In his follow-up to the Pulitzer Prize–winning The Metaphysical Club, Louis Menand offers a new intellectual and cultural history of the postwar years
The Cold War was not just a contest of power. It was also about ideas, in the broadest sense—economic and political, artistic and personal. In The Free World, the acclaimed Pulitzer Prize–winning scholar and critic Louis Menand tells the story of American culture in the pivotal years from the end of World War II to Vietnam and shows how changing economic, technological, and social forces put their mark on creations of the mind.
How did elitism and an anti-totalitarian skepticism of passion and ideology give way to a new sensibility defined by freewheeling experimentation and loving the Beatles? How was the ideal of “freedom” applied to causes that ranged from anti-communism and civil rights to radical acts of self-creation via art and even crime? With the wit and insight familiar to readers of The Metaphysical Club and his New Yorker essays, Menand takes us inside Hannah Arendt’s Manhattan, the Paris of Jean-Paul Sartre and Simone de Beauvoir, Merce Cunningham and John Cage’s residencies at North Carolina’s Black Mountain College, and the Memphis studio where Sam Phillips and Elvis Presley created a new music for the American teenager. He examines the post war vogue for French existentialism, structuralism and post-structuralism, the rise of abstract expressionism and pop art, Allen Ginsberg’s friendship with Lionel Trilling, James Baldwin’s transformation into a Civil Right spokesman, Susan Sontag’s challenges to the New York Intellectuals, the defeat of obscenity laws, and the rise of the New Hollywood.
Stressing the rich flow of ideas across the Atlantic, he also shows how Europeans played a vital role in promoting and influencing American art and entertainment. By the end of the Vietnam era, the American government had lost the moral prestige it enjoyed at the end of the Second World War, but America’s once-despised culture had become respected and adored. With unprecedented verve and range, this book explains how that happened.
2 有用 Cooltree 2022-04-29 20:58:06
把整个4月与5月联接起来的就是这本Menand的书,作者出人意料的固执,自负,执着,以及自我为中心的书写,当然他对外是强调materalist为中心的游走,但是他是价值看法和价值判断,整个写作是具有强烈的实验气质和行动感的。这是一部Pragmatism的实践,无数条曲径分叉但又细密交织的河流,从纽约到西贡,从柏林到伯林,从波洛克到萨特,从包豪斯到披头士。Menand回答了Jo Jo Rabbit的... 把整个4月与5月联接起来的就是这本Menand的书,作者出人意料的固执,自负,执着,以及自我为中心的书写,当然他对外是强调materalist为中心的游走,但是他是价值看法和价值判断,整个写作是具有强烈的实验气质和行动感的。这是一部Pragmatism的实践,无数条曲径分叉但又细密交织的河流,从纽约到西贡,从柏林到伯林,从波洛克到萨特,从包豪斯到披头士。Menand回答了Jo Jo Rabbit的那个疑问,离开家后我们应该干什么,Inges姐姐告诉他:Let us Dance。That's the feeling of the After War,not Tony Judt 也不是霍布斯鲍姆,这是自由的时代。 (展开)
2 有用 鼠斩车田万齐 2022-06-19 10:33:00
看标题以为会是一部讲美苏宣传战的正史结果一读发现是美国《世说新语》。当然作者除了用海量八卦展现了一个时代的文人风貌,还纵向把一系列事件串成了文化史,看完让我都觉得自己更懂艺术了。
0 有用 小红帽 2022-01-28 10:17:34
5/30 Subterranean Books @ WUSTL - tongue-in-cheek.