There are numerous descriptions ofthe contrast between two- and three-dimensional space, between ornament装饰 and skin colouring and the polarity of distance and (erotic) closeness or availability and withdrawal.
"Klimt dematerializes使消失，使丧失物质形态 the substance of a body and dissolves使 溶入 it into decorative movements.....Thus he succeeds in eliminating all exact definition from his figures. He always surrounds them with an aura气氛 suggesting both distance and proximity.....Because of the amazing optical视觉的 illusion幻觉 between background and foreground, two- and three-dimensional space, clothes and body, willingness and reticence勉强，含蓄, it is no longer possible to grasp his portraits in an 'objective' way." (查看原文)
But his training, the beginning of his career and thus the crucial factors that influenced his later development as an artist reach far back into the 19th century - the heyday全盛时期 of bourgeois liberalism资产阶级自由主义 in the 1870s and 1880s.....does it(i.e. his art) not somehow hark back回归原处 to a cultural period that disappeared altogether with the decline of the Habsburg monarchy? (查看原文)
0 有用 菀 2012-04-21 14:24:37
感觉印刷不是很好？不是很喜欢这个出版社
0 有用 随地大小便 2010-08-23 23:46:48
25周年特价仅售110块！
0 有用 Ngai 2014-07-15 23:19:45
性价比很高！