p36
...the very fact that he was a child of the merchants' quarter made him especially sensitive to its inadequacies, to its vulgarity and its preoccupation with the material. He reacted from it toward the sublime and the ideal. It was not enough that something should be touching, charming, graceful; it had to have about it a certain radiance, the power to inspire veneration. One had to feel forced to one's knees before it, or lifted by it to the skies. Kaname required this not only in works of art. A woman-worshipper, he looked for the same divine attributes in women, but he had never come upon what he was looking for either in art or in women.
p51
Kaname for his part was not purposely displaying a strength he did not feel; but perhaps a contagious air of strength and virility ab... (查看原文)
In the novel Some Prefer Nettles, Kaname and Misako, as a couple who had lost all their passion towards the marriage, do not interest each other sexually and both procrastinate over this marital decision of divorce. Right after being married, Misako’s fres...
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![[日本] 谷崎润一郎](https://img9.doubanio.com/img/author/medium/public/1550307429.25.jpg)
谷崎润一郎 作者
旧雨
書呆子
威士忌味小曲奇
Vintage1995版
1 有用 深雪里 2022-02-18 20:29:23
以前读过名为《各有所好》的译本。这次读仍然好像来到一个青色的、幽暗的、淫雨的世界。 大概是我对谷崎润一郎的滤镜，总觉得他可以将一件无聊的事情写得极其、极其、极其细腻，细腻到恶魔像菌丝一样爬出来。《细雪》亦然，《食蓼之虫》亦然。 谷崎润一郎与茨威格的相似之处大概是可以写出极平常乃至平庸的人的纤细心灵吧。茨威格笔下人物因这种纤美而超凡入圣，谷崎润一郎大概是因细腻而堕落魔道。每次读谷崎的故事，我也感觉自... 以前读过名为《各有所好》的译本。这次读仍然好像来到一个青色的、幽暗的、淫雨的世界。 大概是我对谷崎润一郎的滤镜，总觉得他可以将一件无聊的事情写得极其、极其、极其细腻，细腻到恶魔像菌丝一样爬出来。《细雪》亦然，《食蓼之虫》亦然。 谷崎润一郎与茨威格的相似之处大概是可以写出极平常乃至平庸的人的纤细心灵吧。茨威格笔下人物因这种纤美而超凡入圣，谷崎润一郎大概是因细腻而堕落魔道。每次读谷崎的故事，我也感觉自己堕入魔道了。 (展开)
2 有用 于是 2021-01-08 14:05:26
净琉璃式的离婚序曲永无终章
0 有用 半瓶水母酱 2021-04-05 12:25:23
这个版本为啥有好多低级错误，斯波要好几次写成了波斯要？故事从开头我就在想他两最后的结局，结果结局就是没有结局。这种暗生罅隙的夫妻生活真是令人窒息。写人偶写和服写日本食物反倒更有趣些。
0 有用 小卤蛋蛋 2020-09-15 14:21:38
年代感很强烈，写的也很啰嗦。
0 有用 Derivatives 2021-12-06 21:27:41
我寻思着这俩人最后还是离不了婚。净琉璃人偶的科普挺有意思的，斯波要正在逐渐变成他岳父那样的人。