对称与不对称，一直是摄影构图中的矛盾课题。土耳其建筑师、同时也是摄影师的 Can Dagarslani 以建筑的专业背景，融合自身对世界的特殊观点；在娴静色彩之中连系起建筑外在与身份内涵，呈现出既对称非对称的影像风格。

在这些作品中，摄影师善于将画面解释分析，对于空间、视角与层次存有独特感知；都市有着纷扰与安宁的时刻，就如同人们内心的起伏情绪，透过建筑与人的勾画，成为当代的几何线条。

于网络上拥有高人气的摄影师 Can Dagarslani，至今仍以底片相机作为创作媒介。如同建筑之于人的亲密关系，摄影师善于透视人们与周遭对象的巧妙互动，透过镜头别具创意地居中调节，成为深刻且亲密的视觉叙事。此书《Identities》为摄影师的首本摄影集，由瑞典出版社 New Heroes & Pioneers 出版。

Professional architect and photographer, Can Dagarslani, challenges his audience with his very specific view of the world. His work is a fusion of modern architecture and retro-style photography with a strong focus on symmetry, distinctive color codes and subtly expressive models in silently quirky, spacious settings. The book highlights the interplay Can creates between themes such as identity and serenity, which are present in most of his work. Without the distraction of texts and titles, Can's minimalist approach encourages viewers to become completely absorbed in the images, which allows them to find their own personal meaning and connection to the features and models present in each page.