A History of 1930s British Literature

This History offers a new and comprehensive picture of 1930s British literature. The '30s have often been cast as a literary-historical anomaly, either as a 'low, dishonest decade', a doomed experiment in combining art and politics, or as a 'late modernist' afterthought to the intense period of artistic experimentation in the 1920s. By contrast, the contributors to this volume ...

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This History offers a new and comprehensive picture of 1930s British literature. The '30s have often been cast as a literary-historical anomaly, either as a 'low, dishonest decade', a doomed experiment in combining art and politics, or as a 'late modernist' afterthought to the intense period of artistic experimentation in the 1920s. By contrast, the contributors to this volume explore the contours of a 'long 1930s' by repositioning the decade and its characteristic concerns at the heart of twentieth-century literary history. This book expands the range of writers covered, moving beyond a narrow focus on towering canonical figures to draw in a more diverse cast of characters, in terms of race, gender, class, and forms of artistic expression. The book's four sections emphasize the decade's characteristic geographical and sexual identities; the new media landscapes and institutional settings its writers operated in; questions of commitment and autonomy; and British writing's international entanglements.

Benjamin Kohlmann, Albert-Ludwigs-Universität Freiburg, Germany

Benjamin Kohlmann teaches English literature at the University of Freiburg. He is the author of Committed Styles: Modernism, Politics, and Left-Wing Literature in the 1930s (2014) and Speculative States: Literature and Reform in Britain, 1870–1920 (forthcoming). His articles have been published in PMLA, ELH, Novel,...

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Benjamin Kohlmann, Albert-Ludwigs-Universität Freiburg, Germany

Benjamin Kohlmann teaches English literature at the University of Freiburg. He is the author of Committed Styles: Modernism, Politics, and Left-Wing Literature in the 1930s (2014) and Speculative States: Literature and Reform in Britain, 1870–1920 (forthcoming). His articles have been published in PMLA, ELH, Novel, and other journals. He has co-edited several essay collections and special issues, including new work on literature and anti-communism (with Matthew Taunton), modernist utopianism, and the communist writer Edward Upward.

Matthew Taunton, University of East Anglia

Matthew Taunton is a Senior Lecturer in Literature at the University of East Anglia. He is the author of Red Britain: The Russian Revolution in Mid-Century Culture (forthcoming) and Fictions of the City: Class, Culture and Mass Housing in London and Paris (2009). He has also written various articles and book chapters on modern literature and politics, and on cities. With Benjamin Kohlmann, he co-edited a 2015 special issue of Literature & History on the subject of literary anti-Communism. He is deputy editor of Critical Quarterly.

Contributors

Benjamin Kohlmann, Matthew Taunton, Kristin Bluemel, Emma Zimmerman, Nick Hubble, Kristin Ewins, Glyn Salton-Cox, Andrew Thacker, Rachel Potter, Vike Martina Plock, Peter Marks, Ian Whittington, Laura Marcus, James Purdon, Rod Mengham, Louise Wiggins, Tyrus Miller, Leo Mellor, Suzanne Hobson, Janice Ho, Boris Jardine, John Connor, Greg Barnhisel, Patricia Rae, Marina MacKay, Peter Kalliney, Laura Winkiel

Introduction: the long 1930s Benjamin Kohlmann and Matthew Taunton
Part I. Mapping a New Decade: Geographies and Identities:
1. Beyond Englishness: the regional and rural novel in the 1930s Kristin Bluemel
2. Uncanny cities: urban geographies and metropolitan life in the 1930s Emma Zimmerman
3. The making of the working class: proletarian writing in the 1930s Nick Hubble
4. Professional women writers Kristin Ewins
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Introduction: the long 1930s Benjamin Kohlmann and Matthew Taunton
Part I. Mapping a New Decade: Geographies and Identities:
1. Beyond Englishness: the regional and rural novel in the 1930s Kristin Bluemel
2. Uncanny cities: urban geographies and metropolitan life in the 1930s Emma Zimmerman
3. The making of the working class: proletarian writing in the 1930s Nick Hubble
4. Professional women writers Kristin Ewins
5. Queer communist formations: coterie, counterpublic, cell Glyn Salton-Cox
Part II. Media Histories and the Institutions of Literature:
6. Circulating literature: libraries, bookshops, and book clubs Andrew Thacker
7. Literature and education in the long 1930s Matthew Taunton
8. International PEN: writers, free expression, organisations Rachel Potter
9. The new reading public: modernism, popular literature, and the paperbacks Vike Martina Plock
10. Debatable ground: journalism, pamphlets, and social critique Peter Marks
11. 'Hypocrite auditeur, mon semblable, mon frère': literature and the border of the radio public Ian Whittington
12. Talking films Laura Marcus
13. Telemediations James Purdon
Part III. Commitment and Autonomy:
14. Ambiguity run riot: film-mindedness in the 1930s avant garde Rod Mengham
15. 'A vein of insularity': British music in the long 1930s Louise Wiggins
16. Representing fascism in 1930s literature Tyrus Miller
17. The documentary impulse Leo Mellor
18. Religion, modernism and Anglo-agnostics: (un) belief and fiction in the 1930s Suzanne Hobson
19. The colonial state and transnational welfare during the 1930s Depression Janice Ho
20. The scientific imagination and the politics of objectivity Boris Jardine
Part IV. The Global 1930s: Conflict and Change:
21. Anglo-Soviet literary relations in the long 1930s John Connor
22. A declining empire in a rising power: British writers in America Greg Barnhisel
23. Late modernism and the Spanish Civil War Patricia Rae
24. Total war Marina MacKay
25. Colonial intellectuals and the aesthetic Cold War Peter Kalliney
26. Imperial fictions: writing the end of empire Laura Winkiel.
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