrug off the unaccountable sound, and a contrary intimation of dread. Thus the Suspension Phase, when everyone floated together on a tide of mystery whose solution Alfred alone possessed. He could have stopped there—had, on rare occasions when mystery and power alone had felt like enough. But not today. When mystery deliquesced into renewed bitching over the cramped ride, Alfred issued a second moan-bark longer, louder, and impossible to ignore.