富特文格勒的指挥艺术

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• There has never been a lack of corroboration for the greatness of Furtwängler, but special testimony to it came to me one day in an unexpected way, long before this book was begun. It was my good fortune to know and spend time with Maria Callas, about whom I have written three books. She often amazed me with previously unsuspected areas of interest, but never more so than one day in August 1968. She was in Dallas recovering from a fall in which she had cracked several ribs. I picked her up one day for a doctor's appointment, and as I started the car, the radio came on. A symphony was being played. When I reached over to turn it off, she said, "No, leave it. The Beethoven Eighth is a favorite of mine." The was a surprise—a soprano, even a Callas, who loved and recognized Beethoven's Eighth!... (查看原文)

  秋水无涯 2014-10-09 20:05:38

• 你们不要认为情绪音乐是19世纪的发明。我们知道，在巴罗克时期就有音乐中的情绪因素存在，至少在理论上是如此，甚至强调得比在19世纪还要厉害。我认为，就这方面来说，音乐是始终同样的。音乐始终是人性的生动表现。活生生的人站在音乐的后面，活生生的人仍然有两只眼睛、两只耳朵以及嘴巴——现在和过去都一样。 (查看原文)

  Swift_Swirl 1 回复 2011-11-05 20:38:51

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