Classics and Media Theory

Edited by Pantelis Michelakis

Pantelis Michelakis is Reader in Classics at the University of Bristol. He is the author of Greek Tragedy on Screen (OUP, 2013), Euripides: Iphigenia at Aulis (Duckworth, 2006), and Achilles in Greek Tragedy (CUP, 2002), and has also co-edited three volumes of essays: The Ancient World in Silent Cinema (with Maria Wyke; CUP, 2013), Agamemnon in Performance, 458 BC to AD 2004 (with Fiona Macintosh, Edith Hall, and Oliver Taplin; OUP, 2005), and Homer, Tragedy and Beyond: Essays in Honour of P. E. Easterling (with Felix Budelmann; Society for the Promotion of Hellenic Studies, 2001). He has published widely on Greek literature, Greek theatre, and the broader reception of classical antiquity.

Contributors:

Emmanuel Alloa is Research Leader in Philosophy at the University of St. Gallen.

Patrick R. Crowley is Assistant Professor of Art History at the University of Chicago.

Frank Haase is an Adjunct Professor at the Institute for Media Studies of the University of Basel.

Karin Harrasser is Professor for Cultural Theory at the University of Art and Design Linz.

Till A. Heilmann is Research Associate at the Department of Media Studies at the University of Bonn.

Duncan F. Kennedy is Emeritus Professor of Latin Literature and the Theory of Criticism at the University of Bristol.

Adam Lecznar is an Honorary Research Fellow in the Department of Greek and Latin at University College London.

Genevieve Liveley is Reader in Classics at the University of Bristol.

Ulrich Meurer is an Adjunct Professor of Film and Media Studies in the Department of Theater, Film, and Media Studies at the University of Vienna.

Pantelis Michelakis is Reader in Classics at the University of Bristol.

Maria Oikonomou is an Elise Richter Senior Research Associate in the Department of Byzantine and Modern Greek Studies at the University of Vienna.

Verity Platt is a Professor in the Departments of Classics and History of Art at Cornell University.