目录
序言························································································ 001
第一辑 科幻理论研究
论科幻小说的概念 ······································································· 002
科幻理论与创意空间···································································· 012
论认知解谜新客户电影 ·································································022
计算人文学视野中的三种人工智能·················································· 035
第二辑 中西科幻史研究
中国科幻思想的流变 ···································································· 046
中国早期科幻小说的科学观···························································· 060
“文革”前十七年的中国科幻文学发展 ················································· 069
神秘的金属钠 ·············································································· 077
科幻五年,五大飞跃···································································· 083
科幻未来主义的状态或宣言 ························································· 091
论中国科幻小说中的想象 ··························································· 093
中国科幻小说中的时间表征························································· 107
西方科幻发展的四个时期 ····························································· 113
民族振兴与国力赶超
--浅析后发达国家科幻小说中的意识形态 ··········································133
第三辑 作家作品研究
《流浪地球》等刘慈欣作品精选序言 ·············································· 142
论郑文光的科幻文学创作 ···························································· 149
科幻的异境域文学的歧途
--《地铁》面面观 ·································································167
两院院士潘家铮科幻小说的特色 ······················································175
科幻品书录················································································ 186
“移民外星人”与我们当下的时代状况 ················································204
克拉克的宇宙全史 ·······································································211
科幻小说的神学边疆
--读C.S.刘易斯的“空间三部曲”·········································· 215
从《人性分解》道《发条女孩》····················································222
第四辑 科幻赋能研究
中国小学生基础阅读书目(科学类)的编制······································ 230
科幻与自主创新能力开发······························································· 247
论科学文艺的可持续发展战略 ·························································255
对中国特色科幻事业的一点思考······················································261
想像力、科幻与新文科建设··························································· 269
科幻与学校教育对话录································································· 275
参考文献····················································································302
附录 我的学术生涯·······································································306
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2 有用 印斯茅斯渔夫 2021-12-04 16:30:22
对吴老师深表敬意。
0 有用 重湖 2023-12-31 21:05:10 黑龙江
本书是吴岩老师四十多年科幻研究过程中的二十九篇文章在打乱时间顺序后按内容类别重新整理出版的一部作品。这类作品的通病在于选取文章质量的良莠不齐以及文章间的论点与论据容易重复,降低阅读体验,本书也不例外,例如书中多次提到的苏恩文对于科幻的定义和分类等等。在我看来本书在一些偏专业领域的分析有些流于表面,同时由于时间跨度过大,部分观点在今天看来也已经过时甚至错误了。 当然在我看来这并不是什么很大的问题,因... 本书是吴岩老师四十多年科幻研究过程中的二十九篇文章在打乱时间顺序后按内容类别重新整理出版的一部作品。这类作品的通病在于选取文章质量的良莠不齐以及文章间的论点与论据容易重复,降低阅读体验,本书也不例外,例如书中多次提到的苏恩文对于科幻的定义和分类等等。在我看来本书在一些偏专业领域的分析有些流于表面,同时由于时间跨度过大,部分观点在今天看来也已经过时甚至错误了。 当然在我看来这并不是什么很大的问题,因为我们在这些文章中看到的不仅仅是科幻研究。从上世纪中期的黄金时代科幻,到冷战时期的后启示录作品,再到互联网发展下的赛博朋克,科幻文学的兴盛离不开科学的发展,而在科幻文学研究中我们同样能够感受到不同时期科技进步与社会发展的时代脉络。 (展开)