Derived from Rem Koolhaas’s much-lauded exhibition at the 2014 Venice Architecture Biennale, this is a primordial toolkit to understanding all the essential elements of structures around the globe. Conceived by Koolhaas himself, this guide is long overdue: in his own words, “Never was a book more relevant—at a moment where architecture as we know it is changing beyond recogniti...
Derived from Rem Koolhaas’s much-lauded exhibition at the 2014 Venice Architecture Biennale, this is a primordial toolkit to understanding all the essential elements of structures around the globe. Conceived by Koolhaas himself, this guide is long overdue: in his own words, “Never was a book more relevant—at a moment where architecture as we know it is changing beyond recognition.”
作者简介
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Rem Koolhaas is a cofounder of the Office for Metropolitan Architecture. Having worked as a journalist and scriptwriter before becoming an architect, in 1978 he published Delirious New York. His 1996 book S, M, L, XL summarized the work of OMA and established connections of contemporary society and architecture. He was listed among TIME magazine's 100 most influential people in...
Rem Koolhaas is a cofounder of the Office for Metropolitan Architecture. Having worked as a journalist and scriptwriter before becoming an architect, in 1978 he published Delirious New York. His 1996 book S, M, L, XL summarized the work of OMA and established connections of contemporary society and architecture. He was listed among TIME magazine's 100 most influential people in 2008, and among many international awards and exhibitions he received the Pritzker Prize (2000) and the Praemium Imperiale (2003). He directed the 2014 Venice Architecture Biennale, coinciding with the first publication of Elements of Architecture.
原文摘录
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The biotopological floor in Arakawa and Gin's Bioscleave house (2007) is an undulating terrain with one-meter high hills and hundreds of small bumps like large stepping stones in a genkan. For their Reversible Destiny Foundation (perhaps as ambitious as it was clownish), the designers made spaces that, they hoped, would cause the body to stop aging. Rather than the perfectly flat floors of one-story buildings typically recommended for the elderly, the biotopological floor was designed to defamiliarize walking, put users off-balance and even cause them fall. In We Have Decided Not to Die, a catalogue for their Guggenheim exhibition of 1997, Arakawa and Gins wrote, "Comfort, the thinking goes, is a precursor to death; the house is meant to lead its users into a perpetually tentative relation... (查看原文)
0 有用 apasserby 2022-09-28 23:54:35 美国
nb
0 有用 北鹊 2022-11-03 18:26:07 浙江
地板、墙壁、天花板（承尘）、屋顶、门、窗、立面、阳台（勾阑）、走廊、壁炉（灶炕）、厕所、楼梯、自动扶梯、电梯、坡道
0 有用 江南帆影 2022-03-13 00:47:28
外行惊呆了，必收，大全书
0 有用 lucylams 2018-12-12 01:18:48
一看各个部分就是不一样的人写得（
0 有用 ✧ 2019-11-04 09:47:04
Designed by Irma Boom. 只能算读过form. book critique by student