This rich volume provides one of the first overviews of Japanese photography to be published in English. Drawing on extensive research, Lena Fritsch traces the development of Japanese photography chronologically, from the severity of post-war Realism to the diverse ingenuity of photography in contemporary Japan. Interspersed are fascinating original interviews with some of the most influential photographers of each era, including Daido Moriyama.Ravens and Red Lipstick offers a visually bold survey of Japanese photographys recent history. Fritsch masterfully frames each movement with their business, education, and art-institutional backdropsshe shows the consumerism and intense political debates of 1960s and 70s Japan, for example, to be central to the rough style of the Provoke artists. Fritschs great achievement is to bring observations from a range of disciplines to bear on her commentary with imagination and clarity. As a result, this comprehensively illustrated volume is both an accessible introduction and an illuminating work of analysis of Japanese photography since 1945.
0 有用 人生即旷野 2022-11-04 16:06:15 浙江
j431(313)e026 日本摄影
0 有用 🤍 2023-07-31 16:06:22 中国台湾
Opposite: Midorikawa Yöichi, untitled, 1955, Seto Inland Sea and its Circumference series. Above left: Dömon Ken, Children looking at a picture-card show, Tokyo, 1953. Above right: Domon Ken, Left han... Opposite: Midorikawa Yöichi, untitled, 1955, Seto Inland Sea and its Circumference series. Above left: Dömon Ken, Children looking at a picture-card show, Tokyo, 1953. Above right: Domon Ken, Left hand of the sitting image of Buddha Shakyamuni in the Hall of Miroku, Muro-ji, Nara, c. 1943.P32好美的海波光 (展开)
0 有用 apollo 13 2019-11-16 01:49:09
学都快上完了,借的第一本书
0 有用 デブリ 2019-01-23 11:41:50
@代官山蔦屋
0 有用 知名不具 2021-03-07 21:06:30
翻这本和朋友介绍我喜欢的日本摄影集很方便(
0 有用 🤍 2023-07-31 16:06:22 中国台湾
Opposite: Midorikawa Yöichi, untitled, 1955, Seto Inland Sea and its Circumference series. Above left: Dömon Ken, Children looking at a picture-card show, Tokyo, 1953. Above right: Domon Ken, Left han... Opposite: Midorikawa Yöichi, untitled, 1955, Seto Inland Sea and its Circumference series. Above left: Dömon Ken, Children looking at a picture-card show, Tokyo, 1953. Above right: Domon Ken, Left hand of the sitting image of Buddha Shakyamuni in the Hall of Miroku, Muro-ji, Nara, c. 1943.P32好美的海波光 (展开)
0 有用 人生即旷野 2022-11-04 16:06:15 浙江
j431(313)e026 日本摄影
0 有用 知名不具 2021-03-07 21:06:30
翻这本和朋友介绍我喜欢的日本摄影集很方便(
0 有用 勒克斯 2020-11-01 05:44:53
感觉早期摄影图像更有自主性,图像本身就能传达出美感。看到后期看图的第一反应是“就这?”然后看了摄影师的解释或者拍摄背景就会觉得还有点意思。当然也有杉本博司这种二者兼有的。也就是说观念和审美不总是冲突的。 " All photographs can be fortified by words."
0 有用 apollo 13 2019-11-16 01:49:09
学都快上完了,借的第一本书