We live in a world of breaking news, where at almost any moment our everyday routine can be interrupted by a faraway event. Events are central to the way that individuals and societies experience life. Even life’s inevitable moments—birth, death, love, and war—are almost always a surprise. Inspired by the cataclysmic events of September 11, Robin Wagner-Pacifici presents here a tour de force, an analysis of how events erupt and take off from the ground of ongoing, everyday life, and how they then move across time and landscape.
What Is an Event? ranges across several disciplines, systematically analyzing the ways that events emerge, take shape, gain momentum, flow, and even get bogged down. As an exploration of how events are constructed out of ruptures, it provides a mechanism for understanding eventful forms and flows, from the micro-level of individual life events to the macro-level of historical revolutions, contemporary terrorist attacks, and financial crises. Wagner-Pacifici takes a close look at a number of cases, both real and imagined, through the reports, personal narratives, paintings, iconic images, political posters, sculptures, and novels they generate and through which they live on. What is ultimately at stake for individuals and societies in events, Wagner-Pacifici argues, are identities, loyalties, social relationships, and our very experiences of time and space. What Is an Event? provides a way for us all—as social and political beings living through events, and as analysts reflecting upon them—to better understand what is at stake in the formations and flows of the events that mark and shape our lives.
3 有用 爱米饭晕碳超人 2025-10-03 19:42:48 湖北
本书的一大特色在于其叙事性与艺术性。作者大量引用绘画、历史文献与日常叙述来展示“事件”的生成过程,使文本充满张力与趣味。然而,从理论层面来看,尽管作者提供了大量分析概念,这些框架更多是对现有语用学、符号学与叙事学资源的再组合,而非全新的理论创造。换言之,本书的创新点在于方法论的跨学科调动,而不是概念体系的根本突破。与此同时,作者一方面强调事件的不确定性与流动性,另一方面又依赖相对固定的分析工具来加... 本书的一大特色在于其叙事性与艺术性。作者大量引用绘画、历史文献与日常叙述来展示“事件”的生成过程,使文本充满张力与趣味。然而,从理论层面来看,尽管作者提供了大量分析概念,这些框架更多是对现有语用学、符号学与叙事学资源的再组合,而非全新的理论创造。换言之,本书的创新点在于方法论的跨学科调动,而不是概念体系的根本突破。与此同时,作者一方面强调事件的不确定性与流动性,另一方面又依赖相对固定的分析工具来加以界定,这使得“事件”在被呈现时呈现出某种程式化的倾向。她试图在抽象理论与经验材料之间穿梭,但最终未能完全消解二者之间的张力。因此,本书在经验展开上极富启发性,但在理论建构上则显得更像是延展和整合,而非真正的范式转变。 (展开)
0 有用 耽读玩市 2024-03-22 20:13:50 上海
人类在不断爆发的世界中定位自己的困境意味着,当我们陷入停滞、停顿、未完成的时候,我们和我们的事件,往往最有意义,往往被迫做出最有意义的事情。
1 有用 穆清 2021-03-06 20:47:23
读毕,很有艺术感。