JEAN HYPPOLITE, who :first became known through his annotated translation of the Phénoménologie de l'esprit, bas since published bis Genèse et structure de la Phénoménologie de l'esprit, which is bound to mark a decisive step in French studies of Hegel. All the great philosophical ideas of the past century-the philosophies of Marx and Nietzsche, phenomenology, German existentialism, and ps...
But he (Cézanne) himself was never at the center of himself...Yet it was in the world that he had to realize his freedom, with colors upon a canvas....We never get away from our life. We never see our ideas or our freedom face to face. ……这就是故事的结尾。真是一个sad story。
Motivating all the movements from which a picture gradually emerges there can be only one thing: the landscape in its totality and in its absolute fullness, precisely what Cézanne called a "motif."...The picture took on fullness and density; it grew in structure and balance; it came to maturity all at once. "The landscape thinks itself in me," he said, "and I am its consciousness." Nothing cou...
He (Cézanne) makes a basic distinction not between "the senses" and "the understanding" but rather between the spontaneous organization of the things we perceive and the human organization of ideas and sciences.
The composition of Cézanne's palette leads on to suppose that he had another aim. Instead of the seven colors of the spectrum, one finds eighteen colors -- six reds, five yellows, three blues, three greens, and black. （主流印象派画家是不用赭红和黑色的。） The use of wam colors and black shows that Cézanne wants to represent the object, to find it again behind the atmosphere. Likewise, he doe...
Walt (事必躬亲)
2023-04-04 14:08:04
九璃 (何为自苦，使我心悲。)
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九璃 (何为自苦，使我心悲。)
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九璃 (何为自苦，使我心悲。)
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九璃 (何为自苦，使我心悲。)
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九璃 (何为自苦，使我心悲。)
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