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Real or not real, painterly or not, straight photography or manipulated prints - such topics provoked heated debate in camera circles all over Europe, often leading to furious resignations and splinter groups. 
Nothing in nature has a hard outline, but everything is seen against something else, and its outlines fade gently into something else.
Peter Henry Emerson, 1889

相互关联的想法

真实或非真实，绘画性或反之，直接摄影或人为处理的印刷品 - 这些主题在整个欧洲的摄影圈里引起激烈的争论，经常会导致愤然退出以及分裂的团体。
自然中没有什么是有着硬边轮廓的，而是所有一切都被看做与另外某物相对，它的边界缓缓消失于后者之中。