作者:
James Monaco 出版社: Oxford University Press, USA 副标题: The World of Movies, Media, Multimedia: Language, History, Theory 出版年: 2000-1-15 页数: 672 定价: USD 29.95 装帧: Paperback ISBN: 9780195038699
Although some estheticians insist that the moving camera, because it calls attention to the filmmaker, is somehow less ethical than the stationary camera, this is as specious a differentiation as the earlier dichotomies between mise-en-scene and montage and between deep and shallow focus. A tracking or crane shot need not necessarily shift interest from subject to camera; it can, rather, call attention to the relationship between the two, which is arguably both more realistic and more ethical, since there is in fact a relationship.
F.W.Murnau and Max Ophuls loom large in the history of the moving camera. Their use of it was, essentially, humanistic—to create a lyrical celebration of their subjects and to involve their audiences more deeply. Stanley Kubrick, a filmmaker closely identified ... (查看原文)
0 有用 KIKI:Sophie你别磨蹭 2010-11-01 07:32:04
有点意思
0 有用 Le Vent 2023-03-06 12:57:30 北京
clear but too exhaustive