出版社: Phaidon Press
副标题: 25x21.5x1.5cm,英文,136页。
出版年: 2007-2-1
页数: 136
定价: USD 39.95
装帧: Hardcover
ISBN: 9780714845852
内容简介 · · · · · ·
在线阅读本书
An Essential Primer on Understanding Photography by One of theWorld's Most Influential Photographers "In my roughly twenty years of writing about photography, I don't thinkI've come across a book that has implied so much with so few words, a bookthat raises so many important questions with so little fanfare and withsuch precision."-James Kaufmann, Photographer's Forum...
在线阅读本书
An Essential Primer on Understanding Photography by One of theWorld's Most Influential Photographers "In my roughly twenty years of writing about photography, I don't thinkI've come across a book that has implied so much with so few words, a bookthat raises so many important questions with so little fanfare and withsuch precision."-James Kaufmann, Photographer's ForumBy the age of 14, Stephen Shore (b.1947) took his first photograph.By 17,he was a regular at Andy Warhol's Factory photographing both the artist andhis entourage.At 23, he became the first living photographer to have aone-person show at the Metropolitan Museum of Art.At 35, he was appointedDirector of the Photography Program at Bard College.An unrivalled pioneerin the field of color photography, his work has been exhibited in numerousmuseums worldwide, including an exhibition opening this May at theInternational Center of Photography that focuses on the work from hiscritically acclaimed books American Surfaces and Uncommon Places.Withsuch an impressive career, no one is a better suited guide to the nature ofphotographs. THE NATURE OF PHOTOGRAPHS by Stephen Shore, is an essential primer on howto understand photography by one of the world's most influentialphotographers.Growing out of a college course that Shore taught for manyyears, this book explores ways of looking at photographs from all periodsand all types--from iconic images to found photographs, from negatives todigital files.Its aim is to describe the physical and formal attributesof a photographic print--the very elements that form the tools aphotographer uses to define and interpret the content.In the end, Shoreteaches us, on the most basic level, how a photograph "works." As well as a selection of Shore's own work, THE NATURE OF PHOTOGRAPHScontains images from all eras of photography, from classic works by WalkerEvans, Robert Frank, and Eug+ne Atget to more contemporary work by Berndand Hilla Becher, Cindy Sherman, Joel Sternfeld, Thomas Struth, and RichardPrince. It includes all genres, such as street photography, fine artphotography, and documentary photography, as well as images by unknownphotographers.Together with his clear, intelligent, and accessible text,Shore uses these works to demonstrate how the world in front of the camerais transformed into a photograph. Divided into four main chapters--The Physical Level, The Depictive Level,The Mental Level, and Mental Modeling--THE NATURE OF PHOTOGRAPHS exploreshow photographs function visually.By teaching us how to see through theeyes of a photographer, Shore teaches us a new way to look at the worldaround us.This affordable book serves as indispensable tool for students,teachers, and everyone who wants to take better pictures.
作者简介 · · · · · ·
史提芬·肖尔最早把彩色摄影从广告和时装领域提升艺术的高度的几位摄影师之一。作者以冷静、超然的视野描绘了1970年代初美国的社会风景。近30年来,他影响了一大批美国摄影家,甚至影响了托马斯·鲁夫、托马斯·斯特鲁斯等德国摄影家。
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读书笔记 · · · · · ·
我来写笔记-
灰小 (BANG temper)
"As an object, a photograph has its own life in the world. It can be saved in a shoebox or in a museum. It can be reproduced as information or as an advertisement. It can be bought and sold. It may be regarded as a utilitarian object or as a work of art. The context in which a photograph is seen effects the meanings a viewer draws from it." 观看方式决定了物种 尽管艺术家们已经冲出画廊 走上街头 ...2012-04-24 12:14 1人喜欢
Dieter Appelt 'The Mark on the Mirror That Breathing Makes' 1977Anne Turyn '12 17 1960 From Flashbulb Memories' 1986Thomas Demand 'Sink' 1997Cindy Sherman 'Untitled Film Still' 1978Thomas Struth 'Pantheon, Rome' 1990Paul Graham 'Untitled, Spain' 1988Philip-Lorca diCorcia 'Hartford' 1979Garry Winogrand 'Taxas State Fair, Dallas' 1964Jan Groover 'Untitled' 1985Mitch Epstein 'Untitled, New York' 1998Paul Caponigro 'Peach, Santa Fe, New Mexico' 1989William Eggleston 'Untitled' 1970"As an object, a photograph has its own life in the world. It can be saved in a shoebox or in a museum. It can be reproduced as information or as an advertisement. It can be bought and sold. It may be regarded as a utilitarian object or as a work of art. The context in which a photograph is seen effects the meanings a viewer draws from it." 观看方式决定了物种 尽管艺术家们已经冲出画廊 走上街头 不过作为摄影 它还是要挂在墙上 = = 这书还重印了那么多次。。。他是糊弄事的还是糊弄事呢。。。不过可以算与他同代摄影师简介来看。。。他还是拍照片吧。。。
回应 2012-04-24 12:14
-
灰小 (BANG temper)
"As an object, a photograph has its own life in the world. It can be saved in a shoebox or in a museum. It can be reproduced as information or as an advertisement. It can be bought and sold. It may be regarded as a utilitarian object or as a work of art. The context in which a photograph is seen effects the meanings a viewer draws from it." 观看方式决定了物种 尽管艺术家们已经冲出画廊 走上街头 ...2012-04-24 12:14 1人喜欢
Dieter Appelt 'The Mark on the Mirror That Breathing Makes' 1977Anne Turyn '12 17 1960 From Flashbulb Memories' 1986Thomas Demand 'Sink' 1997Cindy Sherman 'Untitled Film Still' 1978Thomas Struth 'Pantheon, Rome' 1990Paul Graham 'Untitled, Spain' 1988Philip-Lorca diCorcia 'Hartford' 1979Garry Winogrand 'Taxas State Fair, Dallas' 1964Jan Groover 'Untitled' 1985Mitch Epstein 'Untitled, New York' 1998Paul Caponigro 'Peach, Santa Fe, New Mexico' 1989William Eggleston 'Untitled' 1970"As an object, a photograph has its own life in the world. It can be saved in a shoebox or in a museum. It can be reproduced as information or as an advertisement. It can be bought and sold. It may be regarded as a utilitarian object or as a work of art. The context in which a photograph is seen effects the meanings a viewer draws from it." 观看方式决定了物种 尽管艺术家们已经冲出画廊 走上街头 不过作为摄影 它还是要挂在墙上 = = 这书还重印了那么多次。。。他是糊弄事的还是糊弄事呢。。。不过可以算与他同代摄影师简介来看。。。他还是拍照片吧。。。
回应 2012-04-24 12:14
-
灰小 (BANG temper)
"As an object, a photograph has its own life in the world. It can be saved in a shoebox or in a museum. It can be reproduced as information or as an advertisement. It can be bought and sold. It may be regarded as a utilitarian object or as a work of art. The context in which a photograph is seen effects the meanings a viewer draws from it." 观看方式决定了物种 尽管艺术家们已经冲出画廊 走上街头 ...2012-04-24 12:14 1人喜欢
Dieter Appelt 'The Mark on the Mirror That Breathing Makes' 1977Anne Turyn '12 17 1960 From Flashbulb Memories' 1986Thomas Demand 'Sink' 1997Cindy Sherman 'Untitled Film Still' 1978Thomas Struth 'Pantheon, Rome' 1990Paul Graham 'Untitled, Spain' 1988Philip-Lorca diCorcia 'Hartford' 1979Garry Winogrand 'Taxas State Fair, Dallas' 1964Jan Groover 'Untitled' 1985Mitch Epstein 'Untitled, New York' 1998Paul Caponigro 'Peach, Santa Fe, New Mexico' 1989William Eggleston 'Untitled' 1970"As an object, a photograph has its own life in the world. It can be saved in a shoebox or in a museum. It can be reproduced as information or as an advertisement. It can be bought and sold. It may be regarded as a utilitarian object or as a work of art. The context in which a photograph is seen effects the meanings a viewer draws from it." 观看方式决定了物种 尽管艺术家们已经冲出画廊 走上街头 不过作为摄影 它还是要挂在墙上 = = 这书还重印了那么多次。。。他是糊弄事的还是糊弄事呢。。。不过可以算与他同代摄影师简介来看。。。他还是拍照片吧。。。
回应 2012-04-24 12:14
这本书的其他版本 · · · · · · ( 全部2 )
以下豆列推荐 · · · · · · ( 全部 )
- 读过和要读的摄影书 (杜扬Seatory)
- 摄影文论爱好者 (StrawDog)
- Stephen Shore (门房大爷)
- 与摄影有关 (pigwing)
- Photography (灰小)
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0 有用 孙韦悦 2018-08-02
短小精悍,颇受启发。
0 有用 feit 2013-03-05
高价买了一本入门读物,操
0 有用 十八由 2020-06-26
非常简洁明了的入门类书籍,其实是一个essay,分为几个chapter【physical level】【depictive level】【mental level】,拍照的过程也是一个【mental modelling】的过程。很多都可以和视觉人类学的内容呼应,physical level = external narrative; depictive level = internal narra... 非常简洁明了的入门类书籍,其实是一个essay,分为几个chapter【physical level】【depictive level】【mental level】,拍照的过程也是一个【mental modelling】的过程。很多都可以和视觉人类学的内容呼应,physical level = external narrative; depictive level = internal narrative (Banks)。很有启发很好读 (展开)
0 有用 Godverdomme 2017-01-12
此书包治各种摄影疑难杂症
0 有用 樟了个脑 2018-09-16
读的德语译本,Phaidon 2009。简洁清楚明了,基础入门书。但又不是一板一眼的教材,挺真诚的。
0 有用 十八由 2020-06-26
非常简洁明了的入门类书籍,其实是一个essay,分为几个chapter【physical level】【depictive level】【mental level】,拍照的过程也是一个【mental modelling】的过程。很多都可以和视觉人类学的内容呼应,physical level = external narrative; depictive level = internal narra... 非常简洁明了的入门类书籍,其实是一个essay,分为几个chapter【physical level】【depictive level】【mental level】,拍照的过程也是一个【mental modelling】的过程。很多都可以和视觉人类学的内容呼应,physical level = external narrative; depictive level = internal narrative (Banks)。很有启发很好读 (展开)
0 有用 荷西厌饮 2020-04-27
差点忘了标,第一堂课上的启蒙读物。需要用很长时间来领会 Shore 所说的“mental model”。
0 有用 樟了个脑 2018-09-16
读的德语译本,Phaidon 2009。简洁清楚明了,基础入门书。但又不是一板一眼的教材,挺真诚的。
0 有用 孙韦悦 2018-08-02
短小精悍,颇受启发。
0 有用 離離原上草 2018-06-15
2018-6 於圖書館九樓西