The camera had seen this unchaged world as a landscape with figures, but figures under a doom imposed by the landscape. The closed dark faces were full of instinctive suffering, without individual memory, or only the kind of memory animals may have, who when they feel the whip know they suffer but do not know why and cannot imagine a remedy... Death in these pictures was a procession with lighted candles, love a matter of vague gravity, of clasped hands and two sculptured figures inclining towards each other.
The camera had caught and fixed in moments of violence and senseless excitement, of cruel living and tortured death, the almost ecstatic death-expectancy which is in the air of Mexico. The Mexican may know when the danger is real, or may not care wheather the thrill is false or true, ... (查看原文)
安文生
湖南文艺出版社2022版
王洛洛
湖南文艺出版社2022版
安吉可
0 有用 胡安焉 2021-06-03 23:14:50
在美国南方女作家里，凯瑟琳·安·波特的“南方属性”不如尤多拉·韦尔蒂和弗兰纳里·奥康纳强烈，她的长处在从女性视角对感情、人性、权利和价值信仰等方方面面的精辟洞察，尤其是她对教条的痛恨。她的文体意识也更“现代”，可能受过福克纳的影响。
1 有用 YB 2021-03-05 20:26:47
20140115购买。感觉有些太细腻了，除了中午酒外，其它不喜欢，没看完
0 有用 20220303 2024-07-10 13:25:26 甘肃
读了卡波蒂推荐的那篇中午酒
0 有用 who are you 2017-01-17 21:23:02
小说
0 有用 刘黑 2021-07-04 23:59:10
唉…