译者: Katherine Tiernan O'Connor
出版社: Vintage
出版年: 1996-3-19
ISBN: 9780679760801
页数: 384
装帧: Paperback
定价: USD 15.00
原作名: Мастер и Маргарита
内容简介 · · · · · ·
The first complete, annotated English Translation of Mikhail Bulgakov's comic masterpiece.
An audacious revision of the stories of Faust and Pontius Pilate, The Master and Margarita is recognized as one of the essential classics of modern Russian literature. The novel's vision of Soviet life in the 1930s is so ferociously accurate that it could not be published during its autho...
The first complete, annotated English Translation of Mikhail Bulgakov's comic masterpiece.
An audacious revision of the stories of Faust and Pontius Pilate, The Master and Margarita is recognized as one of the essential classics of modern Russian literature. The novel's vision of Soviet life in the 1930s is so ferociously accurate that it could not be published during its author's lifetime and appeared only in a censored edition in the 1960s. Its truths are so enduring that its language has become part of the common Russian speech.
One hot spring, the devil arrives in Moscow, accompanied by a retinue that includes a beautiful naked witch and an immense talking black cat with a fondness for chess and vodka. The visitors quickly wreak havoc in a city that refuses to believe in either God or Satan. But they also bring peace to two unhappy Muscovites: one is the Master, a writer pilloried for daring to write a novel about Christ and Pontius Pilate; the other is Margarita, who loves the Master so deeply that she is willing literally to go to hell for him. What ensues is a novel of in exhaustible energy, humor, and philosophical depth, a work whose nuances emerge for the first time in Diana Burgin's and Katherine Tiernan O'Connor's splendid English version.
(back cover)
The Master and Margarita的创作者
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米哈伊尔·布尔加科夫 作者
作者简介 · · · · · ·
Mikhail Bulgakov was born in Kyiv, Russian Empire (today Ukraine) on May 15 1891. He studied and briefly practised medicine and, after indigent wanderings through revolutionary Russia and the Caucasus, he settled in Moscow in 1921. His sympathetic portrayal of White characters in his stories, in the plays The Days of the Turbins (The White Guard), which enjoyed great success at...
Mikhail Bulgakov was born in Kyiv, Russian Empire (today Ukraine) on May 15 1891. He studied and briefly practised medicine and, after indigent wanderings through revolutionary Russia and the Caucasus, he settled in Moscow in 1921. His sympathetic portrayal of White characters in his stories, in the plays The Days of the Turbins (The White Guard), which enjoyed great success at the Moscow Art Theatre in 1926, and Flight (1927), and his satirical treatment of the officials of the New Economic Plan, led to growing criticism, which became violent after the play The Purple Island. His later works treat the subject of the artist and the tyrant under the guise of historical characters, with plays such as Molière, staged in 1936, Don Quixote, staged in 1940, and Pushkin, staged in 1943. He also wrote a brilliant biography, highly original in form, of his literary hero, Molière, but The Master and Margarita, a fantasy novel about the devil and his henchmen set in modern Moscow, is generally considered his masterpiece. Fame, at home and abroad, was not to come until a quarter of a century after his death in Moscow in 1940.
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The Master and Margarita的书评 · · · · · · ( 全部 576 条 )
《大师和玛格丽特》:没有自由,就没有文学
这篇书评可能有关键情节透露
《大师和玛格丽特》被公认为20世纪最伟大的俄语文学作品之一,作者米哈伊尔·布尔加科夫是俄罗斯“白银时代”的经典作家,也是魔幻现实主义的开山鼻祖,按创作时间来算,《大师和玛格丽特》比《百年孤独》的创作早了26年。它完成于1940年,但由于历史原因,直到1966年其手稿才... (展开)论坛 · · · · · ·
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0 有用 Hesperia 2018-12-05 13:50:26
这本书概括起来就是:遇到鬼了。最后感人:let the master and margarita go with satan. They have not earned happiness, but peace.
0 有用 迷之女主角X 2020-04-15 09:40:30
拖拖拉拉半读半听终于读完了。一大半的内容都不合口味(关于苏联“艺术家”的burlesque各种意义上都太吵了),涉及到彼拉多、Woland和大师与玛格丽特时才能提起兴趣。虽然懦怯是最糟糕的罪恶(hm, a fitting allusion)最后总算得到救赎了。Yeshua!Yeshua!以及苏联比撒旦还撒旦
3 有用 KryseScalpel 2022-11-13 04:33:29 爱尔兰
与浮士德的平行结构自不必提,这本小说的很多方面都符合巴赫金对狂欢化文学的定义,永罚与拯救,短暂与永恒,死亡与新生的种种二元贯彻始终,而它闹剧般的魔幻又不妨害其现实的重量。大师作为在现世被剥夺一切的人望向彼世的拯救,他的死亡在此也就只是从生中之死到死中之生的转折点。读彼拉多的解救那段我一直在想一个积极意义上的宗教作为“被压迫生灵的叹息,无情世界的感情”,这种多层次的宽恕是冷漠世界的一点温情,并且是在... 与浮士德的平行结构自不必提,这本小说的很多方面都符合巴赫金对狂欢化文学的定义,永罚与拯救,短暂与永恒,死亡与新生的种种二元贯彻始终,而它闹剧般的魔幻又不妨害其现实的重量。大师作为在现世被剥夺一切的人望向彼世的拯救,他的死亡在此也就只是从生中之死到死中之生的转折点。读彼拉多的解救那段我一直在想一个积极意义上的宗教作为“被压迫生灵的叹息,无情世界的感情”,这种多层次的宽恕是冷漠世界的一点温情,并且是在普世苦难的重量面前几乎微不足道的一点,就像从犹大手中落下的那些变成花朵的硬币,籍着它大师终于能奔向自己永恒的家园,然而我们不会知道布尔加科夫是否同样得救了。 (展开)
0 有用 moria. 2026-02-25 20:20:22 广东
4.7
0 有用 周树熊 2021-03-30 17:45:54
读完了。这本书最让人觉得最有人性光芒 最纯粹又炽热的情感 是不在乎理性和超自然区分的玛格丽特对大师 是在精神病院里的伊万和大师 甚至是Pilate和他的狗。“But what can be done, the one who loves must share the fate of the one he loves” 但是这种最真挚热烈的 最理想化的情感却发生在精神病院里 发生在有点儿越轨的所谓的... 读完了。这本书最让人觉得最有人性光芒 最纯粹又炽热的情感 是不在乎理性和超自然区分的玛格丽特对大师 是在精神病院里的伊万和大师 甚至是Pilate和他的狗。“But what can be done, the one who loves must share the fate of the one he loves” 但是这种最真挚热烈的 最理想化的情感却发生在精神病院里 发生在有点儿越轨的所谓的不正常的人身上 这就是我看到最荒谬但是又最打动人的地方了🍃. 唉 真是妙不可言。 (展开)