In this witty, engaging and challenging book, Carolyn Steedman has produced a highly original and sometimes irreverent investigation into the development of modern history writing. Dust is about the practice and writing of history. Dust considers the immutable, stubborn set of beliefs about the material world, past and present, inherited from the nineteenth century, with which modern history writing attempts to grapple. Drawing on over five years worth of her own published and unpublished writing, the author has produced a sustained argument about the way in which history writing belongs to the currents of thought shaping the modern world.
Steedman begins by looking at the attention paid to the archive by those working in the humanities and social sciences in recent years, what has become known as the practice of 'archivisation'. By definition, the archive is the repository of 'that which will not go away', and the book goes on to suggest that, just like dust, the 'matter of history' can never go away or be erased.
Historians who want to think about what it is they do will find this work enlightening, and this book is essential reading for all undergraduates and postgraduates studying historiography, and history and theory.
7 有用 𝑾𝒂𝒍𝒅𝒆𝒊𝒏𝒔𝒂𝒎𝒌𝒆𝒊𝒕 2023-03-02 11:21:45 江苏
档案馆中漂浮着尘埃。一头扎进故纸堆中的研究者,将细菌密布的尘埃吸入体内,因而常常感染所谓的“档案热”(archive fever)。米什莱深受双重的“档案热”(德里达和斯蒂德曼)所困扰。在米什莱的心目中,档案的尘埃是过去的残留物。吸入尘埃,即是安抚死去的魂灵,复活无名的死者:“我把他们从坟墓中挖掘出来,让他们重生……他们现在活在我们当中。”在米什莱的浪漫想象中,尘埃成为了物质不灭论的现代化身。尘埃... 档案馆中漂浮着尘埃。一头扎进故纸堆中的研究者,将细菌密布的尘埃吸入体内,因而常常感染所谓的“档案热”(archive fever)。米什莱深受双重的“档案热”(德里达和斯蒂德曼)所困扰。在米什莱的心目中,档案的尘埃是过去的残留物。吸入尘埃,即是安抚死去的魂灵,复活无名的死者:“我把他们从坟墓中挖掘出来,让他们重生……他们现在活在我们当中。”在米什莱的浪漫想象中,尘埃成为了物质不灭论的现代化身。尘埃不同于废物。若说废物的原则是丢弃,那么尘埃的原则则是循环:“没有任何东西会消失。”在英语中,“清除尘埃”永远意味着“撒播尘埃”,正如在德语中,das Unheimliche永远同das Heimliche如影随形一样。因此,从尘埃中诞生的历史书写只有ending,没有end。 (展开)
3 有用 不相问 2024-12-19 17:11:59 北京
尘埃是工人最大的敌人,脑膜炎成了“文人的职业病”。由于缺乏对细菌学的了解,当时的人们并不知道让自己生病的正是书本本身。书籍与档案联系着过去的记忆,也是安置梦想和历史文化传统的空间。档案既不是开始也不是结束,只是一个片段。
2 有用 某 2024-12-28 07:45:45 法国
Mal d’archive/Archive Fever/档案热可能源于一种对于寻找开端与起源时刻的欲望,这种文化体验或许和游戏类似,它存在是因为缺失,它是依赖于想象他人的独处,人在此达到第三维度——一种中间态的潜在空间,历史书写是一种试图将世界微型化的行动,而米什莱在吸入他想象的人民的同时吸入另一群人民生命的灰尘,一种借助墨水的复活与招魂仪式。
1 有用 张泡沫小姐 2014-03-30 17:06:02
我给五星是因为这是第一本我读两遍+的书才大概两三分知道她在说什么,这么深刻的哲学作品不给满分对得起谁!!!
0 有用 小红帽 2025-10-21 08:59:09 美国
十七年后重逢,终于懂了……honest and refreshing