‘Of course that’s how it begins: a harmless fairy tale to pass the hours’
When Alice Liddell Hargreaves met Peter Llewelyn Davies at the opening of a Lewis Carroll exhibition in 1932, the original Alice in Wonderland came face to face with the original Peter Pan. In John Logan’s remarkable new play, enchantment and reality collide as this brief encounter lays bare the lives of ...
‘Of course that’s how it begins: a harmless fairy tale to pass the hours’
When Alice Liddell Hargreaves met Peter Llewelyn Davies at the opening of a Lewis Carroll exhibition in 1932, the original Alice in Wonderland came face to face with the original Peter Pan. In John Logan’s remarkable new play, enchantment and reality collide as this brief encounter lays bare the lives of these two extraordinary characters.
作者简介
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This is the first new play from three-time Academy Award-nominated screenwriter and playwright John Logan since his play Red went on to sell thousands of copies and played London to great acclaim before transferring to a smash hit Broadway run where it won six Tony Awards including Best New Play. His work for the stage includes Never the Sinner, Hauptmann, a new adaptation of I...
This is the first new play from three-time Academy Award-nominated screenwriter and playwright John Logan since his play Red went on to sell thousands of copies and played London to great acclaim before transferring to a smash hit Broadway run where it won six Tony Awards including Best New Play. His work for the stage includes Never the Sinner, Hauptmann, a new adaptation of Ibsen's The Master Builder and Red, the Tony-winning play about painter Mark Rothko. Logan's work as a screenwriter includes Skyfall, Sweeney Todd, The Aviator, Hugo, Gladiator, The Last Samurai, Rango, Coriolanus and Any Given Sunday.
Grown men do not "return home and go on with their lives." That's what children do. Children pass gaily through life with no sense of the weight of events... Grown ups look in the mirror, and then look at the clock... They walk into an empty house that feels emptier every day that passes, for it brings them ever-closer to the final and inescapable loneliness: that last echoing room where you are truly alone. (查看原文)
I think I know what childhood's for. It's to give us a bank of happy memories against future suffering. So when sadness comes, at least you can remember what it was to be happy. (查看原文)
- Grown ups look in the mirror, and then look at the clock... They walk into an empty house that feels emptier every day that passes, for it brings them ever-closer to the final and inescapable loneliness: that last echoing room where you are truly alone. ...
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kidultcc
0 有用 Sophie Z 2014-02-06 11:04:51
Peter: I have grown up. Alice hears voices off.
0 有用 卫析 2013-05-17 21:38:54
脑残粉如我。。。（火车读物二号。
0 有用 黄小米 2014-12-31 23:52:46
peter的弟弟和伊顿公学的情郎情死还满震撼的。
0 有用 托卡苏 2013-05-26 23:34:34
陈述两人结局时才意识到剧已经完了，感觉提了很多问题却没有真正回答。四人交替争论的场景很有张力，完全可以脑补。
0 有用 吸汪废人 2013-04-15 16:55:33
每晚睡前看.... 然后都是怀着忧桑地心情躺下...【接着爪机随缘...