These essays reveal Mikhail Bakhtin (1895-1975)—known in the West largely through his studies of Rabelais and Dostoevsky—as a philosopher of language, a cultural historian, and a major theoretician of the novel. The Dialogic Imagination presents, in superb English translation, four selections from Voprosy literatury i estetiki (Problems of literature and esthetics), published i...
These essays reveal Mikhail Bakhtin (1895-1975)—known in the West largely through his studies of Rabelais and Dostoevsky—as a philosopher of language, a cultural historian, and a major theoretician of the novel. The Dialogic Imagination presents, in superb English translation, four selections from Voprosy literatury i estetiki (Problems of literature and esthetics), published in Moscow in 1975. The volume also contains a lengthy introduction to Bakhtin and his thought and a glossary of terminology.
Bakhtin uses the category "novel" in a highly idiosyncratic way, claiming for it vastly larger territory than has been traditionally accepted. For him, the novel is not so much a genre as it is a force, "novelness," which he discusses in "From the Prehistory of Novelistic Discourse." Two essays, "Epic and Novel" and "Forms of Time and of the Chronotope in the Novel," deal with literary history in Bakhtin's own unorthodox way. In the final essay, he discusses literature and language in general, which he sees as stratified, constantly changing systems of subgenres, dialects, and fragmented "languages" in battle with one another.
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The point of view that "another" takes toward us--which we take into account, and by which we evaluate ourselves--functions as the source of vanity, vain pride, or as the source of offense. It clouds our self-consciousness and our powers of self-evaluation; we must free ourselves from it (查看原文)
"Epic and Novel" 作者对于史诗的文体特征分析非常到位，absolute past, reliance on tradition, absolute distance，而对小说是怎样从打破史诗传统的serio-comical开始的，小说究竟有哪些遗传而来的特征，又有那些自创的特征，也有清楚的解释。
The point of view that "another" takes toward us--which we take into account, and by which we evaluate ourselves--functions as the source of vanity, vain pride, or as the source of offense. It clouds our self-consciousness and our powers of self-evaluation; we must free ourselves from it Wow...(1回应)
2016-10-26 08:51
The point of view that "another" takes toward us--which we take into account, and by which we evaluate ourselves--functions as the source of vanity, vain pride, or as the source of offense. It clouds our self-consciousness and our powers of self-evaluation; we must free ourselves from it引自 Forms of Time and of the Chronotope in the Novel
The point of view that "another" takes toward us--which we take into account, and by which we evaluate ourselves--functions as the source of vanity, vain pride, or as the source of offense. It clouds our self-consciousness and our powers of self-evaluation; we must free ourselves from it Wow...(1回应)
2016-10-26 08:51
The point of view that "another" takes toward us--which we take into account, and by which we evaluate ourselves--functions as the source of vanity, vain pride, or as the source of offense. It clouds our self-consciousness and our powers of self-evaluation; we must free ourselves from it引自 Forms of Time and of the Chronotope in the Novel
The point of view that "another" takes toward us--which we take into account, and by which we evaluate ourselves--functions as the source of vanity, vain pride, or as the source of offense. It clouds our self-consciousness and our powers of self-evaluation; we must free ourselves from it Wow...(1回应)
2016-10-26 08:51
The point of view that "another" takes toward us--which we take into account, and by which we evaluate ourselves--functions as the source of vanity, vain pride, or as the source of offense. It clouds our self-consciousness and our powers of self-evaluation; we must free ourselves from it引自 Forms of Time and of the Chronotope in the Novel
fejgl
0 有用 少年时代 2013-09-02
"Epic and Novel" 作者对于史诗的文体特征分析非常到位，absolute past, reliance on tradition, absolute distance，而对小说是怎样从打破史诗传统的serio-comical开始的，小说究竟有哪些遗传而来的特征，又有那些自创的特征，也有清楚的解释。
0 有用 红河谷的莲儿 2015-05-12
又是一位滔滔不绝的作者！四篇里推荐Epic and novel和chronotope两篇，总结得很漂亮（虽然私心不同意Greek novel这个提法）。内容自我重复很多，跟卢卡奇、奥尔巴赫有诸多共同之处。
0 有用 Мишка 2018-10-11
时空间分析为主的一本，结合拉伯雷一篇会给一个更完整的图景。
0 有用 Tarsan 2013-01-30
要反复读的书啊。
0 有用 Tairman 2016-10-04
真的很好看
0 有用 Ingnanr 2020-12-26
读了“Discourse in the Novel”
0 有用 油炸托克思 2020-06-25
打完收工
0 有用 缘督 2020-04-28
补标。读过chronotope一篇，阿斯曼的理论中给了很高的评价，所以过来拜读一下，还在论文里用到了。
0 有用 想本雅明救救我 2020-02-21
满分！
1 有用 Alexayi 2020-02-21
“In the beginning was the Word ... And the Word was made flesh, and dwelt among us ..."