Naoto Fukasawa (b.1956) is one of the best-known Japanese product designers working today. After graduating from Tama Art University in 1980, he moved to the United States and worked at IDEO, one of the world's most innovative design companies. In 1997, Fukasawa moved back to Japan to set up the IDEO Tokyo office. During his time at IDEO, he developed his sense for how people p...
Naoto Fukasawa (b.1956) is one of the best-known Japanese product designers working today. After graduating from Tama Art University in 1980, he moved to the United States and worked at IDEO, one of the world's most innovative design companies. In 1997, Fukasawa moved back to Japan to set up the IDEO Tokyo office. During his time at IDEO, he developed his sense for how people perceive and use objects. In 2003, Fukasawa left IDEO to form his own design company Naoto Fukasawa Design. Besides being a consultant for major companies, especially MUJI, he has also set up a new product brand called PLUS MINUS ZERO, a collection of minimal home appliances and products that has achieved worldwide acknowledgement for its user-friendly aesthetics. Moreover, Fukasawa's designs for companies such as Driade and B&B Italia attracted attention in Europe at the 2005 Milan Furniture Fair, and have continued to do so since. Fukasawa's design philosophy relies on carefully observing what people do and feel in their everyday lives in order to find simple solutions that touch the senses and link to shared memories. By working with the 'iconic' value of a product, be it a watch or a sofa, Fukasawa is able to come up with designs that address the common knowledge about things that people have. His groundbreaking wall-mounted CD player for MUJI in 1999 was based on the image of a kitchen fan and moved away from all the conventions of hi-fi equipment manufacture. It was a simple appliance, restrained in appearance and function, and very different from the numerous black boxes that had become the standard in the market. Interestingly, as Fukasawa's products are based on people's common and not always conscious view of things, his design solutions sometimes swim against the current of received opinions to achieve popularity and success. The LCD TV monitor he designed for PLUS MINUS ZERO reinstates the shape of the cathodic-tube TV set instead of becoming even thinner; his mobile telephone Infobar for KDDI/au has large keypads, referring back to the first models of the 1980s. The book is the first monograph published in English of the work of this innovative designer. Edited by Fukasawa himself and with contributions by writers from East and West, it includes a selection of his products to date, ranging from umbrellas and vases to sofas and telephones. Illustrated with never-before-seen photographs and drawings, Fukasawa's text elucidates the ideas behind each of his projects. Essays by artists, designers, and lecturers, notably Antony Gormley, Jasper Morrison and Bill Moggridge from IDEO, complete the book by giving an account of Fukasawa's design philosophy and of the significance of his work for the contemporary design world.
2.5R
大部分 PLUS MINUS ZERO(士0)产品的R角(半径)是2.5毫米。其原因之一是,在很久以前,木材被剥下树皮之后就原样使用了,角会被刨掉,以避免接触时产生不舒适感。在很长一段时期之后它就会慢慢地风化并形成一个圆角。在使用的过程中,自然地形成了R角。它的圆度并不是精确的2.5R,但是2.5R却很接近自然R角;另一个原因是,当流行使用塑料模具时,外壳最大的径向厚度是2.5毫米,而最大的R角也是2.5R。这就是说,2.5R是一种人们很熟悉的弧度,边是木材自然的弧度,从功能角度和模具处理角度来说都是不可避免的尺寸。如果R角再大一些,就成了一种装饰,设计师的意图就成了追求形式,这也是为什么我不想用更大R角的原因。 (查看原文)
Affordance. Affinity. R=2.5mm. ""Things that already seems to exist but don't"-"The Chair-like Chair in our imagination"-"A Chair that seems to be everywhere"-"Super Normal".
I fall in love with this book when I saw it's face in a chance .I know in chinese it's said YI JIAN ZHONG QING .Yes you didn't misunderstand it's only a book . You know it's a product of the band MU JI which is my favourite band. The style of it is brief an...
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0 有用 B e r r y 2017-01-20 17:59:22
打动人的,细致入微的,以人为本的 设计。
3 有用 零零 2013-04-26 06:58:17
第一印象是深泽直人的英文用词真高级,另外他是IDEO出身的,所以是IDEO+日本设计的混合风格。他对设计的理解和表述都非常清晰。最有价值的就是开篇他自己对设计的理解的文章。设计的话也是部分比较打动人吧。他有日本人特有的那种细腻敏锐的感受力,并且有能力把他的感受以设计的方式表达出来,所以他的产品很多是关注物品和一个人之间微妙的体验。
0 有用 oddy knocky 2015-12-17 14:15:09
干净!
0 有用 一二三四五六七 2017-03-13 15:10:58
产品设计师的思维,比建筑的尺度小很多。更加关注个体的细腻观感。
0 有用 MAOMAO 2018-08-21 16:17:41
Affordance. Affinity. R=2.5mm. ""Things that already seems to exist but don't"-"The Chair-like Chair in our imagination"-"A Chair that seems to be everywhere"-"Super Normal".