In Bresson, and tbis is a trait that be sbares witb Hitcbcock, tbe lengtb of a sbot bas less to do with tempo than it does with sensorial empbasis: it's never a question of a character simply living a moment in time, as it is in most films, but the way one(i.e. Bresson) would experience the feeling ofliving such a moment.引自第38页