Film and television have never been more prevalent or watched than they are now, yet we still have little understanding of how people process and make use of what they see. And though we acknowledge the enormous role the media plays in our culture, we have only a vague sense of how it actually influences our attitudes and desires. In Perverse Spectators, Janet Staiger argues that studying the interpretive methods of spectators within their historical contexts is both possible and necessary to understand the role media plays in culture and in our personal lives. This analytical approach is applied to topics such as depictions of violence, the role of ratings codes, the horror and suspense genre, historical accuracy in film, and sexual identities, and then demonstrated through works like JFK, The Silence of the Lambs, The Texas Chain Saw Massacre, Psycho, and A Clockwork Orange. Each chapter shows a different approach to reconstructing audience responses to films, consistently and ingeniously finding traces of what would otherwise appear to be unrecoverable information. Using vivid examples, charting key concepts, and offering useful syntheses of long-standing debates, Perverse Spectators constitutes a compelling case for a reconsideration of the assumptions about film reception which underlie contemporary scholarship in media studies. Taking on widely influential theories and scholars, Perverse Spectators is certain to spark controversy and help redefine the study of film as it enters the new millennium.
1 有用 Berger 2022-06-16 09:01:03
Janet Staiger在Part1的部分对 Tom Gunning, Miriam Hansen和Timothy Corrigan的电影接受理论的梳理最有价值。Perverse Spectators这个概念也很有意思,让人想到罗兰·巴特的电影院“异常的躯体”。主要明确电影和观众都不存在一种“理想化”的状态,类型的流变和社会文化的影响使得两者之间的关系复杂多样。早期中国电影的接受研究(从戏曲到电... Janet Staiger在Part1的部分对 Tom Gunning, Miriam Hansen和Timothy Corrigan的电影接受理论的梳理最有价值。Perverse Spectators这个概念也很有意思,让人想到罗兰·巴特的电影院“异常的躯体”。主要明确电影和观众都不存在一种“理想化”的状态,类型的流变和社会文化的影响使得两者之间的关系复杂多样。早期中国电影的接受研究(从戏曲到电影)参见彭丽君的《哈哈镜:中国视觉现代性》。后面基本是案例研究。 (展开)
1 有用 观影者 2021-06-21 17:13:10
本书作者Janet Staiger 是电影接受美学研究的重要代表人物,在这本书出版之前Janet Staiger就与波德维尔夫妇一起做出了电影认知研究方面的一些成果。目前电影接受美学在国内基本是一片空白,之前中国艺术研究院的章柏青做的所谓影视观众学完全上不了台面,北师大的黄会林与她的学生做的影视受众学也只是接触了点皮毛,电影接受美学还是要从Janet Staiger和大卫·波德维尔夫妇的研究中寻找... 本书作者Janet Staiger 是电影接受美学研究的重要代表人物,在这本书出版之前Janet Staiger就与波德维尔夫妇一起做出了电影认知研究方面的一些成果。目前电影接受美学在国内基本是一片空白,之前中国艺术研究院的章柏青做的所谓影视观众学完全上不了台面,北师大的黄会林与她的学生做的影视受众学也只是接触了点皮毛,电影接受美学还是要从Janet Staiger和大卫·波德维尔夫妇的研究中寻找理论依据。 (展开)
0 有用 鸽子 2021-05-08 02:13:44
Address, exhibition and reception
0 有用 葱油饼 2011-03-20 07:15:33
against Bordwell, Thompson's cooperative spectators, against Gunning and Hansen's binary mode of spectators.