Part 2 Section 1 Sign: conventional, not ambiguous Simile: not ambiguous, invented for momentary purpose Symbol: ambiguous Forms of art: Symbolic (the threshold of art) classical (true manifestation of art, not the first form, spiritual individuality, after complex mediations and transitions) romantic "On its objective side the beginning of art stands in the closest connection with religion." S...
2018-03-08 09:18:381人喜欢
Part 2 Section 1
Sign: conventional, not ambiguous
Simile: not ambiguous, invented for momentary purpose
Symbol: ambiguous
Forms of art:
Symbolic (the threshold of art)
classical (true manifestation of art, not the first form, spiritual individuality, after complex mediations and transitions)
romantic
"On its objective side the beginning of art stands in the closest connection with religion."
Symbolism three stages:
Unconscious Symbolism: Neither symbolic nor art
Sublime: Transition to symbol proper, no genuine beauty
Conscious symbolism: Symbol proper, work of art, by battle between meanings and sensuous representation
Chapter 1
Immediate unity of meaning and shape:
No such difference between soul and body, concept and reality
The Absolute has only the immediate presence of an object, the Divine
Zoroastrianism
Light does not symbolize the Absolute, it is the Absolute
The universal and that individuality are visualized and expressed as immediately one.
"poetic"
Fantastic symbolism
Meaning and the form of representation, sudden leap from one extreme to the other
Brahma: entirely withdrawn from sense and observation
Thinking requires self-consciousness which sets an object before itself in order to find itself therein.
Indian art:
The Absolute into immediately sensuous and individual thing
The extravagance of productions
Personifying universal meanings by using the human form
Symbolism proper
The Absolute becomes concrete
"The inward kept firmly in view on its own account contrasted with the immediacy of existence: the inward indeed as the negative of life, as death"
Riddle, ambiguous
Chapter 2
The meaning comes into consciousness on its own account, separated from the entire world of appearance
Sublime: to express the infinite, no object proves adequate for this representation
Pantheism (of art)
Pantheism, everything: universal soul, truth and excellence in individual being
The East
The art of sublime
Hebrew poetry
Sublime in the strict sense: the created world as finite, restricted, a glorifying accessory for the praise of God
Basically the world view of Christianity
Chapter 3
Conscious symbolism or comparative form of art: explicitly known, expressly posited as different from the external way in which it is represented.
Comparisons originating from the external object
Generally imperfect, remains subordinate, do not belong to poetry
Fable: not fabricated, concrete individuality as an actual event, maximum of naivete.
Parable, proverb, apologue
Metamorphoses
Comparisons which start from the meaning
Separation of meaning and shape, one of the two sides must be the beginning
Riddle, allegory (producing the most complete clarity), metaphor, image, simile
Part 2 Section 1 Sign: conventional, not ambiguous Simile: not ambiguous, invented for momentary purpose Symbol: ambiguous Forms of art: Symbolic (the threshold of art) classical (true manifestation of art, not the first form, spiritual individuality, after complex mediations and transitions) romantic "On its objective side the beginning of art stands in the closest connection with religion." S...
2018-03-08 09:18:381人喜欢
Part 2 Section 1
Sign: conventional, not ambiguous
Simile: not ambiguous, invented for momentary purpose
Symbol: ambiguous
Forms of art:
Symbolic (the threshold of art)
classical (true manifestation of art, not the first form, spiritual individuality, after complex mediations and transitions)
romantic
"On its objective side the beginning of art stands in the closest connection with religion."
Symbolism three stages:
Unconscious Symbolism: Neither symbolic nor art
Sublime: Transition to symbol proper, no genuine beauty
Conscious symbolism: Symbol proper, work of art, by battle between meanings and sensuous representation
Chapter 1
Immediate unity of meaning and shape:
No such difference between soul and body, concept and reality
The Absolute has only the immediate presence of an object, the Divine
Zoroastrianism
Light does not symbolize the Absolute, it is the Absolute
The universal and that individuality are visualized and expressed as immediately one.
"poetic"
Fantastic symbolism
Meaning and the form of representation, sudden leap from one extreme to the other
Brahma: entirely withdrawn from sense and observation
Thinking requires self-consciousness which sets an object before itself in order to find itself therein.
Indian art:
The Absolute into immediately sensuous and individual thing
The extravagance of productions
Personifying universal meanings by using the human form
Symbolism proper
The Absolute becomes concrete
"The inward kept firmly in view on its own account contrasted with the immediacy of existence: the inward indeed as the negative of life, as death"
Riddle, ambiguous
Chapter 2
The meaning comes into consciousness on its own account, separated from the entire world of appearance
Sublime: to express the infinite, no object proves adequate for this representation
Pantheism (of art)
Pantheism, everything: universal soul, truth and excellence in individual being
The East
The art of sublime
Hebrew poetry
Sublime in the strict sense: the created world as finite, restricted, a glorifying accessory for the praise of God
Basically the world view of Christianity
Chapter 3
Conscious symbolism or comparative form of art: explicitly known, expressly posited as different from the external way in which it is represented.
Comparisons originating from the external object
Generally imperfect, remains subordinate, do not belong to poetry
Fable: not fabricated, concrete individuality as an actual event, maximum of naivete.
Parable, proverb, apologue
Metamorphoses
Comparisons which start from the meaning
Separation of meaning and shape, one of the two sides must be the beginning
Riddle, allegory (producing the most complete clarity), metaphor, image, simile
Part 2 Section 1 Sign: conventional, not ambiguous Simile: not ambiguous, invented for momentary purpose Symbol: ambiguous Forms of art: Symbolic (the threshold of art) classical (true manifestation of art, not the first form, spiritual individuality, after complex mediations and transitions) romantic "On its objective side the beginning of art stands in the closest connection with religion." S...
2018-03-08 09:18:381人喜欢
Part 2 Section 1
Sign: conventional, not ambiguous
Simile: not ambiguous, invented for momentary purpose
Symbol: ambiguous
Forms of art:
Symbolic (the threshold of art)
classical (true manifestation of art, not the first form, spiritual individuality, after complex mediations and transitions)
romantic
"On its objective side the beginning of art stands in the closest connection with religion."
Symbolism three stages:
Unconscious Symbolism: Neither symbolic nor art
Sublime: Transition to symbol proper, no genuine beauty
Conscious symbolism: Symbol proper, work of art, by battle between meanings and sensuous representation
Chapter 1
Immediate unity of meaning and shape:
No such difference between soul and body, concept and reality
The Absolute has only the immediate presence of an object, the Divine
Zoroastrianism
Light does not symbolize the Absolute, it is the Absolute
The universal and that individuality are visualized and expressed as immediately one.
"poetic"
Fantastic symbolism
Meaning and the form of representation, sudden leap from one extreme to the other
Brahma: entirely withdrawn from sense and observation
Thinking requires self-consciousness which sets an object before itself in order to find itself therein.
Indian art:
The Absolute into immediately sensuous and individual thing
The extravagance of productions
Personifying universal meanings by using the human form
Symbolism proper
The Absolute becomes concrete
"The inward kept firmly in view on its own account contrasted with the immediacy of existence: the inward indeed as the negative of life, as death"
Riddle, ambiguous
Chapter 2
The meaning comes into consciousness on its own account, separated from the entire world of appearance
Sublime: to express the infinite, no object proves adequate for this representation
Pantheism (of art)
Pantheism, everything: universal soul, truth and excellence in individual being
The East
The art of sublime
Hebrew poetry
Sublime in the strict sense: the created world as finite, restricted, a glorifying accessory for the praise of God
Basically the world view of Christianity
Chapter 3
Conscious symbolism or comparative form of art: explicitly known, expressly posited as different from the external way in which it is represented.
Comparisons originating from the external object
Generally imperfect, remains subordinate, do not belong to poetry
Fable: not fabricated, concrete individuality as an actual event, maximum of naivete.
Parable, proverb, apologue
Metamorphoses
Comparisons which start from the meaning
Separation of meaning and shape, one of the two sides must be the beginning
Riddle, allegory (producing the most complete clarity), metaphor, image, simile
4 有用 PerfectCadence 2018-10-15 23:40:03
极其舒畅的阅读。球球各位哲学家写书像黑格尔一样构架大一二三四中1234小abcd清清楚楚啊啊kindle划好线直接导出为记忆卡片了啊一目了然，看过就是背过，太舒爽了。
0 有用 砚一 2021-01-22 15:55:31
说是不读哲学了= =，为了写报告还是把四本陆陆续续翻完了，唯一的收获大概是就是把pathos差不多搞清楚了，之前看《精神现象学》里面提到雅可比的“幽美灵魂”，当时没懂是啥梗，原来是在《美学》中展开的，黑格尔是真的喜欢莎士比亚啊，黑格尔的品味是莎士比亚、索福克勒斯、拉斐尔以及荷马也很有意思，大概是因为德国是哲学的顶峰，英国是艺术的顶峰吧，暗戳戳坏的典型。Pathos对奥尔巴赫也很重要，奥尔巴赫把pa... 说是不读哲学了= =，为了写报告还是把四本陆陆续续翻完了，唯一的收获大概是就是把pathos差不多搞清楚了，之前看《精神现象学》里面提到雅可比的“幽美灵魂”，当时没懂是啥梗，原来是在《美学》中展开的，黑格尔是真的喜欢莎士比亚啊，黑格尔的品味是莎士比亚、索福克勒斯、拉斐尔以及荷马也很有意思，大概是因为德国是哲学的顶峰，英国是艺术的顶峰吧，暗戳戳坏的典型。Pathos对奥尔巴赫也很重要，奥尔巴赫把pathos毫不吝啬地给了普鲁斯特，这也很有意思，毕竟小普算是半个犹太人~~ (展开)
0 有用 Unicaptain 2022-06-09 18:53:21
讨论了从象征型到古典型再到浪漫型艺术形式与内容意义的对应关系发展走向，从尊崇物质客观逐渐发展成为精神主体的自在自为，在讨论艺术哲学的同时也看到了社会时代的发展对于艺术及个体的影响进程脉络，也终于在浪漫型艺术解体时走向更高一阶的思想层面。
0 有用 Amazee 2017-12-09 21:00:59
古典艺术型态中对希腊神话的讲解十分过瘾。朱老师在晦涩的黑老师身边站着，时不时替他讲解几句，让我感激涕零～
0 有用 Kaka.Lam 2013-06-18 14:40:58
虽然去年读的时候非常沉浸在黑格尔的逻辑里面，连作业都是顺着黑格尔的逻辑来，不过这个学期好呆是跳出比较简单的思维了呢
0 有用 Unicaptain 2022-06-09 18:53:21
讨论了从象征型到古典型再到浪漫型艺术形式与内容意义的对应关系发展走向，从尊崇物质客观逐渐发展成为精神主体的自在自为，在讨论艺术哲学的同时也看到了社会时代的发展对于艺术及个体的影响进程脉络，也终于在浪漫型艺术解体时走向更高一阶的思想层面。
0 有用 刺尾河豚 2021-08-24 23:55:02
跟着黑格尔的思路，整体而有线索的梳理了象征性，古典型，浪漫型艺术的起源到发展到衰落的过程。对于理解西方艺术作品很有启发价值，读完之后对于很多具体的西方文艺作品的理解，能够更有体系，并且更知其所以然。尤其黑格尔对于古典型和浪漫型艺术的见解颇为深刻，读了之后能够结合宗教与社会的发展来理解这些作品。不足的地方还是作者的时代局限性吧，对于东方艺术和女性的描述评价颇为偏颇了。
0 有用 bornlikethis 2021-05-28 23:45:38
黑格尔在自己的逻辑体系里总是自洽的，自己做自己的神
0 有用 Zbcassssssnor 2021-03-23 21:31:00
朱先生译得真好
0 有用 北茴 2021-02-07 23:02:43
外研社新版。2.1p331-384。2.2p437。2.3p489。2.4p555。2.5p613。2.6p640。2.7p673。黑格尔的建构着迷于无定型，着迷于不断地给出前提而不抑制其自由发展，赋予艺术和哲学严谨的辩证法精神。