"Memory, Allegory, and Testimony in South American Theater" traces the shaping of a resistant identity in memory, its direct expression in testimony, and its indirect elaboration in two different kinds of allegory. Each chapter focuses on one contemporary playwright (or one collaborative team, in the case of Brazil) from each of four Southern Cone countries and compares the playwrights' aesthetic strategies for subverting ideologies of dictatorship: Carlos Manuel Varela (memory in Uruguay), Juan Radrigan (testimony in Chile), Augusto Boal and his co-author Gianfrancesco Guarnieri (historical allegory in Brazil), Griselda Gambaro (abstract allegory in Argentina).
0 有用 性压抑の男 2024-04-04 10:19:00 上海
这本书太厉害了，是我目前读过的文献里面最好的波瓦和南美戏剧研究，且是以批判为主，将Boal和Guarnieri初期英雄写作时的视角屏障罗列了一遍。
0 有用 性压抑の男 2024-04-04 10:19:00 上海
这本书太厉害了，是我目前读过的文献里面最好的波瓦和南美戏剧研究，且是以批判为主，将Boal和Guarnieri初期英雄写作时的视角屏障罗列了一遍。