This is a book about how art history is written. It includes detailed analyses of a dozen important texts, and theories about what counts as "interesting" or "experimental" writing on art. There are chapters on texts by Rosalind Krauss, T.J. Clark, Alexander Nemerov, Gilles Deleuze, Helene Cixous, Leo Steinberg, Jean-Louis Schefer, and others; a chapter on institutions that teach experimental writing on art; analyses of rival concepts of the essay; and chapters on the absence of literary criticism in the disciplines of art history, visual studies, art theory, and art criticism.
0 有用 散木 2025-02-26 11:52:17 安徽
在作者网站上可读：305737.blogspot.com/ 埃尔金斯眼中的有趣写作：实验创新，刻意背离学科、传统或体裁规范；关注写作本身，而不在于传递信息，试探艺术史和创意写作的边界。他甚至说：“写作在艺术史等学科中的处境悲惨而禁锢，在当代小说、理论和文学批评中却发展蓬勃，两者间的鸿沟令人担忧。” 真是太高看（标准化的）文学批评了…… 几个案例分析比较散，像是自己边思考边记录的，很难跟得上。