""Pile them up," a Marlon James character says repeatedly, and Marlon does just that. Pile them up: language, imagery, technique, imagination. All fresh, all exciting. This is a writer to watch out for."--Chris Abani, author of "GraceLand," winner of the Hemingway/PEN Award "This is the finest and most important first novel I've read in years. James's writing brings to mind early Toni Morrison, Jessica Hagedorn, and Gabriel Garcia Marquez."--Kaylie Jones, author of "Speak Now" and "A Soldier's Daughter Never Cries" "Marlon James spins his magical web in this novel and we willingly suspend disbelief, rewarded by the window he opens to Jamaica (and a world) rarely portrayed in fiction."--Elizabeth Nunez, author of "Bruised Hibiscus, " winner of the American Book Award This stunning debut novel tells the story of a biblical struggle in a remote Jamaican village in 1957. With language as taut as classic works by Cormac McCarthy, and a richness reminiscent of early Toni Morrison, Marlon James reveals his unique narrative command that will firmly establish his place as one of today's freshest, most talented young writers. In the village of Gibbeah--where certain women fly and certain men protect secrets with their lives--magic coexists with religion, and good and evil are never as they seem. In this town, a battle is fought between two men of God. The story begins when a drunkard named Hector Bligh (the "Rum Preacher") is dragged from his pulpit by a man calling himself "Apostle" York. Handsome and brash, York demands a fire-and-brimstone church, but sets in motion a phenomenal and deadly struggle for the soul of Gibbeah itself. "John Crow's Devil" is a novel about religious mania, redemption, sexual obsession, and the eternal struggle inside all of us between the righteous and the wicked.
1 有用 添加伤肾酸奶 2022-12-07 15:43:21 浙江
James处女作,比起他后续创作中的实验笔法,这部的叙事方式显然传统得多,在元素堆砌上较接近gothic。但它并不意在道德训诫,反而有意模糊善与恶的边界。Apostle带领信众游行看似体现了革命和正义,但赤裸的暴力书写反让人看清了集体狂热的恶;Bligh曾经的不作为无异于平庸之恶,但在Apostle及其信徒的衬托下“无为”反倒成了一种善。小说与其说是善与恶的对决,不如说是大恶与小恶的相互对照与反讽... James处女作,比起他后续创作中的实验笔法,这部的叙事方式显然传统得多,在元素堆砌上较接近gothic。但它并不意在道德训诫,反而有意模糊善与恶的边界。Apostle带领信众游行看似体现了革命和正义,但赤裸的暴力书写反让人看清了集体狂热的恶;Bligh曾经的不作为无异于平庸之恶,但在Apostle及其信徒的衬托下“无为”反倒成了一种善。小说与其说是善与恶的对决,不如说是大恶与小恶的相互对照与反讽。与其说organized religion让人在宗教狂热中忘却人性思考,不如说人自身对弥赛亚的渴望才让我们堕入盲目的深渊。弥赛亚只是一种符号,一个意象。他本身是谁,是基督,是Apostle,还是Bligh,都不重要。旧偶像倒下,新的偶像又会被羔羊们推向神坛。因人在不自由时感到不满,自由时感到惶恐。 (展开)