《十九世纪文学主流》的作者勃兰兑斯的莎评,后来舍斯托夫又在此基础上写了《莎士比亚及其批评者勃兰兑斯》。Twelfth Night is perhaps the most graceful and harmonious comedy Shakespeare ever wrote. The play does not overflow with wit and gaiety like its pred...《十九世纪文学主流》的作者勃兰兑斯的莎评,后来舍斯托夫又在此基础上写了《莎士比亚及其批评者勃兰兑斯》。Twelfth Night is perhaps the most graceful and harmonious comedy Shakespeare ever wrote. The play does not overflow with wit and gaiety like its predecessor; we feel that Shakespeare’s joy of life has culminated and is about to pass over into melancholy; 薇奥拉是莎士比亚最后的最明快的阳光,此后,大势已去,石狮失势,莎翁开始转向忧郁黑暗深刻。(展开)
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《十九世纪文学主流》的作者勃兰兑斯的莎评,后来舍斯托夫又在此基础上写了《莎士比亚及其批评者勃兰兑斯》。Twelfth Night is perhaps the most graceful and harmonious comedy Shakespeare ever wrote. The play does not overflow with wit and gaiety like its pred... 《十九世纪文学主流》的作者勃兰兑斯的莎评,后来舍斯托夫又在此基础上写了《莎士比亚及其批评者勃兰兑斯》。Twelfth Night is perhaps the most graceful and harmonious comedy Shakespeare ever wrote. The play does not overflow with wit and gaiety like its predecessor; we feel that Shakespeare’s joy of life has culminated and is about to pass over into melancholy; 薇奥拉是莎士比亚最后的最明快的阳光,此后,大势已去,石狮失势,莎翁开始转向忧郁黑暗深刻。 (展开)