Dan Margulis 被誉为“数码印前技术之父”。2001年,他就成为Photoshop Hall of Fame(Photoshop名人馆)首批成员之一(他是其中惟一的作家)。在宣布他当选时,美国Photoshop国家专业协会在颁奖词中说:“ Dan能够将复杂的概念简单化为用户可以理解的语言,他处理实际问题的主张已经使他成为当今颜色再现领域最有影响的人物。”
The background looks better, but all I have to say is, that’s a godawful stupid-looking horse.Horses are supposed to be brown, not orange. In Figure 4.5A, he averaged 51L25A39B—substantially yellowish red, yet not absurdly so. That got changed to 54L46A56B, totally out of hand. (查看原文)
左列最后一段关于图4-5中马匹颜色的探讨,在翻译上有点歧义。 英文原文: The background looks better, but all I have to say is, that’s a godawful stupid-looking horse.Horses are supposed to be brown, not orange. In Figure 4.5A, he averaged 51L25A39B—substantially yellowish red, yet not absurdly so. That got changed to 54L46A56B, totally out of hand. 中文原文: 在图4-5A中,其平均数是(略)——完全...
2016-04-02 17:22:541人喜欢
左列最后一段关于图4-5中马匹颜色的探讨,在翻译上有点歧义。
英文原文:
The background looks better, but all I have to say is, that’s a godawful stupid-looking horse.Horses are supposed to be brown, not orange. In Figure 4.5A, he averaged 51L25A39B—substantially yellowish red, yet not absurdly so. That got changed to 54L46A56B, totally out of hand.引自 chapter 4
This curve shape merely means that 127A, which is about as frequently seen in the real world as a batting average above 1.000, will become something like 110A, which is no more common than a seven-run homer. 这段我不是很明白,为什么127A是现实中随处可见的?而110A则很罕见?一个是纯品红色,一个品红色量更少。为什么纯品红色反倒更常见?WHY?WHY?WHY? You don’t have to worry about these areas of the...
2016-04-02 23:50:05
This curve shape merely means that 127A,
which is about as frequently seen in the real world as a batting average above 1.000,
will become something like 110A,
which is no more common than a seven-run homer.引自 chapter 4
You don’t have to worry about these areas of the curve, because they’re far out of the gamut of anything you’ll ever output to, and even if they weren’t, they cover brilliant reds and yellows, of which there are none in this particular photograph.引自 chapter 4
So, the point one gridline down
from the center point covers the horse, which
started at 25A.
Since that point doesn’t change
from its original position, the magenta-asopposed-
to-green component of the horse
won’t change either.引自 chapter 4
Such a curve suppresses detail somewhat in the waterfall, which falls in the very lightest part of the curve. 这样一条曲线略微阻碍了瀑布的细节,怎样阻碍呢?把这条曲线的最亮部分(也就是左下角那儿,瀑布的最亮部分基本都聚集在那儿),把这部分弄平。这样,瀑布的部分就会变得更亮,这样比起原图,这地方就有点儿曝光了,一曝光,不就是损失细节了么。
2016-04-01 15:26:59
Such a curve suppresses detail somewhat in the waterfall, which falls in the very lightest part of the curve.引自 3
右列第一段最后一句:L值越小(越大),超出色域的颜色就越多。 应改为:L值越亮(即L值越大),超出色域的颜色就越多。 此句英文原版为:And, the lighter (greater) the L value, the more out-of-gamut colors there will be. light作为形容词形容颜色时,朗文上的解释为:a light color is pale and not dark
2016-03-31 16:48:03
右列第一段最后一句:L值越小(越大),超出色域的颜色就越多。
应改为:L值越亮(即L值越大),超出色域的颜色就越多。
此句英文原版为:And, the lighter (greater) the L value, the more out-of-gamut colors there will be.
light作为形容词形容颜色时,朗文上的解释为:a light color is pale and not dark
实际上B到0的偏移大于A the B could actually be further away from zero than the A is, B线 比起A线,会离0更远 这里指:B线的“黄色量”,是反0的方向跑的;而A线的“绿色量”,是朝0的方向跑的,所以A要变绿,就要接近0,数值越来越小。B要变黄,就要远离0,数值越来越大。 we’d still buy the overall hue as a yellowish green. A输入值越小越显绿,B输入值越大越显黄。—— 要想得到自然的绿色,就要在绿色里加一点黄...(1回应)
2016-04-01 10:26:20
实际上B到0的偏移大于A
the B could actually be further away from zero than the A is, 引自 英文47,中文45页
Such a curve suppresses detail somewhat in the waterfall, which falls in the very lightest part of the curve. 这样一条曲线略微阻碍了瀑布的细节,怎样阻碍呢?把这条曲线的最亮部分(也就是左下角那儿,瀑布的最亮部分基本都聚集在那儿),把这部分弄平。这样,瀑布的部分就会变得更亮,这样比起原图,这地方就有点儿曝光了,一曝光,不就是损失细节了么。
2016-04-01 15:26:59
Such a curve suppresses detail somewhat in the waterfall, which falls in the very lightest part of the curve.引自 3
This curve shape merely means that 127A, which is about as frequently seen in the real world as a batting average above 1.000, will become something like 110A, which is no more common than a seven-run homer. 这段我不是很明白,为什么127A是现实中随处可见的?而110A则很罕见?一个是纯品红色,一个品红色量更少。为什么纯品红色反倒更常见?WHY?WHY?WHY? You don’t have to worry about these areas of the...
2016-04-02 23:50:05
This curve shape merely means that 127A,
which is about as frequently seen in the real world as a batting average above 1.000,
will become something like 110A,
which is no more common than a seven-run homer.引自 chapter 4
You don’t have to worry about these areas of the curve, because they’re far out of the gamut of anything you’ll ever output to, and even if they weren’t, they cover brilliant reds and yellows, of which there are none in this particular photograph.引自 chapter 4
So, the point one gridline down
from the center point covers the horse, which
started at 25A.
Since that point doesn’t change
from its original position, the magenta-asopposed-
to-green component of the horse
won’t change either.引自 chapter 4
左列最后一段关于图4-5中马匹颜色的探讨,在翻译上有点歧义。 英文原文: The background looks better, but all I have to say is, that’s a godawful stupid-looking horse.Horses are supposed to be brown, not orange. In Figure 4.5A, he averaged 51L25A39B—substantially yellowish red, yet not absurdly so. That got changed to 54L46A56B, totally out of hand. 中文原文: 在图4-5A中,其平均数是(略)——完全...
2016-04-02 17:22:541人喜欢
左列最后一段关于图4-5中马匹颜色的探讨,在翻译上有点歧义。
英文原文:
The background looks better, but all I have to say is, that’s a godawful stupid-looking horse.Horses are supposed to be brown, not orange. In Figure 4.5A, he averaged 51L25A39B—substantially yellowish red, yet not absurdly so. That got changed to 54L46A56B, totally out of hand.引自 chapter 4
Such a curve suppresses detail somewhat in the waterfall, which falls in the very lightest part of the curve. 这样一条曲线略微阻碍了瀑布的细节,怎样阻碍呢?把这条曲线的最亮部分(也就是左下角那儿,瀑布的最亮部分基本都聚集在那儿),把这部分弄平。这样,瀑布的部分就会变得更亮,这样比起原图,这地方就有点儿曝光了,一曝光,不就是损失细节了么。
2016-04-01 15:26:59
Such a curve suppresses detail somewhat in the waterfall, which falls in the very lightest part of the curve.引自 3
0 有用 饭团子 2012-05-22 23:45:57
颜色的另一种思考,修图方面有很大帮助
0 有用 王有才 2009-08-27 10:45:49
内容不错,排版、翻译都奇差,而且讲调色的书居然用黑白印刷
0 有用 Albert 2008-05-03 18:35:56
如果说我在photoshop上有一点进步,那就应该归功于这本书
1 有用 林开 2015-03-31 15:13:00
修图对于数字摄影已经是毫无争议的重要部分,这本书讲的很深刻,除了图层蒙板就是色彩模式了,这都是最终成像效果的关键内容。
0 有用 万克辉 2008-04-03 00:28:31
图书馆马上就要来了哦!哈哈。。。
0 有用 虚无主义者Le 2021-06-10 08:37:50
LAB处理方式比较独特,但是作为普通商业后期了解便可!
0 有用 wewe 2020-03-29 10:33:28
叙述繁琐,大量的重复,可以精简至十分之一
0 有用 久久 2020-03-26 22:04:46
很不错。
1 有用 wencn_chan 2020-01-11 01:38:09
我看的是电子版,所以没有认真看过,对这种书真是功利主义,需要的时候才查看查看,羞愧一个。
0 有用 rice 2019-11-27 22:29:42
干货满满的一本书,可以学到很多,但是排版真的不怎么样