This book explores the shared experiential ground of cinema, art, and architecture. Pallasmaa carefully examines how the classic directors Alfred Hitchcock, Stanley Kubrick, Michelangelo Antonioni, and Andrei Tarkovsky used architectural imagery to create emotional states in their movies. He also explores the startling similarities between the landscapes of painting and those o...
This book explores the shared experiential ground of cinema, art, and architecture. Pallasmaa carefully examines how the classic directors Alfred Hitchcock, Stanley Kubrick, Michelangelo Antonioni, and Andrei Tarkovsky used architectural imagery to create emotional states in their movies. He also explores the startling similarities between the landscapes of painting and those of movies.
Antonioni’s films can only be compared with the architectural imagery of Andrei Tarkovsky. In his films, the settings often have a priority over the narrative. (查看原文)
2 有用 Visin 2017-02-24 17:11:15
总的来说，Pallasmaa还是在从现象学的角度去解读电影建筑，解读建筑和电影中的生活空间和存在空间，并通过电影中建筑图像的表达来展示建筑的精神层面。这也就不难发现作者对于电影建筑的兴趣启发自塔可夫斯基，这也是为什么作者最为看重诗性图像（poetic images）。而通过这一系列的分析，作者在试图探索一种以建筑师的角度看电影的方式，及以电影性的角度看待建筑图像的方式。
0 有用 Spring 2016-04-13 15:54:31
唉，Pallasmaa这本书我尝试N多次去体会它的好，始终体会不到。文字篇幅与有用信息非常不成比例，行文方式和研究方式（他的兴趣点）我都没啥兴趣……
0 有用 Rosebud 2023-02-16 05:11:27 山东
真的很想知道讲了干啥，但是寻遍全网找不到电子版，如果哪天有了资源请踢踢我！拜谢！ 可找到序言的译本，《建筑师》杂志零八年十二月刊孙炼译。
1 有用 闪电超勇敢 2025-05-29 15:51:51 陕西
易懂，算是入门级的
0 有用 茹茹 2026-01-29 02:51:33 美国
浅读