作者:
Kristina Busse 出版社: University Of Iowa Press 副标题: Literary and Social Practices in Fan Fiction Communities 出版年: 2017-10-1 页数: 258 定价: USD 45.00 装帧: Paperback ISBN: 9781609385149
Gathering some of Kristina Busse’s essential essays on fan fiction together with new work, Framing Fan Fiction argues that understanding media fandom requires combining literary theory with cultural studies because fan artifacts are both artistic works and cultural documents. Drawing examples from a multitude of fan communities and texts, Busse frames fan fiction in three key w...
Gathering some of Kristina Busse’s essential essays on fan fiction together with new work, Framing Fan Fiction argues that understanding media fandom requires combining literary theory with cultural studies because fan artifacts are both artistic works and cultural documents. Drawing examples from a multitude of fan communities and texts, Busse frames fan fiction in three key ways: as individual and collective erotic engagement; as a shared interpretive practice in which tropes constitute shared creative markers and illustrate the complexity of fan creations; and as a point of contention around which community conflicts over ethics play out. Moving between close readings of individual texts and fannish tropes on the one hand, and the highly intertextual embeddedness of these communal creations on the other, the book demonstrates that fan fiction is simultaneously a literary and a social practice.
Framing Fan Fiction deploys personal history and the interpretations of specific stories to contextualize fan fiction culture and its particular forms of intertextuality and performativity. In doing so, it highlights the way fans use fan fiction’s reimagining of the source material to explore issues of identities and peformativities, gender and sexualities, within a community of like-minded people. In contrast to the celebration of originality in many other areas of artistic endeavor, fan fiction celebrates repetition, especially the collective creation and circulation of tropes.
An essential resource for scholars, Framing Fan Fiction is also an ideal starting point for those new to the study of fan fiction and its communities of writers.
作者简介
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Kristina Busse teaches at the University of South Alabama. She is the cofounder and editor of Transformative Works and Culture. Her work has appeared in Cinema Journal, Camera Obscura, and Popular Communication, and she is the coeditor of Fan Fiction and Fan Communities in the Age of the Internet, Sherlock and Transmedia Fandom, and The Fan Fiction Studies Reader (Iowa, 2014).
Rather than being passive consumers, these television viewers engage critically and creatively; this allows fan scholars to present a model of audience engagement that complicates earlier notions of media as simplistic ideological tools and exemplifies the more complex and politically more desirable subversive viewers. (查看原文)
Rather than seeing audiences as homogenous and easily accepting the intended dominant reading, Hall instead distinguishes between different modes of viewing strategies, in which viewers are not necessarily passive and easily manipulated but instead can choose to agree or reject the dominant message of the text, to incorporate or resist the media text’s ideology. (查看原文)
0 有用 bks 2018-04-20 04:12:08
同人解读原著二次创作。本书主要研究作者读者之间和他们笔下人物的关系。作品一旦创造出来就不被作者所控制吗？作者是谁重要对作品吗（罗曼斯基？伍迪艾伦？）？当作者写的题材如何与她现实身份紧密相连？原著作者更有全齐随意改变自己创造的人物吗？基于对原著不同的理解写出的同人，谁比谁更ooc，原作作者同人作者还有读者谁有权利判定（比如hp舞台剧，很多人心中官方钦定的ooc巨作）？同人文化应仅限在粉圈里还是走向主... 同人解读原著二次创作。本书主要研究作者读者之间和他们笔下人物的关系。作品一旦创造出来就不被作者所控制吗？作者是谁重要对作品吗（罗曼斯基？伍迪艾伦？）？当作者写的题材如何与她现实身份紧密相连？原著作者更有全齐随意改变自己创造的人物吗？基于对原著不同的理解写出的同人，谁比谁更ooc，原作作者同人作者还有读者谁有权利判定（比如hp舞台剧，很多人心中官方钦定的ooc巨作）？同人文化应仅限在粉圈里还是走向主流？涉及到rps的人设，性转，限制级描写，官方设定同人二设，粉圈争论，特殊kink描写——作为亲身体验过大部分类似话题的人感同身受。但由于作者的研究圈子主要取材英文同人，有所局限。 (展开)