Editor's Preface
Acknowledgments
Introduction
Chapter 1:Scholarly Heritage from the Prerevolutionary Period
A. Centers of Folkloristic in St. Petersburg(Leningrad) and Moscow
B. The Development of Performer Studies, 1908-1918
C. The Political Character of Folkloristics and Folkloristics on the Eve of the Revolution
Chapter 2: Critical Experiences: Revolution, Regional Studies, Radical Pressures, and Government Policy
Introduction
A. Revolution and Survival: Folkloristics in the Cities
B. Folklorists in Regional Centers and the Regional Studies Movement
C. Government Cultural Policy and the Political Importance of Folklore and Folkloristics
Chapter 3: Research Organizations and Activities in the Period of the New Economic Policy(NEP) (1921-1927)
Introduction
A. Moscow
B. Leningrad
C. Research Methodology: Scientific Standards of Collectings and Amateur Participation
Chapter 4: Theoretical Development in the Years of NEP:The “Sociology of Folklore”
Introduction
A. The Study of Tale Tradition: Folklore as Art
B. The Study of Epic Tradition(Bylina): Folklore as History
C. New Interests and the “Sociology of Folklore”
D. The Identification of Social Class in Tale Material
Chapter 5:Folkloristics in the Years of the First Five-Year Plan (1928-1932):Intradisciplinary Differences and Challenges from Literary Circles
Introduction
A. Research Organizations and Activities in Leningrad and Moscow
B. Splitting the Discipline and Linking Theory to New Practice:The Meetings on Folklore in Leningrad and Moscow,1931
C. Personal Experience Account:A Challenge to the Definition of Folklore as Traditional Collective Art
Chapter 6:Folklore as Literature: The Years of the Second Five-Year Plan (1933-1937)
Introduction
A. Leningrad: Links of Folklore Studies with Ethnography in the 1930s
B. Moscow: Links of Folklore Studies to Literary Work
C. The Implications of the Links with Literature:Redefining Folklore as Ideology
Chapter 7:Folkloristics as Ideology:The Rejection of the “Sociology of Folklore” and the Reclaiming of “Popular” Culture
Introduction
A. The First All-Union Folklore Conference,1936:The Criticism of Fascist Folkloristics in Europe and Its Influence upon Soviet Work
B. Public Criticism of Bylina Scholarship and the Rejection of the “Theory of Aristocratic Origin”
C. Reclaiming “Popular” Culture: Soviet Folklore and National Traditions
Conclusion
Appendix
A. Reference Guide to Institutions
B. Reference Guide to Journals
Selected Bibliography
Index
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还没人写过短评呢
还没人写过短评呢