p36
...the very fact that he was a child of the merchants' quarter made him especially sensitive to its inadequacies, to its vulgarity and its preoccupation with the material. He reacted from it toward the sublime and the ideal. It was not enough that something should be touching, charming, graceful; it had to have about it a certain radiance, the power to inspire veneration. One had to feel forced to one's knees before it, or lifted by it to the skies. Kaname required this not only in works of art. A woman-worshipper, he looked for the same divine attributes in women, but he had never come upon what he was looking for either in art or in women.
p51
Kaname for his part was not purposely displaying a strength he did not feel; but perhaps a contagious air of strength and virility ab... (查看原文)
In the novel Some Prefer Nettles, Kaname and Misako, as a couple who had lost all their passion towards the marriage, do not interest each other sexually and both procrastinate over this marital decision of divorce. Right after being married, Misako’s fres...
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![[日本] 谷崎润一郎](https://img9.doubanio.com/img/author/medium/public/1550307429.25.jpg)
谷崎润一郎 作者
旧雨
書呆子
威士忌味小曲奇
Vintage1995版
15 有用 赵络绎 2020-08-31 20:28:02
食蓼虫就是《各有所好》，五年前就看了，血亏
0 有用 黄瓜达娃 2020-09-15 14:21:38
年代感很强烈，写的也很啰嗦。
0 有用 小细 2022-03-23 17:26:34
早已名存实亡却无法割断舍弃的婚姻，主要是丈夫斯波要视角，总感觉懒洋洋的，想要改变又缺少魄力。斯波要与美佐子，美佐子父亲与少妾阿久，在斯波要注视下的阿久，贯穿始终的人偶剧，各种意义上的新与旧。“人上了年纪，大都厌烦那些对道理似懂非懂、神经过敏、计较固执的女人，还是喜欢容易从她身上得到爱的女人，好比自己喜欢的人偶。” 啧。
2 有用 卢小墓 2020-12-05 12:49:26
嗯，我的谷崎啊，可真有你的，这本死活不讲重点，专絮叨！而谭译永远都使人绝望，“遂忍俊不禁地要笑出来”，什么玩意儿啊这是，上次见这种操作还是朱武平译《青色时代》里“耀子的模样令诚忍俊不禁地笑了起来”，这俩人真他妈神仙啊。
0 有用 Derivatives 2021-12-06 21:27:41
我寻思着这俩人最后还是离不了婚。净琉璃人偶的科普挺有意思的，斯波要正在逐渐变成他岳父那样的人。