作者:
Lydia H. Liu
/
Rebecca E. Karl
/
Dorothy Ko
/
[美国] 刘禾 出版社: Columbia University Press 副标题: Essential Texts in Transnational Theory 出版年: 2013-3-26 页数: 328 装帧: Hardcover ISBN: 9780231162906
He-Yin Zhen (ca. 1884-1920?) was a theorist who figured centrally in the birth of Chinese feminism. Unlike her contemporaries, she was concerned less with China's fate as a nation and more with the relationship among patriarchy, imperialism, capitalism, and gender subjugation as global historical problems. This volume, the first translation and study of He-Yin's work in English...
He-Yin Zhen (ca. 1884-1920?) was a theorist who figured centrally in the birth of Chinese feminism. Unlike her contemporaries, she was concerned less with China's fate as a nation and more with the relationship among patriarchy, imperialism, capitalism, and gender subjugation as global historical problems. This volume, the first translation and study of He-Yin's work in English, critically reconstructs early twentieth-century Chinese feminist thought in a transnational context by juxtaposing He-Yin Zhen's writing against works by two better-known male interlocutors of her time.
The editors begin with a detailed analysis of He-Yin Zhen's life and thought. They then present annotated translations of six of her major essays, as well as two foundational tracts by her male contemporaries, Jin Tianhe (1874-1947) and Liang Qichao (1873–1929), to which He-Yin's work responds and with which it engages. Jin, a poet and educator, and Liang, a philosopher and journalist, understood feminism as a paternalistic cause that liberals like themselves should defend. He-Yin presents an alternative conception that draws upon anarchism and other radical trends. Ahead of her time, He-Yin Zhen complicates conventional accounts of feminism and China's history, offering original perspectives on sex, gender, labor, and power that remain relevant today.
Lydia H. Liu is Wun Tsun Tam Professor in the Humanities at Columbia University and codirector of the Center for Translingual and Transcultural Studies at Tsinghua University in Beijing. She is the author of The Clash of Empires: The Invention of China in Modern World Making and, more recently, The Freudian Robot: Digital Media and the Future of the Unconscious.
Lydia H. Liu is Wun Tsun Tam Professor in the Humanities at Columbia University and codirector of the Center for Translingual and Transcultural Studies at Tsinghua University in Beijing. She is the author of The Clash of Empires: The Invention of China in Modern World Making and, more recently, The Freudian Robot: Digital Media and the Future of the Unconscious.
Rebecca E. Karl is associate professor of history at New York University. She is the author of Mao Zedong and China in the Twentieth-Century World: A Concise History and Staging the World: Chinese Nationalism at the Turn of the Twentieth Century.
Dorothy Ko, a native of Hong Kong, is professor of history at Barnard College. She is a coeditor of Women and Confucian Cultures in Pre-modern China, Korea, and Japan and the author of Teachers of the Inner Chambers: Women and Culture in Seventeenth-Century China and Cinderella's Sisters: A Revisionist History of Footbinding.
目录
· · · · · ·
Acknowledgments
List of Chinese Dynasties and a Note on Translation
Introduction: Toward a Transnational Feminist Theory
The Historical Context: Chinese Feminist Worlds at the Turn of the Twentieth Century
He-Yin Zhen 何殷震:
Biography
· · · · · ·
(更多)
Acknowledgments
List of Chinese Dynasties and a Note on Translation
Introduction: Toward a Transnational Feminist Theory
The Historical Context: Chinese Feminist Worlds at the Turn of the Twentieth Century
He-Yin Zhen 何殷震:
Biography
On the Question of Women's Liberation 女子解放问题
On the Question of Women's Labor 女子劳动问题
Economic Revolution and Women's Revolution 经济革命与女子革命
On the Revenge of Women 女子复仇论
On Feminist Antimilitarism 女子非军备主义
The Feminist Manifesto 女子宣布书
Liang Qichao 梁启超:
Biography
On Women's Education 论女学
Jin Tianhe 金天翮:
Biography
The Woman's Bell 女界钟
Bibliography
Index
· · · · · · (收起)
In this analytical mode, “woman”—rendered by He-Yin Zhen in various incommensurable but related semantic forms—was far from a naturalized figure of biological or cultural subordination.10 Rather, she was the product
【The terms we have rendered “women” (or “female”) include nüzi 女子, funü 婦女, furen 婦人,
and, on occasion, nüxing 女性 (see the later discussion in this introduction). In the cases of her
essay titles, 女子非軍備主義 (“On Feminist Antimilitarism”) and 女子宣告書 (“The Feminist
Manifesto”), we gloss nüzi 女子 not as “women’s” but as “feminist.” He-Yin also uses wunüzi 吾
女子, which we render “we women.” The term nüjie 女界 is rendered “women,” “womanhood,”
and “women’s world.” We use “man” or “men” to render nanzi 男子 and zhangfu 丈夫.】
of historical social relations. In that sense, “woman” was a p... (查看原文)
Since modern times, those without any land have become the majority: one out of ten is a landlord, and nine out of ten are tenant farmers, resulting in the landlord getting richer and the tillers getting poorer. If by accidental misfortune there is the disaster of a drought or flood, then the tillers must flee and lose everything. I heard that one year some time ago in Shanxi, a drought covered more than a thousand li; more recently, there were disasters in Xuhai, northern Anhui, Hunan, and Yunnan, where the number of people who had to flee was in the millions. When they came upon a slightly
more well-off area, weak little girls vied to sell themselves to the rich. Some thus garnered several thousand cash. Extending this logic, over the past
several centuries, the people have suffered from... (查看原文)
![[美国] 刘禾](https://img3.doubanio.com/view/personage/m/public/edf582ba7d452151b2a5d3596a122c83.jpg)
刘禾 作者
理一分殊
Columbia University Press2013版
033
Columbia University Press2013版
还没人写过短评呢