This collection explores built environments and visual narratives in Asia via cartography, icons and symbols in different historical settings. It grows out of a three-year project focusing on cultural exchange in the making of Asia’s boundaries as well as its architectural styles and achievements. The editors -- architectural scholars at University of Delaware, Seattle University, University of Washington and Harvard University, respectively – attracted contributions from Asia, Europe, and North America.
The manuscript consists of three sections – in Mapping Asia: Architectural Symbols from Medieval to Early Modern Periods, authors examine icons and symbols in maps and textual descriptions and other early evidence about Asian architecture. Incorporating archival materials from Asia and Europe, the essays present views of Asian architecture seen from those who lived on the continent, those who saw themselves residing along the margins, and those who identified themselves as outsiders. The second section, Conjugating Asia: The Long-Nineteenth Century and its Impetus, explores the construction of the field of Asian architecture and the political imagination of Asian built environments in the nineteenth century. It discusses the parallel narratives of colonialism and Orientalism in the construction of Asia and its architectural environment, mapping how empire-expanding influences from Europe and North America have defined “Asia” and its regions through new vocabularies and concepts, which include, among others, “Eurasia,” “Jap-Alaska,” “Asie coloniale,” “the Orient,” and “Further India.” The third section, Manifesting Asia: Building the Continent with Architecture, addresses the physical realization of “Asian” geographic ideas within a set of specific local and regional contexts in the twentieth century. It examines tangible constructions as legible documents of these notional constructions of Asia, and discusses their construction processes, materials and critical receptions as evidence of the physical'sreciprocal relationship to the conceptual. Regions and conditions covered include French Indochina, Iran, post-Soviet Central Asia, Japanese landscape, and the construction of theAfro-Asian built environment.
4 有用 曳尾.avi 2020-01-05 00:25:08
关于世界地图学里的亚洲建筑的那一章真的很好玩,地图是一个去时间化的地理印象断面,它代表了一种不可完成的、系统化认知本文化所在的世界的徒劳尝试。建筑作为一种建成之后就几乎无法流动的文化产品,也与其地理位置和国别紧密联系了起来。被选定的建筑形式/风格在地图上的呈现也因此凝聚了去历史化的地理、国别、文化的三重映射。
0 有用 无端 2017-02-08 11:33:09
Seems to me its more about mapping, several maps introduced by Vimalin are very informative.