This new publication includes an introduction to Jonas’s practice and brings together selected conversations (with Robert Ayers, Barbara Clausen, Susan Howe, Jeanne Heuving, Babette Mangolte, Jason Moran, Hans Ulrich Obrist, Karin Schneider, Valerie Smith, and Barry Schwabsky) from the last fourteen years, in which the artist talks about her interdisciplinary approach as well as the influences and impulses she has absorbed from literature, music, traditional Japanese Noh theater, and the rituals of foreign cultures. It also features a new interview conducted with Jonas by the editors, discussing her recent work.
Joan Jonas emerged in a rich and experimental 1960s New York art scene that included such luminaries as Richard Serra, Gordon Matta-Clark, John Cage, Philip Glass, and Merce Cunningham. Her work typically encompasses video, performance, installation, sound, text, and drawing, and engages with complex ideas of ritual, myth, and storytelling. In recent years Jonas has also become increasingly engaged with environmental issues, focusing on the animal world and the vulnerability of our planet.
0 有用 A 2020-06-27 10:57:14
18年在moma看的five rooms，说实话很像网红打卡点。。。至今还在世界各地展出。美还是很美的，书中关于各种artistic process的描述很深邃，隧更感叹于艺术作品产出和背后的思想精髓的平衡依然无解吧。而且恐怕我有些消极也是其中soundscape有点，一言难尽吧…书中interview部分不错。。她的确是一个诗性的艺术家。另外她还是有点启发我后面做了我的镜面installatio... 18年在moma看的five rooms，说实话很像网红打卡点。。。至今还在世界各地展出。美还是很美的，书中关于各种artistic process的描述很深邃，隧更感叹于艺术作品产出和背后的思想精髓的平衡依然无解吧。而且恐怕我有些消极也是其中soundscape有点，一言难尽吧…书中interview部分不错。。她的确是一个诗性的艺术家。另外她还是有点启发我后面做了我的镜面installation的 (展开)