Popular songs in sixteenth- and seventeenth-century China form a rich and intriguing body of materials hardly studied so far in the English-speaking world. This book is about these songs and their impact on Chinese culture and literary practice.
It examines the tapestry books in which popular songs circulated, how books shaped readers, how books were shaped by a range of litera...
Popular songs in sixteenth- and seventeenth-century China form a rich and intriguing body of materials hardly studied so far in the English-speaking world. This book is about these songs and their impact on Chinese culture and literary practice.
It examines the tapestry books in which popular songs circulated, how books shaped readers, how books were shaped by a range of literacies, and how arrangements of performance-texts aided imitation and selection of words or phrases.
Publishing histories of the popular song collections bring to light how songs were duplicated for readers among the elite and sub-elite. The analysis of how popular songs bring together the "high" and the "low" is of special value for literary scholars and intellectual historians, and challenges the traditonal dichotomy between elite and popular culture.
作者简介
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Kathryn A. Lowry, Ph.D. (1996), Harvard University, is Assistant Professor of Chinese Literature at the University of California at Santa Barbara. She has written on letter collections and the circulation of letters as fiction in early modern China.
原文摘录
· · · · · ·
These miscellanies furnish an array of scenes, from popular drama.s and son.gs for rehearsal and repetition, along with phrases and lists of local delicacies and luxury goods ·that the traveler could consult as a reference, resembling a thesaurus, and £un,ctioning-for modern scholars, as well as in their· own time as an archive of popular culture. Thus, printed songs did not refer the
reader solely to the context of performance but supplied phrases, offered commentary on the style and technique of writing, gave prescriptive musical notations (as opposed to descriptions), and supplied figurative summaries in their illustrations. In this respect the drama miscellanies reveal the important link. between cultural production and consumption; indeed, their formats show how the editor or printer... (查看原文)
Sinica Leidensia(共82册)，
这套丛书还有
《China in Central Asia》《Mapping Meanings》《The Dramatic Oeuvre of Chu Yu-Tun》《Chen Jiru》《The Poetry of He Zhu (1052-1125)》
等
。
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0 有用 問疏 2010-08-01 11:51:11
她如夢魘般縈繞我這般久長
0 有用 Mimì 2020-06-17 23:22:51
掃了一遍, 比McLaren好看。就仔細讀了的部分 最重要的論點大概是讀者的主體性，給出了明代人使用流行歌詞集的各種社交場合。但閱讀模式這個argument很難跑出重構主客體的坑。大致是一本回答how很扎實的作品。
0 有用 草木有本心 2019-09-29 13:06:50
no big argument
0 有用 Mimì 2020-06-17 23:22:51
掃了一遍, 比McLaren好看。就仔細讀了的部分 最重要的論點大概是讀者的主體性，給出了明代人使用流行歌詞集的各種社交場合。但閱讀模式這個argument很難跑出重構主客體的坑。大致是一本回答how很扎實的作品。
0 有用 草木有本心 2019-09-29 13:06:50
no big argument
0 有用 問疏 2010-08-01 11:51:11
她如夢魘般縈繞我這般久長