"American Ethnographic Film and Personal Documentary" is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism's focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century.
0 有用 无良飞行员 2023-09-08 20:25:01 浙江
1.基本按创作者的作品去划分每个学者兼创作者观念的嬗变。Marshall是个富二代,一直在自己是人类学家还是艺术家之间摇摆,但90岁还在工作;Gardner是个有反骨的人,与Marshall反目;Asch在创作的最后人类学观念崩塌了;Taylor和他的SEL在书的最后寥寥带过。
0 有用 世界的焚像. 2024-11-19 20:58:50 上海
非常好,民族志电影和私人纪录片从来都是一体两面。