Paul Zanker studied Classical Archaeology, Ancient History, and Classical Philology at the Universities of Munich, Rome – la Sapienza, and Freiburg in Breisgau. He received his PhD in 1962 at Freiburg. He was a Travelling Fellow of the DAI in Berlin in 1963/64 and Assistant for the DAI in Bonn and Freiburg from 1964-1967. After his Habilitation in 1967 he joined the faculty of Albert Ludwig University in Freiburg and taught Classical Archaeology (1967-72). From 1972-1976 he was a Professor at the Georg August University in Goettingen, and from 1976-96 Professor at the Ludwig Maximilians University in Munich. From 1996-2002 he was Director of the DAI in Rome. Since 2001 he has lectured on Storia dell’Arte Antica as a Professor at the Scuola Normale Superiore in Pisa.
The focus of his research activities lies in the area of Hellenistic culture and the Roman period. Above all he is interested in the function and meaning of images and architecture as integral parts and reflections of political, societal, and cultural processes. His most well-known publications include Augustus und die Macht der Bilder (1987), Pompeii. Stadtbild und Wohngeschmack(1994), Die Maske des Sokrates. Das Bild des Intellektuellen in der antiken Kunst (1995), (with B. Ewald) Mit Mythen Leben. Die Bilderwelt der roemischen Sarkophage (2003), Roemische Kunst (2007).
Paul Zanker is a member of many Academies, including the Bayerischen Akademie der Wissenschaften, the British Academy, The European Academy London, and der Koeniglich Daenischen Akademie der Wissenschaften Kopenhagen. He was the Jerome Lecturer at the University of Michigan, Ann Arbor and in the American Academy of Rome (1984/85), Sather Professor at the University of California, Berkeley (1991), Visiting member at the Institute for Advanced Study in Princeton, and Research Fellow in Berlin as well as Visiting Professor at many universities in England, the USA, and Italy.
4 有用 囤土豆的流浪猫 2021-07-02 13:57:45
80年代的开先河的经典著作,结合艺术史和政治史,打破repertoire式的鉴赏式研究,讨论政治权力如何通过艺术品进行表达。核心词:visual communication,皇帝如何通过图像传达意识形态,引领艺术表达的风格变化(古典主义的复兴,pietas的主题,新帝国神话),臣属如何将这种官方意识形态内化。这种范式的本质在于自上而下的整合,启发点在于无所不在的皇帝和图像,但是这种视角自然会遭到视... 80年代的开先河的经典著作,结合艺术史和政治史,打破repertoire式的鉴赏式研究,讨论政治权力如何通过艺术品进行表达。核心词:visual communication,皇帝如何通过图像传达意识形态,引领艺术表达的风格变化(古典主义的复兴,pietas的主题,新帝国神话),臣属如何将这种官方意识形态内化。这种范式的本质在于自上而下的整合,启发点在于无所不在的皇帝和图像,但是这种视角自然会遭到视角下移的反动,在重新回顾这一问题后,就会看到一些被认为属于官方意识的东西,可能其实有着地方自己的传统和延续;另外官方表达——地方接受也不是放之四海皆准的模式。当然如果不考虑更为复杂的罗马化和皇帝崇拜问题,仅仅考虑帝国政治整合的意图的话,那么基本上也不大会彻底超出Zanker的研究范式和结果吧。 (展开)
1 有用 Biberius 2020-02-22 01:42:53
旧材料整合进全新解释框架的典范之作,不知道在罗马城内的图像材料在这个框架内还有多少剩义可供研究。关于行省可以说开了一个好头:图像的制造者和接受者之间的博弈是复杂的,需要更关注行省接受者的语境,毕竟很多时候是地方精英在采取主动,而非机械地从上往下的意识形态铺衍。
1 有用 小欢儿 2024-12-07 13:15:12 山东
赞可哥是为数不多的顶着白左zzzq犀利说实话的人,虽然有时候我感觉他也想的可能有点多
1 有用 遺民有扶桑 2013-11-22 02:19:24
看完Jas Elsner為Hölscher寫的前言再翻這本就更加清楚它探討問題的學術背景和指向了!!
0 有用 乔不疑 2025-05-30 15:51:07 北京
Zanker伟大,无需多言😋