p36
...the very fact that he was a child of the merchants' quarter made him especially sensitive to its inadequacies, to its vulgarity and its preoccupation with the material. He reacted from it toward the sublime and the ideal. It was not enough that something should be touching, charming, graceful; it had to have about it a certain radiance, the power to inspire veneration. One had to feel forced to one's knees before it, or lifted by it to the skies. Kaname required this not only in works of art. A woman-worshipper, he looked for the same divine attributes in women, but he had never come upon what he was looking for either in art or in women.
p51
Kaname for his part was not purposely displaying a strength he did not feel; but perhaps a contagious air of strength and virility ab... (查看原文)
In the novel Some Prefer Nettles, Kaname and Misako, as a couple who had lost all their passion towards the marriage, do not interest each other sexually and both procrastinate over this marital decision of divorce. Right after being married, Misako’s fres...
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![[日本] 谷崎润一郎](https://img3.doubanio.com/view/personage/m/public/9caf8338f9cbeb97aeb2b890c1b681c3.jpg)
谷崎润一郎 作者
Hush
周语
洁可
書呆子
威士忌味小曲奇
Vintage1995版
0 有用 一颗卤蛋 2020-09-15 14:21:38
年代感很强烈，写的也很啰嗦。
0 有用 弔诡彼岸梦 2020-09-24 15:20:44
满分。中期代表作，婚姻关系名存实亡夫妻，在离婚问题上犹犹豫豫的一个故事。是典型的谷崎润一郎叙事风格，淡而生动，无奈又平静。据说是自己真实经历，男主总有那么一种颓废的气质。这就是谷崎润一郎，这就是我喜欢的文字。
1 有用 深雪里 2022-02-18 20:29:23
以前读过名为《各有所好》的译本。这次读仍然好像来到一个青色的、幽暗的、淫雨的世界。 大概是我对谷崎润一郎的滤镜，总觉得他可以将一件无聊的事情写得极其、极其、极其细腻，细腻到恶魔像菌丝一样爬出来。《细雪》亦然，《食蓼之虫》亦然。 谷崎润一郎与茨威格的相似之处大概是可以写出极平常乃至平庸的人的纤细心灵吧。茨威格笔下人物因这种纤美而超凡入圣，谷崎润一郎大概是因细腻而堕落魔道。每次读谷崎的故事，我也感觉自... 以前读过名为《各有所好》的译本。这次读仍然好像来到一个青色的、幽暗的、淫雨的世界。 大概是我对谷崎润一郎的滤镜，总觉得他可以将一件无聊的事情写得极其、极其、极其细腻，细腻到恶魔像菌丝一样爬出来。《细雪》亦然，《食蓼之虫》亦然。 谷崎润一郎与茨威格的相似之处大概是可以写出极平常乃至平庸的人的纤细心灵吧。茨威格笔下人物因这种纤美而超凡入圣，谷崎润一郎大概是因细腻而堕落魔道。每次读谷崎的故事，我也感觉自己堕入魔道了。 (展开)
3 有用 于是 2021-01-08 14:05:26
净琉璃式的离婚序曲永无终章
0 有用 cosimoth 2020-10-08 20:26:51
与谷崎其他小说不太一样，通过大段对话来构建出人物的窘境。整体情节几乎没有发展，但观感真好。