Although many books define the purpose of typography as enhancing the readability of the written word, one of design's most humane functions is, in actually, to help readers avoid reading. (查看原文)
Design is an art of situations.
Designers respond to a need, a problem, a circumstance, that arises in the world. The best work is produced in relation to interesting situations—an open-minded client, a good cause, or great content. (查看原文)
Humanist letterforms are closely connected to calligraphy and the movement of the hand. Transitional and modern typefaces are more abstract and less organic. These three main groups correspond roughly to the Renaissance, Baroque, and Enlightenment periods in art and literature. 用來舉例的字體： Sabon (Humanist, serif) Baskerville (Transitional, serif) Bodoni (Modern, serif) Clarendon Gill Sans ...
2013-06-26 06:04:00
Humanist letterforms are closely connected to calligraphy and the movement of the hand. Transitional and modern typefaces are more abstract and less organic. These three main groups correspond roughly to the Renaissance, Baroque, and Enlightenment periods in art and literature.引自第42页
用來舉例的字體：
Sabon (Humanist, serif)
Baskerville (Transitional, serif)
Bodoni (Modern, serif)
Clarendon
Gill Sans (Humanist, sans serif)
Helvetica (Transitional, sans serif)
Futura (Modern, sans serif)
（這頁有一大段莫名其妙沒翻譯。不過因為原文不難且翻譯糟糕，倒是希望莫名不譯的越多越好。）
Humanist letterforms are closely connected to calligraphy and the movement of the hand. Transitional and modern typefaces are more abstract and less organic. These three main groups correspond roughly to the Renaissance, Baroque, and Enlightenment periods in art and literature. 用來舉例的字體： Sabon (Humanist, serif) Baskerville (Transitional, serif) Bodoni (Modern, serif) Clarendon Gill Sans ...
2013-06-26 06:04:00
Humanist letterforms are closely connected to calligraphy and the movement of the hand. Transitional and modern typefaces are more abstract and less organic. These three main groups correspond roughly to the Renaissance, Baroque, and Enlightenment periods in art and literature.引自第42页
用來舉例的字體：
Sabon (Humanist, serif)
Baskerville (Transitional, serif)
Bodoni (Modern, serif)
Clarendon
Gill Sans (Humanist, sans serif)
Helvetica (Transitional, sans serif)
Futura (Modern, sans serif)
（這頁有一大段莫名其妙沒翻譯。不過因為原文不難且翻譯糟糕，倒是希望莫名不譯的越多越好。）
Humanist letterforms are closely connected to calligraphy and the movement of the hand. Transitional and modern typefaces are more abstract and less organic. These three main groups correspond roughly to the Renaissance, Baroque, and Enlightenment periods in art and literature. 用來舉例的字體： Sabon (Humanist, serif) Baskerville (Transitional, serif) Bodoni (Modern, serif) Clarendon Gill Sans ...
2013-06-26 06:04:00
Humanist letterforms are closely connected to calligraphy and the movement of the hand. Transitional and modern typefaces are more abstract and less organic. These three main groups correspond roughly to the Renaissance, Baroque, and Enlightenment periods in art and literature.引自第42页
用來舉例的字體：
Sabon (Humanist, serif)
Baskerville (Transitional, serif)
Bodoni (Modern, serif)
Clarendon
Gill Sans (Humanist, sans serif)
Helvetica (Transitional, sans serif)
Futura (Modern, sans serif)
（這頁有一大段莫名其妙沒翻譯。不過因為原文不難且翻譯糟糕，倒是希望莫名不譯的越多越好。）
囧小明
0 有用 小空YOYO 2010-12-03 13:40:50
不错！值得学习。
0 有用 Nofoe 2013-06-27 05:33:03
毫不負責的拙劣翻譯和滿目瘡痍的編輯錯誤毀掉了這本書。從一些未經翻譯的部分推斷，原書質量頗高。
0 有用 Showing V1.4.1 2015-04-25 15:06:48
基本是版式设计书，夹带了不少字体设计的历史而已，于是这本书的翻译问题从书名即可窥见，里面实例以外的理论部分通通佶屈聱牙，完全读不懂。
0 有用 0² 2009-08-18 11:34:33
09书展半价所得。书不错，案例不错，翻译排版有错误。
0 有用 zeen 2018-12-28 20:47:59
这算哪门子指南?
0 有用 dharma 2020-04-14 16:46:33
翻译完全不懂平面设计，但是减分之后，内容依旧五星。
0 有用 zeen 2018-12-28 20:47:59
这算哪门子指南?
0 有用 LIAR 2017-12-03 21:41:10
好多明显的时间错误：分不清楚19和20世纪？翻译有些值得商榷的地方。但原作者提出了很多国内“操作手册”型讲义没有提到的意识形态上源流和前瞻性的分析（虽然现在已有很多应用和现象很普遍了）深入浅出，四星给原作者。
0 有用 Showing V1.4.1 2015-04-25 15:06:48
基本是版式设计书，夹带了不少字体设计的历史而已，于是这本书的翻译问题从书名即可窥见，里面实例以外的理论部分通通佶屈聱牙，完全读不懂。
0 有用 joe 2014-01-20 12:15:43
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