作者:
Craig Clunas
出版社: Princeton University Press
出版年: 2017-3-7
页数: 320
定价: USD 60.00
装帧: Hardcover
ISBN: 9780691171937
出版社: Princeton University Press
出版年: 2017-3-7
页数: 320
定价: USD 60.00
装帧: Hardcover
ISBN: 9780691171937
内容简介 · · · · · ·
What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them d...
作者简介 · · · · · ·
Craig Clunas is Professor of the History of Art at the University of Oxford. His books include Screen of Kings: Royal Art and Power in Ming China, Empire of Great Brightness: Visual and Material Culture and Social Status in Early Modern China, an
目录 · · · · · ·
Acknowledgments ix
Introduction 1
1 Beginning and Ending 5
2 The Gentleman 37
3 The Emperor 85
4 The Merchant 117
· · · · · · (更多)
Introduction 1
1 Beginning and Ending 5
2 The Gentleman 37
3 The Emperor 85
4 The Merchant 117
· · · · · · (更多)
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4 有用 不验证不让胡说 2017-02-13
Would make interesting pairing with Ten Thousand Things (Ledderose's Mellon lectures from 1998) for a historiography seminar.
2 有用 やす 2017-03-24
Super exciting and fruitful reading. Reflecting on the field of Chinese painting and the construction of "painting" in China, with bold arguments meticulously structured and solidly grounded by social... Super exciting and fruitful reading. Reflecting on the field of Chinese painting and the construction of "painting" in China, with bold arguments meticulously structured and solidly grounded by social historical, textual, visual evidences. (展开)
0 有用 堂本栞 2020-01-07
The genealogy of "Chinese painting," questioning the "Chineseness" in writing Chinese art history from both domestic and outside through the 15th century towards today, by tracing the construction of ... The genealogy of "Chinese painting," questioning the "Chineseness" in writing Chinese art history from both domestic and outside through the 15th century towards today, by tracing the construction of the concept of "painting" in China。关心的问题并不新颖了，对“Chineseness”的提问也不前言了，但在艺术史领域一直没有这样的写作也是奇怪。柯律格运用大量史料和物证，分析大量绘画来证明他的论点。一次有趣的阅读体验。 (展开)
0 有用 Become a lake 2020-03-12
"Chinese Painting"解构大法：turn the attention away from an attempt to define the essence of what makes “Chinese painting,” and to look at some of the ways that works have been viewed, over a relatively lo... "Chinese Painting"解构大法：turn the attention away from an attempt to define the essence of what makes “Chinese painting,” and to look at some of the ways that works have been viewed, over a relatively long span of time. (展开)
0 有用 子曰何 2019-06-09
思路很清晰，启发很大的一本书
0 有用 Become a lake 2020-03-12
"Chinese Painting"解构大法：turn the attention away from an attempt to define the essence of what makes “Chinese painting,” and to look at some of the ways that works have been viewed, over a relatively lo... "Chinese Painting"解构大法：turn the attention away from an attempt to define the essence of what makes “Chinese painting,” and to look at some of the ways that works have been viewed, over a relatively long span of time. (展开)
0 有用 吃畫人 Zhewei 2020-03-05
柯律格的典范之作，清晰的西式的脑回路。
0 有用 子曰何 2019-06-09
思路很清晰，启发很大的一本书
0 有用 你才是神经病 2019-04-02
Super exciting and fruitful reading. Reflecting on the field of Chinese painting and the construction of "painting" in China, with bold arguments meticulously structured and solidly grounded by social... Super exciting and fruitful reading. Reflecting on the field of Chinese painting and the construction of "painting" in China, with bold arguments meticulously structured and solidly grounded by social historical, textual, visual evidences. (展开)
0 有用 堂本栞 2020-01-07
The genealogy of "Chinese painting," questioning the "Chineseness" in writing Chinese art history from both domestic and outside through the 15th century towards today, by tracing the construction of ... The genealogy of "Chinese painting," questioning the "Chineseness" in writing Chinese art history from both domestic and outside through the 15th century towards today, by tracing the construction of the concept of "painting" in China。关心的问题并不新颖了，对“Chineseness”的提问也不前言了，但在艺术史领域一直没有这样的写作也是奇怪。柯律格运用大量史料和物证，分析大量绘画来证明他的论点。一次有趣的阅读体验。 (展开)