Acknowledgments vii
Editor’s Introduction 1
PART I. ESSAYS BY JEAN ROUCH
The Camera and Man 29
The Situation and Tendencies of the Cinema in Africa 47
On the Vicissitudes of the Self: The Possessed Dancer, the Magician, the Sorcerer, the Filmmaker, and the Ethnographer 87
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Acknowledgments vii
Editor’s Introduction 1
PART I. ESSAYS BY JEAN ROUCH
The Camera and Man 29
The Situation and Tendencies of the Cinema in Africa 47
On the Vicissitudes of the Self: The Possessed Dancer, the Magician, the Sorcerer, the Filmmaker, and the Ethnographer 87
The Mad Fox and the Pale Master 102
PART II. INTERVIEWS AND CONVERSATIONS WITH JEAN ROUCH
A Life on the Edge of Film and Anthropology
Jean Rouch with Lucien Taylor 129
Ciné-Anthropology Jean Rouch with Enrico Fulchignoni 147
Les maîtres fous, The Lion Hunters, and Jaguar
Jean Rouch with John Marshall and John W. Adams 188
The Politics of Visual Anthropology
Jean Rouch with Dan Georgakas, Udayan Gupta, and Judy Janda 210
PART III. CHRONICLE OF A SUMMER: A FILM BOOK BY JEAN ROUCH AND EDGAR MORIN
Chronicle of a Film Edgar Morin 229
The Cinema of the Future? Jean Rouch 266
Chronicle of a Summer: The Film
The Point of View of the “Characters”
Edgar Morin and Jean Rouch 330
Annotated Filmography 345
Selective Bibliography 385
Publication Information 390
Index 393
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1 有用 十四卷 2019-04-12 07:03:43
Rouch的影像人类学理想,一种杂糅Flaherty和Vertov的shared anthropology(cine-ear-eye,突然想到Bruno的emotion-transportation)。当他说“who and why produced?”应该是after the screening of an ethnographic film首先该问的问题并给出答案时我一个爆哭:my first... Rouch的影像人类学理想,一种杂糅Flaherty和Vertov的shared anthropology(cine-ear-eye,突然想到Bruno的emotion-transportation)。当他说“who and why produced?”应该是after the screening of an ethnographic film首先该问的问题并给出答案时我一个爆哭:my first response, for myself. My second response, film is the only method I have to show another just how I saw him. My third response, for all audiences.” (展开)
1 有用 十四卷 2019-04-12 07:03:43
Rouch的影像人类学理想,一种杂糅Flaherty和Vertov的shared anthropology(cine-ear-eye,突然想到Bruno的emotion-transportation)。当他说“who and why produced?”应该是after the screening of an ethnographic film首先该问的问题并给出答案时我一个爆哭:my first... Rouch的影像人类学理想,一种杂糅Flaherty和Vertov的shared anthropology(cine-ear-eye,突然想到Bruno的emotion-transportation)。当他说“who and why produced?”应该是after the screening of an ethnographic film首先该问的问题并给出答案时我一个爆哭:my first response, for myself. My second response, film is the only method I have to show another just how I saw him. My third response, for all audiences.” (展开)