Andrei Tarkovsky (1932-86) was considered by many to be one of Russia's most influential filmmakers, despite an output of only seven feature films in 20 years. He was revered by such luminaries as Bergman and Kurosawa for his use of long takes, languid pacing, and meditations on spirituality and the human soul - as can be seen in his best known films, "Andrei Rublev" (1964-66) ...
Andrei Tarkovsky (1932-86) was considered by many to be one of Russia's most influential filmmakers, despite an output of only seven feature films in 20 years. He was revered by such luminaries as Bergman and Kurosawa for his use of long takes, languid pacing, and meditations on spirituality and the human soul - as can be seen in his best known films, "Andrei Rublev" (1964-66) and the often-shown "Solaris" (1972). "Andrei Tarkovsky: Interviews" brings together a collection of candid and articulate interviews, spanning the length of his career, exploring his aesthetic ideology and his self-exile from his Russian homeland. This volume also discusses the recurring images of water, horses, fire, and snow that appeared in his movies, although Tarkovsky adamantly refused to divulge their meanings. This unique volume presents an intimate portrait of one of the most influential and visionary filmmakers of the 20th century.
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塔可夫斯基的伟大之处在于对人生存的思考,在于他本人和作品的诚实和一致性。而不在于他的人格完美。作为女性我当然不赞同他的性别观,说实话承认自己喜欢的创作者本身的局限性是很痛苦的。看着女记者发问的时候,我感到自己也参与了这一场辩论,急切地想质疑他,纠正他。然而他的世界观是一致的,一种浓重宗教的底色下不可能带来其他的答案或者改变。