他料此景只是内象，断非寒风坚冰埋葬的黑暗宇宙的真实呈现。这一切生发自我的体内，而我却似亲眼所见。太奇怪了，他心想。难道世界皆入吾体，被我吞没其中？这一切始于何时？这定是濒死的异象，他暗忖。我感到的不确定，熵值渐长，缓慢死亡。我见之冰乃这一过程之胜利。当我闭上双眼，世界倏而不见，他暗思。但未来新生路途，新母体散发辉光，此刻何地寻觅？私通男女媾合，红色雾霭何处幽闪？动物贪婪，晦暗之光又现何所？我之所见，皆属幽冥，黑暗侵蚀，热量走失，太阳躲隐，不啻废弃之荒原。
“But, he thought, this is projection on my part. It isn’t the universe which is being entombed by layers of wind, cold, darkness and ice; all this is going on within me, and yet I seem to see it outside. Strange, he thought. Is the whole world inside me? Engulfed by my body? When did that happen? It must be a manifestation of dying, he said to himself. The uncertainty which I feel, the slowing down into entropy - that’s the process, and the ice which I see is the result of the success of the process. When I blink out, he thought, the whole universe will disappear.... (查看原文)
But why hadn't the TV set reverted instead to formless metals and plastics? Those, after all, were its constitutents; it had been constructed out of them, not out of an earlier radio. Perhaps this weridly verified a discarded ancient philosophy, that of Plato's idea[l] objects, the unviersals which, in each class, were real. The form TV set had been a template imposed as a successor to other templates, like the procession of frames in a movie sequence. Prior forms, he reflected, must carry on an invisible, residual life in every object. The past is latent, is submerged, but still there, capable of rising to the surface once the later imprinting unfortunately -- and agaisnt ordinary experience -- vanished. The man contains -- not the boy -- but earlier men, he thought. (查看原文)
